Following the journey of a dachshund as it is shuffled from owner to owner, Todd Solondz's Wiener-Dog is one of his sharpest visions of futility.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Reviews from the Cannes Film Festival of Sean Penn's "The Last Face," "The Long Night of Francisco Sanctis" and Asghar Farhadi's "The Salesman."
A preview of dozens of films coming out this summer.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
An obituary for the late Oscar-winning cinematographer Vilmos Zsigmond.
Sheila writes: Quentin Tarantino's films are often tributes to other films, to other genres, to actors who have made their marks in the past. He loves it all, he has enthusiasm for all. Here, in this really fun Press Play video, Tarantino's visual references to other films are made explicit, shot for shot.
Brando's A-list acting school; Sex, death and Kubrick; Five Wallace essays you must read; Gendering of martyrdom; Hackers can disable a sniper rifle.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Godfrey Cheshire.
A list of the two-and-a-half-star reviews so far posted on RogerEbert.com this year.
A dispatch from Cannes on the new films by Emmanuelle Bercot, Hirokazu Kore-eda, and Matteo Garrone.
How Hollywood keeps out women; Why color correction matters; Spike Lee on digital film viewing; All things shining in "The Tree of Life"; Togetherness in "Avengers: Age of Ultron."
Ebertfest to welcome Jason Segel, James Ponsoldt, Chazz Palminteri, Jon Kilik, Julieta Zylberberg and Alan Polsky.
Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.
A report on Slamdance 2015.
A Sundance dispatch with "Girlhood," "Christmas, Again," "Most Likely to Succeed" and "Beaver Trilogy Part IV".
A review of Hansal Mehta’s 2013 film, "Shahid."
With "Doll & Em" and "Ghetto Klown", Emily Mortimer and John Leguizamo turn personal stories into wildly creative television.
More debate about the future of U.S. healthcare reform; Twitch Film apologizes to director Sono Sion; friends don't let friends remake "Ben-Hur"; how television does better by women than movies do; deconstructing a "Carlito's Way" scene.
Peter Sobczynski ranks 27 films by Brian De Palma.
This piece is about director Neil Jordan's seven most overtly supernatural, fairy tale-like films—The Company of Wolves, High Spirits, Interview with the Vampire, The Butcher Boy, In Dreams, Ondine, and his latest, the mother-daughter vampire shocker Byzantium. An infographic analysis of each—please refer to the key for each symbol's meaning—reveals this pattern and confirms Byzantium is the culmination of 30+ years of Jordan exorcising his personal demons on-screen.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
Marie writes: Christmas is almost upon us, and with its impending arrival comes the sound of children running free-range through the snow, while grown-ups do battle indoors in the seasonal quest to find the perfect gift...
Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...
Marie writes: The ever intrepid Sandy Khan shared the following item with the Newsletter and for which I am extremely glad, as it's awesome..."Earlier this year, the Guggenheim Museum put online 65 modern art books, giving you free access to books introducing the work of Alexander Calder, Edvard Munch, Francis Bacon, Gustav Klimt & Egon Schiele, and Kandinsky. Now, just a few short months later, the Metropolitan Museum of Art has launched MetPublications, a portal that will "eventually offer access to nearly all books, Bulletins, and Journals" published by the Met since 1870."
Marie writes: the ever intrepid Sandy Khan recently sent me a link to ArtDaily where I discovered "Hollywood Unseen" - a new book of photographs featuring some of Hollywood's biggest stars, to published November 16, 2012."Gathered together for the first time, Hollywood Unseen presents photographs that seemingly show the 'ordinary lives' of tinseltown's biggest stars, including Rita Hayworth, Gary Cooper, Humphrey Bogart and Marilyn Monroe. In reality, these "candid' images were as carefully constructed and prepared as any classic portrait or scene-still. The actors and actresses were portrayed exactly as the studios wanted them to be seen, whether in swim suits or on the golf course, as golden youth or magic stars of Hollywood."You can freely view a large selection of images from the book by visiting Getty Images Gallery: Hollywood Unseen which is exhibiting them online.
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Terrence Malick's return to movie-making in 1998, preceded by a twenty-year period of largely mysterious retreat, was a tremendous event, the result of which - "The Thin Red Line" - exceeded any expectations one might have had at the time. I can still recall four consecutive evenings in early 1999, when I watched the movie repeatedly at the local cinema in my Polish hometown of Tarnowskie Góry. The first screening was so moving, I felt entranced and compelled to come back the next evening - and the next, and the one after that.