“Understated” isn’t a word you’d ordinarily use to describe a Jerry Bruckheimer production, but that’s surprisingly what 12 Strong ends up being.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The lists of best films of 2017.
This month's excerpt from online magazine Bright Wall/Dark Room is an essay about home and "Little Women."
The latest on Blu-ray and DVD, including "The House," "Baby Driver," "The Beguiled," "American Gods," "The Good Place," and Orson Welles' "Othello."
A report from Venice on two world premieres, "The Leisure Seeker" and "Woodshock."
A comparison of the 1971 and 2017 versions of "The Beguiled."
Sofia Coppola, Kirsten Dunst and Elle Fanning on the making of "The Beguiled."
Chaz Ebert reports on "The Beguiled," "Good Time," "In the Fade" and more in her fifth video dispatch from Cannes 2017.
Chaz Ebert reports on "The Meyerowitz Stories (New and Selected)," "The Killing of a Sacred Deer" and more in her fourth video dispatch from Cannes 2017.
A report from Cannes on the latest from Sofia Coppola, along with reviews of two films from Russia.
A report on the opening day press conference for Cannes 2017 and the premieres of "Ismael's Ghosts" and "Loveless."
25 films we can't wait to check out during the summer movie season.
A TV critic's picks for the best TV of 2015-16.
A review of Woody Allen's new film, which just premiered at the 2016 Cannes Film Festival.
30 Minutes on the latest by Jeff Nichols ("Take Shelter," "Mud").
Interviews with actors Joel Edgerton and Kirsten Dunst about Jeff Nichols' Midnight Special.
A review of the latest from Jeff Nichols from Berlinale 2016.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
The best television programs of 2015.
An article on the 2016 Golden Globe nominees.
A review of season two of FX's "Fargo."
America takes on Trump; "St. Elmo's Fire" turns 30; Music in Sofia Coppola's films; Chat with "Vampire Diaries" DP Darren Ganet; R.I.P. Brian Clark.
A piece on the history of Cameron Crowe in light of this week's Aloha.
A review of HBO's "The Jinx" by Andrew Jarecki.
The sounds of 'Twin Peaks'; the case for Internet newsletters; Jonathan Franzen is very, very angry; rethinking headphones; an app for building a database of everyone's dreams.
This piece is about director Neil Jordan's seven most overtly supernatural, fairy tale-like films—The Company of Wolves, High Spirits, Interview with the Vampire, The Butcher Boy, In Dreams, Ondine, and his latest, the mother-daughter vampire shocker Byzantium. An infographic analysis of each—please refer to the key for each symbol's meaning—reveals this pattern and confirms Byzantium is the culmination of 30+ years of Jordan exorcising his personal demons on-screen.