The Second Best Exotic Marigold Hotel
Despite the theoretical appeal of seeing these veterans share the screen once more and the colorful costumes and images from the film’s Indian locations, the…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Lists from our critics and contributors on the best of 2014.
Part eleven in Scout Tafoya's The Unloved series tackles "Bringing Out The Dead."
The roots of reactionary rage; Dietrich Brüggemann on "Stations of the Cross"; Paul Schrader's silent protest; Case closed on murder of Bulgarian defector; Author tracks down her troll.
Sheila writes: In lieu of the recent release of "Get On Up," the James Brown biopic (check out Odie Henderson's review on Rogerebert.com, and you can also check out the video interview with star Chadwick Boseman and director Tate Taylor), I went scrolling through Youtube the other day, enjoying various James Brown clips. I came across this delight: James Brown giving a dance lesson.
Sheila writes: Author John le Carré wrote a gorgeous and painful reminiscence of Philip Seymour Hoffman in the New York Times. Le Carre wrote, in part: "... His intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect."
The second part of our series on exploring the Israel-Palestine conflict through film.
The best films recently added to Netflix, Hulu, and Amazon with links to RogerEbert.com' reviews.
Recapping the festivities from Roger Ebert's birthday gathering on Google+ today.
May 2014 Blu-rays of note.
A conversation with the Gia Coppola, the young director of Palo Alto.
Sheila writes: It was announced last week that the statue of Roger Ebert (created by artist Rick Harney) will be unveiled in a ceremony during the second day of Ebertfest, Thursday, April 24, at 12 p.m. The statue will live outside the famed Virginia Theatre in Champaign, Illinois. You can read more about the statue here, as well as further details about the ceremony. There is also information there about how you can help fund the sculpture.
David Gordon Green and Tye Sheridan, director and star of "Joe", speak about their new, acclaimed drama.
Introducing our Streaming Consume Guide, with picks from the work of On Demand, Netflix and more.
The death of modern malls; Matthew Weiner talks Mad Men; Spike Lee is coming to Ebertfest; Nicolas Cage on film critics and being famous; Daze and Confused and growing up.
Gerardo Valero reflects on "Man of Steel" and the challenges of making a good Superman movie.
Tommaso Tocci reports on the screenings of "The Canyons," "Tracks" and "Joe" at the Venice Film Festival.
Peter Sobczynski ranks 27 films by Brian De Palma.
Director John Greyson ("Patient Zero") arrested in Cairo; novelist John Niven writes about his brother's suicide; David Kalat and David Ehrenstein reconsider Disney's SONG OF THE SOUTH; top 10 movies about technology; how soon is too soon for artist's to re-create real-life political violence in entertainment? Will success spoil Rose Byrne? Why is your posture so terrible? Why all the question marks? Click the link.
Director David Gordon Green has had a remarkably eclectic career, from delicate indies like "George Washington" to stoner comedy "Your Highness," with stops along the way for the "Halftime in America" Chrysler ad and episodes of HBO's "Eastbound & Down." What keeps him going?
Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
I believe it was the writer W. G. Sebald who said: "Men and animals regard one another across a gulf of mutual incomprehension." No animal seems to comprehend us better than the dog. For that matter, I comprehend them more than any other. Like the Nicolas Cage character in Herzog's "Bad Lieutenant," I have no idea what an iguana is thinking. Does an iguana?
Growing up on the books by Albert Payson Terhune, I developed an early love for dogs. It didn't bother me that one bit me on the cheek at Mrs. Meadrow's Play School. It was my fault. I'd tried to ride her like a horse.