Wingard and Barrett have a perfect eye and ear for this type of material. They have fun with their influences, paying homage to John Carpenter…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Odie Henderson went to TIFF 2014 and shares his favorites from this year's fest, along with a glimpse of what's it like on the ground at a fest like Toronto.
Jack the Ripper unmasked; "Black and White" full of stereotypes; Tarantino takes over New Beverly; Words I never want to see in a review; Bryan Dechart on "The Remaining."
Women superheroes; Sexually confused youth; Heterosexuality every after; Beards and more beards; The interiors of Transcendence.
Matt Zoller Seitz's Top 10 films of 2013.
Jana Monji reports on the costume event at Disney's D23 Expo.
At their big D23 Expo event, Disney unleashed some stars and a lot of tantalizing info about live action films.
The debate on norms of behavior in movie theaters (to shush or not to shush) rages on, Christy Lemire muses on Johnny Depp and Armie Hammer's critic-conspiracy theory, Letterboxd and The Dissolve announce a partnership, a record store owner tells all, and what makes Walter White of "Breaking Bad" special.
Sometimes a Dark Horse is a good bet. Dark Horse has done well over the last few decades since Mike Richardson founded the comic book company in 1986 in Oregon, six years after he opened his first comic book store, Pegasus Books in Bend, Oregon. While Dark Horse has been the home for canceled TV series to continue such as "Buffy the Vampire Slayer," feature films have been made from Dark Horse Comics series such as the 1994 "The Mask," "Timecop," the 2004 "Hellboy" or the 2005 "Sin City," the recently released "R.I.P.D." and the upcoming 2014 "Sin City: A Dame to Kill For." Dark Horse also has a samurai tradition.Richardson is very interested in Japanese culture. At SDCC, Dark Horse and Richardson brought the creator of "Lone Wolf and Cub," the 77-year-old Kazuo Koike and announced a new eleven-volume series "New Lone Wolf and Cub." "Lone Wolf and Cub" is Dark Horse's best-selling series of all time.The original "Lone Wolf and Cub" (子連れ狼) was a 28-volume manga series from the 1970s with ukiyo-e stylized illustrations. The series first came to the U.S. in 1987, published in English translation by First Comics. After First Comics closed down in 1991, Dark Horse Comics picked up the manga and completed the series in English.The story follows the widowed Ōgami Ittō and his three-year-old son, Daigorō. The Yagyū clan has made false accusations, discrediting Ōgami (which literally means wolf and thus the title). Ittō and his son seek revenge. The manga series became a Japanese movie series in the 1970s.Speaking through an interpreter, Koike said that if the movie series had been remade, he would have wanted the late Akira Kurosawa to direct. Since Kurosawa is unavailable, he'd love to get the chance to direct the story himself. For Ittō, his choice of actors would be either Keanu Reeves or Johnny Depp, but he has no recommendations for the chief villain.It should come as no surprise then that when asked Koike listed the 2005 horror Keanu Reeves horror movie "Constantine" and the 1999 French-Spanish-American Johnny Depp thriller "The Ninth Gate" as two of his five favorite movies. Also on that list were the TV series "Criminal Minds," "24" and "Castle." Too bad Nathan Fillion wasn't around Dark Horse although his presence was felt in so many other places and ways at SDCC.As for Koike's favorite samurai flicks, he lists the "Lone Wolf and Cub" series and pointedly commented he doesn't like American samurai movies. That might be a blow to Tom Cruise and his "The Last Samurai."In a later interview, Dark Horse creator Michael Richardson and Stan Sakai laughed at the notion of Keanu Reeves in the upcoming "47 Ronin" which is set for a Christmas Day release. When Richardson got wind of an American movie remake of this famous story about 47 masterless samurai who carefully plot to avenge their master who was forced to commit ritual suicide after a confrontation with the villainous Lord Kira, he decided the time was right for Dark Horse to have their own version of the "47 Ronin."Richardson remembers meeting Roger Ebert in Cannes, when a desperate Ebert ran up to him and said he had to see this movie, "The Mask." Richardson gave up his seat and got a good review. He expressed sadness at Ebert's recent death.A self-proclaimed "fan of Japanese culture," Richardson had first learned about the 47 ronin more than two decades ago. Many movies have been made on this famous true story. Richardson noted that "Every time I saw one of the movies, there was something different" and from all of these he worked with source material and photographs of the actual sites and choose Stan Sakai to collaborate on a manga series. The series is five issues of varying length and the story is told from the perspective of the 48th ronin."That's never been done before," said Sakai. Being a third-generation Japanese American, artist Sakai knew about the story since the fourth grade. "I really