Nam June Paik: Moon Is The Oldest TV
Self (archive footage)
David Bowie
David Bowie
David Bowie Movie Reviews
Blog Posts That Mention David Bowie
David Bowie: 1947-2016
Have a Great Day: David Lynch (1946-2025)
Bowie & Marianne Faithfull: “I’ve Got You Babe”
The Unloved, Part 26: Absolute Beginners
Opening Shots: ‘Cat People’ (1982)
TIFF 2007: Robert Zimmerman Bob Dylan Revisited
The Great Craft of 2025
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Fantastical Season 3 of AMC’s “Dark Winds” Is an Electrifying Series Best
Sundance 2025: It’s Never Over, Jeff Buckley; Heightened Scrutiny; Third Act
Home Entertainment Guide: November 2024
A Look Back at MUBI FEST CHICAGO
With Flipside, Chris Wilcha Made a Triumphant Film About Failure
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
A (Not So) Brief History of Silent Film Influences on Pop Music
Our Opinion of Crossroads Hasn’t Changed, Our Feelings About Britney Spears Have
Sundance 2024: Devo, Eno, Dig! XX
Sundance 2024: Sue Bird: In the Clutch, Luther: Never Too Much, Super/Man: The Christopher Reeve Story
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Home Entertainment Guide: September 2023
Dan Callahan on His New Book, Bing and Billie and Frank and Ella and Judy and Barbra
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
10 Major Snubs and Surprises from the 2023 Oscar Nominations
The Great Filmmaking Craft of 2022
Angelo Badalamenti (1937-2022)
The Ten Best Films of 2022
Writing Inside Out: Charlotte Wells on Aftersun
I Wanted to Create a Spectacle: Brett Morgen on Moonage Daydream
You Want People to Enter the Dream: Mary Sweeney on Lost Highway, Mulholland Dr. and The Straight Story
A Recap of the 2022 Karlovy Vary International Film Festival
KVIFF 2022: Aftersun, F*cking Bornholm, Ramona
KVIFF 2022: Joyland, Vesper, Moonage Daydream
I Have to Love My Characters: Peter Strickland on Flux Gourmet
Cannes 2022: Elvis, Jerry Lee Lewis: Trouble in Mind, Moonage Daydream
Cannes 2022: Tirailleurs, God’s Creatures, Enys Men
Cannes Film Festival Preview 2022
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
Showtime’s The Man Who Fell to Earth Builds Off a Classic
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
Ivan Reitman: 1946-2022
I Believe in Individuals: Barry Gifford and Lili Taylor on Roy’s World: Barry Gifford’s Chicago
A Preview of the 57th Chicago International Film Festival
It’s Not My Swan Song: Udo Kier on His Latest Drama and How Much He Has Left to Give
You Need to Feed The Eyes For Your Dreams: The Cinema of Leos Carax
The Nostalgia of Epix’s Bridge and Tunnel is Filled with Wrong Turns
NYFF 2020: The Human Voice, The Woman Who Ran, French Exit
Little Richard: 1932-2020
Bright Wall/Dark Room December 2019: To the Very End by Calvin McMillin
30 Minutes On: “Bohemian Rhapsody”
Nicolas Roeg, 1928-2018
Cannes 2018: Lars von Trier returns to Cannes with The House That Jack Built
Cannes 2018: Leto, Sorry Angel, Border
Hard Sun is an Ugly Journey to the End of Days
Thumbnails 11/17/17
CIMMfest 2017 Runs Nov. 9-12 in Chicago
Thumbnails 10/13/17
Tom Petty: 1950-2017
Bright Wall/Dark Room September 2017: “That Which Is and Is Not: On ‘Twin Peaks’ and Trauma” by Kelsey Ford
Venice Film Festival 2017: Restorations
The Third Course: Michael Winterbottom on “The Trip to Spain”
Comic-Con 2017: Psych-Os Celebrate News About TV Movie
A musical soul: Jonathan Demme, 1944-2017
Deconstructing Woody: A Year with a Filmmaker
Make it To Shore: The Staff Says Goodbye to Carrie Fisher
Leonard Cohen: 1934-2016
60 Minutes on: “Doctor Strange”
The Cynicism of the Modern Disaster Film
NYFF 2016: Preview of the 54th New York Film Festival
All Roads for Movie Buffs Lead to Plaza Classic Film Festival
Bright Wall/Dark Room June 2016: “Prince’s Natural Voice” by Karina Wolf
Thumbnails 5/12/16
Burn The Witch: The Gender Politics of Being an Auteur
New Position: A Defense of “Under the Cherry Moon”
Sometimes It Snows in April: Images of Prince
Dearly Beloved: The RogerEbert.com Staff Remembers Prince
Thumbnails 4/22/16
Chicago International Music and Movies Festival 2016 Preview
Patty Duke: 1946-2016
Berlin 2016: “The Man Who Fell to Earth,” “Fire at Sea,” “Ta’ang”
Thumbnails 1/27/16
Sundance 2016: Four Films Push the Edges of Festival Expectations
Thumbnails 1/15/16
Bing Crosby Returns For the Holidays in “American Masters” Special
She Holds the Eye: Jessica Lange Accepts the Kirk Douglas Award
Working From the Heart: The Career of Nastassja Kinski
Bright Wall/Dark Room October 2014: “The Flower of Evil” by Karina Wolf
Enter Ryan Murphy’s Three-Ring Circus in “American Horror Story: Freak Show”
Book Excerpt: Make Art Make Money: Lessons from Jim Henson on Fueling Your Creative Career by Elizabeth Hyde Stevens
Cannes, Day Six: “Still the Water,” “A Girl at My Door,” “Bird People”
Thumbnails 4/7/14
The Wes Anderson Collection, Chapter 4: “The Life Aquatic with Steve Zissou”
Cutting the Basterds
Inception theories: Two key shots and others’ thoughts
Contra-Basterds
The mesmerizing masterpiece “Memento”
Talkin’ about the weather with Cage
Interview with Billy Dee Williams
Was Natalie Wood really John Wayne’s daughter, or what?
