There are two movies in "Jackie." One of these movies is just OK. The other is exceptional. The first one keeps undermining the second.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Paul Schrader, director of "Dog Eat Dog."
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A preview of the 2016 Toronto International Film Festival.
For the love of Gilda; Where Mister Rogers' spirit endures; Shipwreck expert surveys "Little Mermaid"; Pine and Bridges on "Hell or High Water"; Praising "Shades of Blue."
The first films announced for the 2016 Toronto International Film Festival.
Roger's Favorites: Werner Herzog.
Laura Poitras's "Risk," on WikiLeaks, and Paul Schrader's "Dog Eat Dog," a noir, have their premieres at the 2016 Cannes Film Festival.
Roger Ebert reviews David Lynch's "Wild at Heart" at the Cannes Film Festival.
Art is not an endurance test.
The latest on Blu-ray/DVD, including "The Knick," "Day For Night," and "Unfriended."
The fat lady sings again and again.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Glenn Kenny.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Brian Tallerico.
A report on "The Death of 'Superman Lives'" from San Diego Comic-Con.
A list of the one-star reviews so far posted on RogerEbert.com this year.
Ebertfest to welcome Jason Segel, James Ponsoldt, Chazz Palminteri, Jon Kilik, Julieta Zylberberg and Alan Polsky.
A preview of Ebertfest 2015.
Lists from our critics and contributors on the best of 2014.
Part eleven in Scout Tafoya's The Unloved series tackles "Bringing Out The Dead."
The roots of reactionary rage; Dietrich Brüggemann on "Stations of the Cross"; Paul Schrader's silent protest; Case closed on murder of Bulgarian defector; Author tracks down her troll.
Sheila writes: In lieu of the recent release of "Get On Up," the James Brown biopic (check out Odie Henderson's review on Rogerebert.com, and you can also check out the video interview with star Chadwick Boseman and director Tate Taylor), I went scrolling through Youtube the other day, enjoying various James Brown clips. I came across this delight: James Brown giving a dance lesson.
Sheila writes: Author John le Carré wrote a gorgeous and painful reminiscence of Philip Seymour Hoffman in the New York Times. Le Carre wrote, in part: "... His intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect."
The second part of our series on exploring the Israel-Palestine conflict through film.
The best films recently added to Netflix, Hulu, and Amazon with links to RogerEbert.com' reviews.