wanted to get it right," he commented. Sakai had also been to the temple where the 48 are buried and used his own photos as reference for the beginning of the manga series.Sakai, who created "Usagi Yojimbo," feels that while Americans have become more familiar with samurai the perception has changed markedly over time. "I think now people just think of samurai as straight warriors. They forget the sense of honor and the cultural aspects. The samurai practiced the tea ceremony, ikebana and poetry."As the writer, Richardson felt it was important that this series have a sense of authenticity and consulted with Kazuo Koike. Richardson sees the samurai as the mythical character of Japan, "Each culture comes up with a mythical character, like for America, it's the Western and the gunfighter and the code of the West." Both the samurai and the gunfighter are outsiders who are known by the weapon they control. Richardson pointed out that Kurosawa's movies inspired a few Westerns including the 1964 spaghetti Western "A Fistful of Dollars" (from the 1961 "Yojimbo").Richardson had problems narrowing down to five favorite movies, listing the 1941 "Citizen Kane," the 1962 "Lawrence of Arabia," the 1940 "The Grapes of Wrath," the 1974 "Chinatown" and "The Godfather" (Parts I and II) as his favorites. For samurai movies, his choices were "Seven Samurai," "Yojimbo," "Sanjuro," and Hiroshi Inagaki's "Samurai Trilogy" starring Toshiro Mifune as Musashi Miyamoto ("Musashi Miyamoto" in 1954, "Duel at Ichijoji Temple" in 1955 and "Duel at Ganryu Island" in 1956). The first movie of the trilogy won a 1955 Oscar for Best Foreign Language Film. The trilogy is referenced in Quentin Tarantino's 2003-2004 two-film series "Kill Bill."Sakai also listed "The Godfather" and the "Seven Samurai," in his favorite movies, but also included the original 1933 movie "King Kong," the 1931 Boris Karloff "Frankenstein," Humphrey Bogart's 1941 "The Maltese Falcon" and the 1961 "West Side Story."For samurai movies, Sakai listed "Satomi Hakken-den" (里見八犬伝) which is based on a Japanese epic novel about dog warriors, the original 1962 "Zatoichi" because Sakai is not a fan of Beat Takeshi's 2003 version which included clog-dancing, "Sanjuro" over "Yojimbo," "Seven Samurai" and the 1965 "Samurai Assassin." Both Sakai and Richardson enjoyed Takeshi Miike's "13 Assassins."With a long list of movies that are based on series from Dark Horse Comics and a smaller list of movies that inspired Dark Horse Comic series such "Star Wars" "Predator" and "RoboCop," Richardson requires his interns watch a list of movies that began at 100 and continues to grow.Kazuo Koike was Dark Horse Comics' guest of honor. "Lone Wolf and Cub" is Dark Horse's best-selling series of all time and continues with an eleven-volume series "New Lone Wolf and Cub" with Koike teaming up with Hideki Mori (the original artist for the series, Goseki Kojima passed away). The new series will be published in 2014. The fifth and final volume of "47 Ronin" was published July 3 and is currently available.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
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Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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Marie writes: Next door, across a long narrow drive and beyond the row of cedar hedges which run parallel to it, there resides an elementary school dating back to 1965, along with an assortment of newer playground equipment rendered in bright, solid primary colors...I'm sure you know the sort I mean...
Marie writes: Recently, we enjoyed some nice weather and inspired by the sunshine, I headed out with a borrowed video camera to shoot some of the nature trails up on Burnaby Mountain, not far from where I live. I invariably tell people "I live near Vancouver" as most know where that is - whereas Burnaby needs explaining. As luck would have it though, I found a great shot taken from the top of Burnaby Mountain, where you can not only see where I live now but even Washington State across the Canadian/US border...
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Marie writes: I received the following from intrepid club member Sandy Kahn and my eyes widened at the sight of it. It's not every day you discover a treasure trove of lost Hollywood jewelry!
Grace Kelly is wearing "Joseff of Hollywood"chandelier earrings in the film "High Society" (1965)(click image to enlarge.)
Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)
Go here to explore a 360 panoramic view of the grand staircase!
It was like an episode from "The Twilight Zone." The Academy Award for best picture went to a silent film in black and white. The unstoppable "The Artist," which had nothing going for it but boundless joy, defeated big-budgeted competitors loaded with expensive stars because … well, because it was so darned much fun. Its victory will send Hollywood back to its think-tanks.
"Tim and Eric's Billion Dollar Movie" is available for streaming/download on iTunes, Amazon Instant, Vudu and YouTube. In theaters March 2.
