Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Cannes reviews: Alejandro Jodorowsky returns with "The Dance of Reality" and "Jodorowsky's Dune"
At Directors' Fortnight, Alejandro Jodorowsky has one new feature and appears as the subject of another.
Only Connect: Cannes Report, May 17
Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way, and Hirokazu Kore-eda ("Nobody Knows") tells another gentle tale of family life.
Cannes review: Marcel Ophüls puts his memoirs on film in "Ain't Misbehavin (Un Voyageur)"
Cruisin' Together: Cannes Day Three
Michał Oleszczyk falls for offbeat gay thriller "Stranger by the Lake" and gloriously eccentric essay-film "A Story of Children and Film."
Artifice and Real Life: Cannes Report, May 16, 2013
Barbara Scharres has a few choice words for François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ring," but finds a gem in Ryan Coogler's "Fruitvale Station."
Breaking and Entering: Cannes Day Two
Michał Oleszczyk catches up with two takes on troubled youth: François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ring."
Cannes review: Ari Folman turns to sci-fi with "The Congress"
Ben Kenigsberg reviews the new sci-fi reverie from the director of "Waltz with Bashir."
To "Heli" with "Gatsby": Cannes Day One
Michał Oleszczyk contrasts the opulent excess of opening night film "The Great Gatsy" with the grimmer realities of Amat Escalante's "Heli."
Opening Night: Cannes Report, May 15, 2013
Power is rarely discussed at Cannes, and it’s ostensibly all about art, although careers can hang on critics’ approval, and whether films are sold here, and to how many regions of the world. The annual jury press conference on the opening day is the first and foremost love-fest in which the concept of competition is downplayed and jurors find novel ways to sidestep the question of comparing one film to another in order to award the Palme d’Or in ten days.
Rival tendencies: As Steven Spielberg gets ready to chair this year's Cannes jury, we prepare for an alterna-Cannes.
Ben Kenigsberg looks forward to the parallel programs at this year's Cannes Film Festival.