Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Searching for David Chappelle; Susan Faludi on "lean in" feminism; Jonathan Franzen's cranky nonfiction; Judging TV on its own merits; David Bordwell on the changing VIFF.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Woody Allen speaks; confessions of a white Southern Christian racist; YouTube cofounders launch new video service; Pixar discovers animal rights; David Gordon Green a go-go; druglord Rafael Caro Quntero released from prison; trailer for Spike Jonze's new movie.
The negative influence of "The Godfather"; how "the tease" has developed a central role in pop culture; America's de-newspaperization; things that aren't feminism; siding with the victim in horror films.
All the movies Stanley Kubrick was known to have liked; the 25 most exciting young female filmmakers in cinema today; Skyler White is not a bitch; why Spike Lee doesn't need Kickstarter; reporter's account of watching her elderly parents getting arrested; scientists implant false memory in a mouse's brain; Paul Thomas Anderson directs Fiona Apple.
Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.
Susan Seidelman has been making films for over 30 years. Her work includes "Desperately Seeking Susan," the pilot for "Sex and the City," and her new sports comedy "The Hot Flashes." Her story is the story of women in Hollywood: a study in creativity, courage and strength. A profile by RogerEbert.com's Christy Lemire.
Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.
Marie writes: The Ebert Club Newsletter is now three years old! And the occasion calls for some cake - but not just any old cake, as it's also now officially Spring! And that means flowers, butterflies and ladybugs too. Smile.
A remembrance by Roger Ebert's book editor Donna Martin: "I had never even seen "Siskel & Ebert" on television when I knew I wanted to publish Roger's first book. John McMeel, president of Universal Press Syndicate/Andrews McMeel Publishing in Kansas City, had met Roger Ebert in the Chicago Sun-Times newsroom back when John was selling syndicated features to newspapers."
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Peter Bogdanovich's movie musical "At Long Last Love" developed one of those reputations as a career-killing stinker, but in hindsight, it's a pretty darn good mix of 1930s tunes with the slightly more realist sensibility of later musicals. And it's a project with a crazy history. Now that it is out on Blu-Ray, it deserves another look.
We can be very glad Barack Obama won his bid for re-election for reasons that have nothing to do with politics. Unlike Obama, his defeated opponent is, to put it gently, not a gifted public speaker. He actually has a warm and semi-mellifluous voice when speaking in a normal tone into a microphone; the best parts of his TV commercials were when he said he was Mitt Romney and he "approved this message. " Up on stages and platforms, however, he displayed little talent for galvanizing a crowd, or even holding attention.
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is Part 2 of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here.
"Unethical? Jesus, Larry. Don't start pulling at that thread; our whole world will unravel." -- Artie (Rip Torn)
by Edward Copeland
Unravel those threads did -- and often -- in the world of fictional late night talk show host Larry Sanders. On "The Larry Sanders Show," the brilliant and groundbreaking HBO comedy that paid attention to the men and women behind the curtain of Sanders' fictional show, the ethics of showbiz were hilariously skewered.
Like all of us, I'm living under a death sentence. Not to sound alarmist, but to quote Woody Allen in "Love and Death": "Isn't all mankind ultimately executed for a crime it never committed? The difference is that all men go eventually, but I go six o'clock tomorrow morning." Looking on the bright side of death, I think in some ways it must be nice to have such certainty. But we live in perpetual uncertainty and doubt (see "No Country for Old Men"). My own awareness of the prospect of my demise ranges between roughly five years and five seconds, according to fluctuations in the health of my heart. I've gotten close enough to peer over the threshold (and in one case, lost my grip and fell into the void for, I'm told, about 10 or 15 minutes). My point is, I don't see death as an abstraction but a... vividly imminent possibility, depending on the situation.
(Neuroscientists say it may take the human brain 20-30 years or of development to really begin to fathom the concept anyway -- to some extent we tend to feel, and behave, as if we are immortal before that. I think my brain "knew" somewhat earlier.)