"Tim and Eric's Billion Dollar Movie" is a lot like "Tim and Eric's Awesome Show, Great Job!." They're both experimental video art posing as sketch comedy. In them you can see DNA from Ernie Kovacs, John Waters, the Kuchar brothers, Robert Downey, Sr., Tom Rubnitz, early Beck music videos, Damon Packard, Aqua Teen Hunger Force (and every other Adult Swim psychotic episode) and Harmony Korine, to name just a random few. But it's likely that actor-writer-directors Tim Heidecker and Eric Wareheim took inspiration from none of these freaks.
The duo's work seems to flow directly from three sources: Bad corporate promotional and instructional videos, absurd local TV programming and assaultive blockbuster films. Their collages of chopped-and-screwed sounds with spastic motion graphics and sloppy green screen don't seem much different (in effect, if not production values) from what's on cable any given Sunday. It's just that they put unattractive, demented-seeming people in front of the green screen instead of the usual telegenic emoters. They spout nonsense where platitudes and corporate messages usually go. When celebrities appear on the show, they flub and stutter like robot hologram versions of themselves. It's as if the show's editor was a spam bot.
Whether any of it is funny is almost beside the point. The creeping surrealism often takes away your ability to blink, especially, I suspect, when, like me, you have no history with the show.
It's a sunny, unseasonable 80 degrees as the 2012 Santa Barbara International Film Festival kicks in, but all I want is to be indoors. When you peer at a schedule listing nearly 200 films jammed into 10 days, and you just can't wait, you know you're an addict. This is my third SBIFF so I recognize the signs.
Suddenly each January, there's an extra bustle in this appealing, laid-back town. Downtown on lower State Street, trucks appear bearing vivid banners, soon to be festooned overhead. Special lights and rigging go up at 2 central venues - the precisely restored, historic Lobero and Arlington Theatres. Locals watch to see whether Festival Director Roger Durling changes his hair: one year it was spikey, another year purple. This time it's rather like Heathcliff - longer, romantic.
Unless we find an angel, our television program will go off the air at the end of its current season. There. I've said it. Usually in television, people use evasive language. Not me. We'll be gone. I want to be honest about why this is. We can't afford to finance it any longer.
The Grand Poobah writes: Unless we find an angel, our television program will go off the air at the end of its current season. There. I've said it. Usually in television, people use evasive language. Not me. We'll be gone. I want to be honest about why this is. We can't afford to finance it any longer.
To read the full story, visit "The Chimes at midnight" on the Blog.
Marie writes: remember "The Heretics Gate" by artist Doug Foster? Well he's been at it again, this time as part of an exhibit held by The Lazarides Gallery - which returned to the subterranean depths of The Old Vic Tunnels beneath Waterloo Station in London, to present a spectacular group show called The Minotaur. It ran October 11th - 25th, 2011 and depending upon your choice (price of admission) dining was included from top Michelin-star chefs.Each artist provided their own interpretation of the classical myth of Theseus and the Minotaur and as with The Heretics Gate before it, Cimera, Doug Foster's new and equally as memorizing piece made it possible to project whatever comes to mind onto it, as images of body forms and beast-like faces take shape and rise from the bowels of earth. (click image to enlarge.) Photo by S.Butterfly.
Marshall Curry's "If a Tree Falls" premieres on PBS's "POV" series Tuesday, September 13, 2011.
by Steven Boone
Terrorism is plain stupid. I reaffirmed this belief halfway into "If a Tree Falls: A Story of the Earth Liberation Front", a documentary chronicling the titular organization's rise and fall. It's one thing to protest in the streets, sit down in front of bulldozers and stage direct "actions" to draw media attention to a particular issue; it's another thing entirely to commit violent crimes with the same ends in mind. But did the Earth Liberation Front actually perpetrate any terrorism? Their 1200 or so "incidents," as a lawyer representing some members calls them, resulted in zero deaths or injuries (other than maybe a booboo sustained while vaulting a fence before the cops came). The violence was restricted to private property.
But the crimes covered in this film were prosecuted in the wake of 9/11, when its principal subject, radical environmental activist-arsonist Daniel McGowan, found himself branded a terrorist in the media and on trial. "I think people look at my case and think, 'What if that motherf**ker burned down my house?'" he says in the film. "They think it's just a bunch of young crazies walking around with gas cans, lighting shit on fire and that pisses them off."
"These facilities" were the offices of park rangers, loggers, an SUV dealership and a horse slaughterhouse. In the '90s and '00s, the E.L.F. targeted a range of businesses and organizations it saw as powerful agents of environmental destruction. The members were mostly very young protestors radicalized by brutal police response. Footage of cops beating and pepper-spraying non-violent activists who refuse to disperse does resemble classic civil rights/counterculture tumult. (Scenes of confrontation with loggers, from an E. L.F.-made documentary ostensibly shot in the mid-90s, look as if they could have been shot in the late '60s.) This was a classic, bright-eyed, idealistic strain of the environmental movement, led by resourceful twenty-somethings.