Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The fiftieth anniversary of the assassination of John F. Kennedy brings out a lot of television, from sober docs to hammy reenactments, with conspiracy theories of all stripes.
SNL's diversity problem extends to its writers room; movies, marijuana, and Hoberman; John Waters' one-man show; gender in the WNBA; life imitating Nazi-stolen art.
The male bonding/rivalry and cars-go-vrooom of "Rush" leaves Susan Wloszczyna bored, but the Sandra Bullock and Dame Judi Dench save the day with great work in "Gravity" and "Philomena" respectively.
Tommaso Tocci reports on "Gravity," the opening night film of the 70th Venice Film Festival.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
At their big D23 Expo event, Disney unleashed some stars and a lot of tantalizing info about live action films.
Marie writes: As the dog days of summer slowly creep towards September and Toronto starts getting ready for TIFF 2013, bringing with it the promise of unique and interesting foreign films, it brought to mind an old favorite, namely The Red Balloon; a thirty-four minute short which follows the adventures of a young boy who one day finds a sentient red balloon. Filmed in the Menilmontant neighborhood of Paris and directed by French filmmaker Albert Lamorisse, The Red Balloon went on to win numerous awards and has since become a much-beloved Children's Classic.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
The star of Kathryn Bigelow's "Zero Dark Thirty" (2012) is Kathryn Bigelow. This film is intensely suspenseful, even though we already know the narrative and its ending, or perhaps because we already know. Its drama is all the more compelling because, when listing out all the plot points, this is actually a very straightforward, almost dull story about a chase that, when it completed, was mostly irrelevant. Even the raid on Usama bin Laden's compound was more of a careful trek through a labyrinth than a shootout. Moreover, we know what happens; we are now watching how.
Ben Affleck's "Argo" (2012) is a unique specimen. On the one hand, it is an exciting, suspenseful rescue story. It is his best film, though as a central character he seems to keep directing himself as a mostly expressionless central character. It is, without doubt, thrilling from start to finish. On the other hand, it is a crass cheerleading of ethnocentrism, recalling Menahem Golan's "Delta Force" (1986). As I watched "Argo," part of me was absorbed in the suspense, as though I was wide eyed, with my hand covering my open mouth. Another part of me was thinking that the timing of its release was a bit too perfect, as though I was scratching my head, thinking "Seriously? You're stooping that low?" Still, the film seems to even take that point as a subtle comment about global cinema culture.
There's a tense scene in Ben Affleck's new thriller "Argo" that dramatizes how the magic of Hollywood is potent all over the world. The movie, based on a true story, involves a cockamamie scheme to rescue six American embassy workers during the 1979 Iran hostage crisis by passing them off as location scouts for a non-existent science-fiction epic.
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
It was like an episode from "The Twilight Zone." The Academy Award for best picture went to a silent film in black and white. The unstoppable "The Artist," which had nothing going for it but boundless joy, defeated big-budgeted competitors loaded with expensive stars because … well, because it was so darned much fun. Its victory will send Hollywood back to its think-tanks.
It doesn't take a crystal ball to see that this year's Academy Awards will amount to a shootout between "Hugo," with 11 nominations, and "The Artist," with 10. Fittingly, they are two movies inspired by love of movie history, the first about the inventor of the cinema, the second about the transition from silent films to talkies.
BEVERLY HILLS, Calif. (AP) — Complete list of 84th Annual Academy Award nominations announced Tuesday:
Hollywood nostalgia may be warmly embraced Tuesday morning when the 2012 Academy awards nominations are announced. Films involving the invention of the cinema, the transition from Silent to Talkies and the legend of Marilyn Monroe are among those certain to be nominated.
Making lists is not my favorite occupation. They inevitably inspire only reader complaints. Not once have I ever heard from a reader that my list was just fine, and they liked it. Yet an annual Best Ten list is apparently a statutory obligation for movie critics.
My best guess is that between six and ten of these movies won't be familiar. Those are the most useful titles for you, instead of an ordering of movies you already know all about.