My adventures in mortality are absolutely nothing, however, compared to what some of my friends and acquaintances have been through. People have asked me if my near-death (temporary-death?) experience in 2000 gave me a new perspective on life and I have to say... no. I've been preoccupied with death ever since I was old enough to have a rudimentary understanding of what that was. It used to make me a little dizzy thinking about an infinity of nonexistence, like the one I didn't experience before I was born, but I don't find anything disturbing or frightening about that. Hey, it happens to everybody. Dying is easy; living is hard.*
I only met Judith Crist once, but her career had an enormous role in shaping the world of the movie critics who followed her. She was the first full-time female movie critic for a big American daily newspaper, but set aside her gender: By her success and fame, she created jobs for movie critics where there were none before.
UPDATED (08/01/12): Scroll to the bottom of this entry to see my first impressions of the newly announced critics' and directors' poll results.
Vittorio De Sica's "Bicycle Thieves" (1948) topped the first Sight & Sound critics' poll in 1952, only four years after it was first released, dropped to #7 in 1962, and then disappeared from the top ten never to be seen again. (In 2002 only five of the 145 participating critics voted for it.) Orson Welles' "Citizen Kane" (1941) flopped in its initial release but was rediscovered in the 1950s after RKO licensed its films to television in 1956. From 1962 to 2002 "Kane" has remained at the top of the poll (46 critics voted for it last time). This year, a whopping 846 top-ten ballots (mentioning 2,045 different titles) were counted, solicited from international "critics, programmers, academics, distributors, writers and other cinephiles" -- including bloggers and other online-only writers. Sight & Sound has announced it will live-tweet the 2012 "Top 50 Greatest Films of All Time" (@SightSoundmag #sightsoundpoll) August 1, and as I write this the night before, I of course don't know the results. But, for now at least, I'm more interested in the process.
Given the much wider and younger selection of voters in 2012, ist-watchers have been speculating: Will another movie (leading candidate: Alfred Hitchcock's "Vertigo," number 2 in 2002) supplant "Kane" at the top of the list? Will there be any silent films in the top 10? (Eisenstein's "Battleship Potemkin" and Murnau's "Sunrise" tied for #7 on the 2002 list, but the latter was released in 1927 with a Fox Movietone sound-on-film musical score and sound effects.)
Though there's been no rule about how much time should pass between a film's initial release and its eligibility (the Library of Congress's National Film Registry requires that selections be at least ten years old), most of the selections ten to have stood the test of time for at least a decade or two. The newest film on the 2002 list was the combination of "The Godfather" (1972) and "The Godfather, Part II" (1974) -- but they won't be allowed to count as one title for 2012.
Los Angeles is a behemoth or, better, an octopus, with tentacles stretching 468.67 square miles, a fact that shocked me when I moved here in 1990. That meant that it was bigger than the distance consumed by driving to and from Chicago from my hometown, Kewanee (150 miles southwest), and back again. I soon realized that one could easily live an entire lifetime in Los Angeles and never see it all. This also meant that so much was always going on, including really desirable events, many of which would most certainly be missed.
Marie writes: As some of you may know, it was Roger's 70th birthday on June 18 and while I wasn't able to give the Grand Poobah what I suspect he'd enjoy most...
Siskel & Ebert fight over a toy train (1988)
You may find it disturbing to see audiences laughing while watching "The Exorcist"(1973), but you will probably not see any problem in having some laugh with "Rosemary’s Baby" (1968). It goes without saying that they are two of the most chilling modern horror films, but, while the former unsettles us with its utmost solemnness parodied many times since it came out, the latter has a spooky sense of humor immune to parodies. How can you make an effective parody to undermine a horror film if it already has a devilish tongue slyly placed on its dark cheek?
Yes, but is it Art? Marcell Duchamp's famous "Fountain" aka urinal