Made in England: The Films of Powell and Pressburger
Self – Narrator
Martin Scorsese
Martin Scorsese Movie Reviews
Once Were Brothers: Robbie Robertson and The Band
Himself
Rumble: The Indians Who Rocked the World
Himself
Mifune: The Last Samurai
Himself
Hitchcock/Truffaut
Himself
Shark Tale
Sykes
The Last Waltz
The Muse
Himself
Guilty By Suspicion
Joe Lesser
‘Round Midnight
Goodley
Killers of the Flower Moon
Director
Personality Crisis: One Night Only
Director
Pretend It’s a City
Director
The Irishman
Director
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
Director
Silence
Writer
Revenge of the Green Dragons
Executive Producer
The Wolf of Wall Street
Director
Hugo
Directed by
George Harrison: Living in the Material World
Directed by
Blog Posts That Mention Martin Scorsese
Reclamation Through Restoration: Thelma Schoonmaker Talks Michael Powell, Martin Scorsese and Peeping Tom
He’s Got Something Going On: David Proval on Mean Streets, and Acting for Martin Scorsese
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Berlin Film Festival 2024: Honoree Martin Scorsese Honors Powell and Pressburger
Roger Ebert on the Films of Martin Scorsese
Arrow Releases Stunning 4K Special Edition of Martin Scorsese’s Hugo
Martin Scorsese was Roger Ebert’s Favorite Director
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
The Stories Behind Martin Scorsese’s Killers of the Flower Moon
Revisiting Martin Scorsese’s Alice Doesn’t Live Here Anymore
Martin Scorsese’s World Cinema Project Returns with Fourth Criterion Box Set
Immerse Yourself in Martin Scorsese’s World Cinema Project #3
A Look Back at Martin Scorsese’s The Irishman
The Uncanny Valleys of Martin Scorsese’s The Irishman
In Defense of Peggy’s Silence in Martin Scorsese’s The Irishman
Martin Scorsese’s Dangerous Men: On the Actors of The Irishman
Video Interview: Martin Scorsese and Al Pacino on The Irishman
Silence, Guilt, Christ and Martin Scorsese
Martin Scorsese’s “Taxi Driver” Returns to Theaters for Two Nights Only
“Two Weeks in the Midday Sun” Reprinted with Foreword by Martin Scorsese
TV Review: Martin Scorsese’s “The 50 Year Argument”
Martin Scorsese’s World Cinema Project
The ‘Innocence’ of Martin Scorsese
Interview with Martin Scorsese
Martin Scorsese & Co. reassemble Woodstock
Bright Wall/Dark Room April 2019: Religious Cinema for Non-Believers: Scorsese’s Silence
Cannes 2018: Scorsese Honored at 50th Directors’ Fortnight; Rafiki, a Banned Kenyan Film, Screens
Scorsese Receives Golden Thumb at TIFF Ebert Tribute
Best films 1967-2009: Siskel & Ebert & Scorsese
Scorsese on Elia Kazan: Watch the documentary
Ebert & Scorsese: Best Films of the 1990s
Goodfellas & badfellas: Scorsese and morality
Contrarian dispatch: Are critics patronizing Scorsese?
Critic trashes “worst rock movies” from Woodstock to Scorsese
Scorsese at his best: “The Man Who Set Film Free”
What is your favorite Scorsese Picture?
Scorsese and music as storytelling: Shine a Light
“Black Narcissus,” which electrified Scorsese
Scorsese by Ebert: Introduction
Howard’s end: Scorsese and ‘The Aviator’
‘Gangs’ all here for Scorsese
`Bringing out’ Scorsese
Scorsese learns from those who went before him
Martin Short: ‘Cross My Heart’
Lost Souls: Bringing Out the Dead at 25
Killers of the Flower Moon to Receive the Vanguard Award at the Palm Spring International Film Awards
Streetcorner Symphony: The Music of Mean Streets
Keep These People Alive: David Grann on Killers of the Flower Moon
A Critical Look at The Color of Money
Cannes 2023: Killers of the Flower Moon
NYFF 2022: Personality Crisis: One Night Only, A Cooler Climate, Is That Black Enough for You?!?
Bringing Out the Dead: A Pandemic Dialogue
Stirring the Pot: Glenn Kenny on His New Goodfellas Book
Bright Wall/Dark Room October 2019: A New Spirit for ’75! by Ethan Warren
NYFF 2019: Oh Mercy!, Sibyl, Saturday Fiction, The Irishman
Criterion’s “World Cinema Project, Vol. 2” Offers a Film Class in a Box
Thumbnails 3/4/16
Unknown Treasures: The Riches of “Polish Film Masterpieces” Volume 1
HBO’s Ambitious “Vinyl” Takes Its Time
Bright Wall/Dark Room May 2015: Indoor Kids by Anna Sjogren
Interview: Peter Biskind Revisits “Easy Riders, Raging Bulls”
Thumbnails 2/26/14
Thumbnails 2/14/14
Blu-ray Consumer Guide: January 14 2014
Thumbnails 10/29/2013
The Future of the Movies
Thumbnails 6/19/2013
Buddy Hackett: Up at drama, down at comedy.
recent Two Thumbs Up® reviews
Outguess Ebert on the Oscars
The odds are with the house
Aujourd’hui il pleut
50 greatest music films ever
NYFF? Fuggedaboutit!
The tail of the banana-eating jungle monkey
Eyeless in Monument Valley
Avatar and Oscar again raise thequestion: What is cinematography? (Part 2)
GoodFellas and BadFellas
Roger Ebert writes from rehab
CinematoGIFs: Living, breathing movie stills
Short film blog-a-thon
Mr. Cheney Explains It All For You
Holy theology! Holy film!
TIFF 2007: Robert Zimmerman Bob Dylan Revisited
László Kovács: In Memory
How does it feel? Footnote fetishism & “I’m Not There”
TIFF 2007: The Coens = the essence of movies
The world in a frame (or on a disc)
Obligatory Oscar analysis!
The Marty Show
The Ultimate Review of “The Departed”
The Shamus, Mr. Shoop, & blogger catch-up
‘The Departed’ revisited
The AFI Top 100
Brokeback Jack and the gay “Departed”?
Do the Contrarian (Part II)
