The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Everything’s Coming up “Rose”
Jerry Lewis returns to Cannes in a starring role in Daniel Noah's "Max Rose," which proves once again — as "The King of Comedy" did — that Lewis can deliver a nuanced serious performance.
Globe Trotting: Cannes Report, May 23
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks good in the long shots, but needs more emotional subtlety.
Cannes: Roger Ebert honored with American Pavilion panel and "500 thumbs up" on the beach
Today the American Pavilion remembered Roger Ebert with a panel and beachfront thumbs-up salute.
Cannes review: Robert Redford fights the elements in "All Is Lost"
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
Am I Blue?: Cannes Report, May 22
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white men arguing about race, and "Blue is the Warmest Color" takes its time to follow the transition from uncertain teenager to knowing adult.
Cannes: Yacht parties, Faulkner, and cannibal families
If you go to a yacht party, don't expect to be living out your own version of "The Talented Mr. Ripley."
Love & Money with James Toback
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project. He also discusses the ultimate fate of humanity. Seriously.
Glamour Boys: Cannes Report, May 21, 2013
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun's "Grisgris" is a mixed bag. So it goes sometimes at Cannes.
Cannes’ Sha Na Na at Woodstock Moment: A Castle in Italy
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Action, Laughs, Beauty: Cannes Report, May 20
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The Great Beauty" lives up to its name.