Kirsten Dunst Movie Reviews
Blog Posts That Mention Kirsten Dunst
Kirsten Dunst, Always on the Brink of Transformation
Justine Smith
Video Interview: Sofia Coppola, Kirsten Dunst and Elle Fanning on “The Beguiled”
Katherine Tulich
Something Bigger: Joel Edgerton & Kirsten Dunst on “Midnight Special”
Alissa Wilkinson
Dark turn for Dunst
Roger Ebert
recent Two Thumbs Up® reviews
Roger Ebert
Apocalypse von Trier; Miike in 3-D
Barbara Scharres
What Lars von Trier really said about Nazis…
Jim Emerson
Melancholia: This is The End
Jim Emerson
I’ve Got A Way With Young People: 25 Years of Dick
Peter Sobczynski
Jesse Plemons on Being Funny, Stepping Off the Ledge and Making ‘Kinds of Kindness’
Tim Grierson
Cannes 2024 Video #8: Award Winners
Chaz Ebert
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
Tim Grierson
The Imperiled Women of Alex Garland’s Films
Tim Grierson
Why Eternal Sunshine of the Spotless Mind Remains Unforgettable
Matt Zoller Seitz
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
Brian Tallerico
Wagner Moura Is Still Holding On To Hope
Tim Grierson
The Great Performances of 2023
The Editors
A Look Inside Sofia Coppola’s New 488-Page Retrospective, Archive
Peter Sobczynski
Female Filmmakers in Focus: Jane Campion on Power of the Dog
Marya E. Gates
Home Entertainment Guide: November 2022
Brian Tallerico
Some Idea of Me: On the 10th Anniversary of Ruby Sparks
Marya E. Gates
Home Entertainment Guide: July 2022
Brian Tallerico
7 Movies to Watch on the 50th Anniversary of Watergate
Nell Minow
Previewing and Predicting the 94th Academy Awards
Susan Wloszczyna
The Power of the Dog Wins Big at the Critics Choice Awards
Sarah Knight Adamson
Women Writers Week 2022: Table of Contents
The Editors
The Annotated Table of Contents and Bios for Women Writers Week 2022
Chaz Ebert & Nell Minow
The Long, Strange Trip for Women Who Have Competed for the Best Director Oscar
Susan Wloszczyna
Introduction to Women Writers Week
Chaz Ebert & Nell Minow
The 2022 Oscar Nominees: A Full List
Nick Allen
2022 Oscar Nomination Predictions
Susan Wloszczyna
An Eternal Influence: Anne Rice: 1941-2021
Peter Sobczynski
The Ten Best Films of 2021
The Editors
2021 Chicago Critics Film Festival Preview
Brian Tallerico
NYFF 2021: Closing Thoughts
Godfrey Cheshire
TIFF 2021: Petite Maman, The Power of the Dog, Huda’s Salon
Brian Tallerico
57th Chicago International Film Festival Runs October 13th-24th, Will Host Fundraiser on September 13th
The Editors
Venice Film Festival 2021: Parallel Mothers, The Power of the Dog
Glenn Kenny
Telluride Film Festival Announces Full 2021 Program Lineup
The Editors
Home Entertainment Guide: February 2021
Brian Tallerico
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Peter Sobczynski
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Chaz Ebert
Netflix and Marriage Story Lead 2019 Golden Globe Nominations
Jana Monji
The Best Films of the 2010s
The Editors
Buy What Showtime is Selling in On Becoming a God in Central Florida
Brian Tallerico
The House That Lars von Trier Built, and That I Live In
Lindsey Romain
Hug Your Family: Ben Foster on Leave No Trace
Susan Wloszczyna
Home Entertainment Consumer Guide: May 10, 2018
Brian Tallerico
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
Susan Wloszczyna
The Individual Top Tens of 2017
The Editors
Bright Wall/Dark Room: “Home is Where the Hurt Is” by Asher Gelzer-Govatos
The Editors
Home Entertainment Consumer Guide: October 19, 2017
Brian Tallerico
Venice Film Festival 2017: “The Leisure Seeker,” “Woodshock”
Glenn Kenny
A Returning Visitor: Comparing the Two Versions of “The Beguiled”
Susan Wloszczyna
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Chaz Ebert
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Chaz Ebert
Cannes 2017: “The Beguiled,” “A Gentle Creature,” “Closeness”
Barbara Scharres
Cannes 2017: The Fest Opens with “Ismael’s Ghosts,” “Loveless”
Barbara Scharres
Thumbnails 5/17/17
Matt Fagerholm
2017 Summer Movie Preview: 25 Films We’re Excited About
Nick Allen
If I Had an Emmy Ballot 2016
Brian Tallerico
Cannes 2016: “Café Society”
Barbara Scharres
30 Minutes on: “Midnight Special”
Matt Zoller Seitz
Berlin 2016: “Midnight Special”
Neil Young
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Peter Sobczynski
The Best TV of 2015
Brian Tallerico
“Carol,” “Trainwreck,” “Mr. Robot” Among 2016 Golden Globe Nominees
Matt Fagerholm
FX’s “Fargo” Maintains High Quality in Second Chapter
Brian Tallerico
Thumbnails 7/3/15
Matt Fagerholm
The Act of Not Having An Act: Cameron Crowe’s Ambivalent Humanism
Brian Doan
HBO’s “The Jinx: The Life and Deaths of Robert Durst”
Brian Tallerico
Thumbnails 9/18
The Editors
Neil Jordan’s Seven Grim Fairy Tales: An Infographic Guide to a Director’s Obsessions
Bruce Fretts
Public Edition #4
Roger Ebert
Elizabethtown Revisited
Roger Ebert
The Best Films of 2010
Roger Ebert
Ebert’s 2006 summer/fall round-up
Roger Ebert
The Best Films of 2004
Roger Ebert
“The Tree of Life” takes the Palme d’Or
Roger Ebert
Cannes 2011: All eyes forward
Barbara Scharres
With great power, comes great responsibility
Michael Mirasol
Running from your memories
Wael Khairy
Bachelorette: Invasion of the b-face girls
Jana Monji
The best feature films of 2010
Roger Ebert
The Best Films of 2011
Roger Ebert
“Melancholia” descends on Toronto
Roger Ebert
Cannes #6: Palme d’Odds
Roger Ebert
Cannes #10: Guessing games
Roger Ebert
Cannes #8: Sex, awards & film
Roger Ebert
Sundance holds great promise
Roger Ebert
Opening night puts the spotlight on Downey Jr.
Roger Ebert
The film’s the thing Telluride fest gives nod to big movies on small screen
Roger Ebert
Udderly bull
Roger Ebert
Movie Answer Man (04/21/2002)
Roger Ebert
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