It’s a dancing elephant of a movie. It has a few decent moves, but you’d never call it light on its feet.
Abel Ferrara was back in Cannes with his fifth feature with Willem Dafoe.
Quentin Tarantino returned to Cannes on the 25th anniversary of Pulp Fiction. The lines were long.
Werner Herzog, newcomer Michael Angelo Covino, and Brazilian director Karim Aïnouz offer very different, very peculiar meditations on family.
An updating table of contents for all of our coverage of the 2019 Cannes Film Festival.
The Witch director Robert Eggers' The Lighthouse is the first movie at Cannes 2019 that actually looks like a classic. Plus: Gaspar Noé's mystery midnight movie, Lux Aeterna.
In their new horror-tinged efforts, festival regulars Nicolas Winding Refn and Bertrand Bonello go down baffling roads.
Taron Egerton plays Elton John in a biopic that turns into a full camp extravaganza.
For Sama is a stunning first-person documentary about the siege of Aleppo. Beanpole confirms Kantemir Balagov as a major talent.
Quentin Dupieux's absurdist comedy Deerskin opened Directors' Fortnight. Chloë Sevigny adds balance to the deadpan humor of Jim Jarmusch's The Dead Don't Die.
A preview of the 2019 Chicago Critics Film Festival.