Music by John Williams
Self
Steven Spielberg
Steven Spielberg
Steven Spielberg Movie Reviews
Albert Brooks: Defending My Life
Self
Five Came Back
Himself
Mifune: The Last Samurai
Himself
Hitchcock/Truffaut
Himself
Disclosure Day
Director
The Fabelmans
Director
West Side Story
Director
Ready Player One
Director
The Post
Director
The BFG
Director
Bridge of Spies
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Jurassic Park 3D
Directed by
Lincoln
Directed by
War Horse
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The Adventures of Tintin
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Indiana Jones and the Kingdom of the Crystal Skull
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Munich
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War of the Worlds
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The Terminal
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Blog Posts That Mention Steven Spielberg
New York Philharmonic and Steven Spielberg Celebrate the Music of John Williams
Alive Again: Revisiting Steven Spielberg’s Jurassic Park
Video Interview: Meryl Streep, Tom Hanks & Steven Spielberg on The Post
Life Refuses to Stand Still: Another Look at Steven Spielberg’s “Always”
Cannes 2016: Steven Spielberg Adapts “The BFG”
The Audience Man: “Steven Spielberg Director’s Collection”
The Abraham Lincoln Presidential Library Foundation Honors Steven Spielberg with the Lincoln Leadership Prize
The Abraham Lincoln Presidential Library Foundation Honors Steven Spielberg
Book Excerpt: Steven Spielberg and Duel: The Making of a Film Career
Steven Spielberg: My animated tribute
Steven Spielberg’s legacy
Action: Steven Spielberg & the need for speed
Interview with Steven Spielberg
Top secret: Steven Spielberg on the brink of the “Close Encounters” premiere
The Steven Soderbergh Single-Year Double Feature
Celebrating the Artifice: Laurent Bouzereau on Spielberg, Hitchcock, De Palma and More
Super 8: Spielberg Lite
Making contact: Spielberg’s Close Encounters and E.T.
Memo to Spielberg: Hands off “Jaws!”
Oscar will finally pay its respects to Spielberg
A telephone call with Spielberg
Spielberg calls back
Catching up with Spielberg
Spielberg & Cruise & the movies
Private Spielberg
Spielberg turns letterboxing into `Crusade’ with new tape
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
The List is Life: On the 30th Anniversary of Schindler’s List
Kevin Frazier and Nischelle Turner Become First Black Hosts of the 2023 Palm Springs International Film Awards
TIFF 2022: The Fabelmans, Glass Onion
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
Out Upon the World’s Stage: Lincoln as History and Tragedy
Revisiting John Williams’ Score for Jaws, 45 Years Later
30 Minutes on “The Post”
Richard Dreyfuss and Deborah Kolar, Daughter of Robert Shaw, on Jaws
SXSW Film Festival 2018: Ready Player One
Molly Haskell on feminism, censorship, screwball comedy, and life after Andrew Sarris
Bright Wall/Dark Room July 2016: “Watch the Skies: ‘Empire of the Sun’ and the Difficult Third Album” by Brian Doan
NYFF 2015: “Bridge of Spies”
Interview: Peter Biskind Revisits “Easy Riders, Raging Bulls”
The Fall and Rise of “Falling Skies”
The Future of the Movies
Lincoln: “It’s true because it works”
Lincoln: The Abe Team
Indy in the Riviera sunshine
CE3K 30 3.0
What makes a movie a “classic”?
László Kovács: In Memory
Coming to a bad end
The 100 Most Acclaimed Movies of the 20th Century
The AFI Top 100
5-25-77: A Geek Odyssey
With love, from Bay, to you…
The Cruise-ible
We know what you’ll be doing
A Lincoln who creaks with every step
A Master Emerges: Conrad Hall and “The Outer Limits”
Johnny Carson: The man behind the curtain
Inventing David Geffen: The Art of Self-Creation
Two Incredible 4K Box Sets Target Loyal Fan Bases
Courtney Grace, “Disclosure Day,” and the One-Scene Wonder
Uncomfortable Truths: “Set It Off,” “Girl 6,” and “Naked Acts” at 30
Roger Ebert’s Best and Worst Alien Movies
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
Cannes 2026: “Fjord” wins Palme d’Or
An Invitation to a Film Party: The 13th Annual Chicago Critics Film Festival
Chicago Critics Film Festival Lineup Announced, including Guests Olivia Wilde, Joe Swanberg, Dawn Porter, More
Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
What to Watch on Netflix: July 2025
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
What to Watch on Netflix: May 2025
In the Name of Friendship: Matthew Rankin on “Universal Language”
Have a Great Day: David Lynch (1946-2025)
The Great Craft of 2024
Nothing Left to Prove: Quincy Jones (1933-2024)
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
The World Isn’t As Funny Now: Teri Garr (1944-2024)
“Megalopolis” and “Joker: Folie à Deux”; or, The Virtue of Burning Money
Transcending Hell on Earth in Larisa Shepitko’s “The Ascent”
Telluride Film Festival 2024: Memories for a Lifetime
I Saw the Sixth Sense Knowing the Big Twist, and Loved It Anyway
Looking Into My Soul: Colman Domingo on Sing Sing
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
The 10 Best Fourth of July Releases of the 21st Century
Some Material May Be Inappropriate: The PG-13 Rating at 40
What If a Movie Called IF Found an Audience?
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
On Luca, Tenet, The Invisible Man and Other Films from the Early Pandemic Era that Deserve More Big-Screen Time