One recent year I committed the outrage of listing 20 movies in alphabetical order. What an uproar! Here are my top 20 films, in order of approximate preference.
There are some American suburbs that are notorious for their high concentration of high powered parents who excel in their high class careers, spare no expense in raising precisely crafted children, and in the process completely abandon themselves, their spouses, and their children. That is one level of Alexander Payne's "The Descendants." This is such a rich movie that I'll have to watch it a few times to fairly appreciate all of its layers.
There's nothing quite like the movies if you want to learn what people's hopes and dreams were during the period in which they were made. Take for instance the recent "Up in the Air". In the present when air travel has turned into something to be endured, George Clooney's Ryan Bingham showed us how it can become an enticing way of life. The same subject was also portrayed extensively, under a very different light, some forty years as the "Airport" movies dealt with our fears of dying in new and horrible ways, while glamorizing our dreams of flying first-class, surrounded by a movie star in every seat. As the trailer for one of these features once put it: "on board, a collection of the rich and the beautiful!" They also marked the advent of a new genre (the Disaster Film) as well as the "Ark movie" which Ebert's Little Movie Glossary defines as "mixed bag of characters trapped in a colorful mode of transportation". How many films can claim to this kind of impact?
Marie writes: remember "The Heretics Gate" by artist Doug Foster? Well he's been at it again, this time as part of an exhibit held by The Lazarides Gallery - which returned to the subterranean depths of The Old Vic Tunnels beneath Waterloo Station in London, to present a spectacular group show called The Minotaur. It ran October 11th - 25th, 2011 and depending upon your choice (price of admission) dining was included from top Michelin-star chefs.Each artist provided their own interpretation of the classical myth of Theseus and the Minotaur and as with The Heretics Gate before it, Cimera, Doug Foster's new and equally as memorizing piece made it possible to project whatever comes to mind onto it, as images of body forms and beast-like faces take shape and rise from the bowels of earth. (click image to enlarge.) Photo by S.Butterfly.
Lesson for the day: How to have fun while wasting time... Marie writes: welcome to DRAW A STICK MAN, a delightful Flash-based site prompting viewers to draw a simple stick figure which then comes to life! Ie: the program animates it. You're given instructions about what to draw and when, which your dude uses to interact with objects onscreen. Thanks go to club member Sandy Kahn who heard about it from her pal Lauren, in Portland Oregon.Note: here's a screen-cap of what I drew; I've named him Pumpkin Head.
Please remember to check the official CIFF website for ticket information, updates and schedule changes.
At The Frontal Cortex (a blog you should bookmark), Wired contributing editor Jonah Lehrer reveals his backward reading habits (yes, he likes to peek at the endings first) and cites a study that may indicate people enjoy stories more when they know spoilers ahead of time ("Spoilers Don't Spoil Anything"). Is this why some moviegoers actually want to see trailers that consistently give away not only a movie's major plot developments but the best lines and most memorable (that is, salable) images?
I'm always in favor of spoiler warnings in criticism out of respect for readers, who should be able to choose whether they care about discovering certain developments or twists if they haven't seen the film under discussion yet. If, like Jonah Lehrer, you prefer to know about endings (or story points beyond the basic premise) in advance, then go ahead and watch the trailers or skip to the end of the DVD or peek at the final pages of the book. Nobody's stopping you. But don't try to force your ways on the rest of us. The critic who delights in giving away spoilers is like the drunken heckler who's seen a stand-up comic's act and shouts out the punchlines before the jokes are set up.
I'm also interested in counter-intuitive arguments, however. (I'm fascinated that today's electric cars actually create more pollution and consume more energy than gas-powered vehicles, because of how their batteries are manufactured and charged -- which is not to say that we shouldn't make them, because the greater the demand, the more efficient the production cycle will become. And, of course, the less we rely on coal to generate electricity, the cleaner that process will get.)
While I question the statistical significance of the data in the study Lehrer cites, I do find some of Lehrer's observations intriguing. (I enthusiastically recommend his book about the arts and the brain, "Proust Was a Neuroscientist.") He concludes his post with three "random thoughts," to which I will respond one by one: