Watching it is like finding money in the pocket of a coat that you haven’t worn in years.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A preview of this year's New York Asian Film Festival, now in its 16th year.
Writer/director Amy Heckerling takes a look back at her career.
The latest on Netflix and Blu-ray/DVD, including "45 Years," "Moonlight," "Rules Don't Apply," "The Eyes of My Mother," "Moana" and more!
Oscar nominees spotlight diversity; Best Actor Battle; Damien Chazelle wins DGA Award; "The Salesman" may win thanks to Trump; All nominees tipped to win.
Walter Chaw revisits Oliver Stone's 1981 horror film "The Hand" and explores the director's fascination with nightmares and the uncanny.
A review from the Venice Film Festival of Paolo Sorrentino's new series.
Reviews from the Cannes Film Festival of Sean Penn's "The Last Face," "The Long Night of Francisco Sanctis" and Asghar Farhadi's "The Salesman."
A preview of dozens of films coming out this summer.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
An obituary for the late Oscar-winning cinematographer Vilmos Zsigmond.
Sheila writes: Quentin Tarantino's films are often tributes to other films, to other genres, to actors who have made their marks in the past. He loves it all, he has enthusiasm for all. Here, in this really fun Press Play video, Tarantino's visual references to other films are made explicit, shot for shot.
Brando's A-list acting school; Sex, death and Kubrick; Five Wallace essays you must read; Gendering of martyrdom; Hackers can disable a sniper rifle.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Godfrey Cheshire.
A list of the two-and-a-half-star reviews so far posted on RogerEbert.com this year.
A dispatch from Cannes on the new films by Emmanuelle Bercot, Hirokazu Kore-eda, and Matteo Garrone.
How Hollywood keeps out women; Why color correction matters; Spike Lee on digital film viewing; All things shining in "The Tree of Life"; Togetherness in "Avengers: Age of Ultron."
Ebertfest to welcome Jason Segel, James Ponsoldt, Chazz Palminteri, Jon Kilik, Julieta Zylberberg and Alan Polsky.
Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.
A report on Slamdance 2015.
A Sundance dispatch with "Girlhood," "Christmas, Again," "Most Likely to Succeed" and "Beaver Trilogy Part IV".
A review of Hansal Mehta’s 2013 film, "Shahid."
With "Doll & Em" and "Ghetto Klown", Emily Mortimer and John Leguizamo turn personal stories into wildly creative television.
More debate about the future of U.S. healthcare reform; Twitch Film apologizes to director Sono Sion; friends don't let friends remake "Ben-Hur"; how television does better by women than movies do; deconstructing a "Carlito's Way" scene.
Peter Sobczynski ranks 27 films by Brian De Palma.
This piece is about director Neil Jordan's seven most overtly supernatural, fairy tale-like films—The Company of Wolves, High Spirits, Interview with the Vampire, The Butcher Boy, In Dreams, Ondine, and his latest, the mother-daughter vampire shocker Byzantium. An infographic analysis of each—please refer to the key for each symbol's meaning—reveals this pattern and confirms Byzantium is the culmination of 30+ years of Jordan exorcising his personal demons on-screen.