Charlie’s Angels is the reboot you never knew you needed in your life.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look back through Christian Bale's filmography, highlighting five roles that define his career.
An interview with Joel Edgerton and Garrard Conley, writer/director/star and subject, respectively, of "Boy Erased."
The latest on Blu-ray and DVD, including Happy Death Day, The Foreigner, Professor Marston and the Wonder Women, It, and Blade Runner 2049.
Chaz Ebert lists her favorite films of 2017.
Two dozen of our favorite performances from 2017.
A report on some good films coming your way from Telluride and Toronto this year.
Reviews from the Toronto International Film Festival of the latest by Louis C.K., Scott Cooper, Angela Robinson and Melanie Laurent.
A review of the new USA mystery series that you're about to get addicted to.
A report from Berlinale on the latest from Oren Moverman, Agnieszka Holland and Mike Ott.
The nominees for the 2016 Chicago Film Critics Association's annual awards have been announced.
A recap of the 2016 Chicago International Film Festival.
A list of films and special events to check out when attending this year's Chicago International Film Festival.
A preview of the 2016 Chicago Underground Film Festival.
Reviews of "I, Daniel Blake," "Sieranevada" and "Staying Vertical."
A preview of dozens of films coming out this summer.
A guide to the latest on Blu-ray, including "The Texas Chainsaw Massacre 2" and "Only Angels Have Wings" (the first time those two movies have ever been in a sentence together).
A review of two films about Christine Chubbuck.
A preview of our most anticipated titles at the 2016 Sundance Film Festival.
A look at some of the narrative, documentary, and midnight titles set to premiere at Sundance 2016.
An interview with Joel Edgerton, star/writer/director of "The Gift."
Eric Bana talks about playing a lawyer in "Closed Circuit," finding himself in the midst of another topical film (this one is about terrorism and government secrets) and the pleasures of rowing.
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
(Click to enlarge)