Isle of Dogs
As entertaining as it is to look at Isle of Dogs, I couldn’t get past Anderson’s usual clumsiness when dealing with minorities.
Editor's Note: With February's "Unloved," Scout Tafoya looks at the film career of the late David Bowie, noting his unique presence in the cinematic world, and settling on 1986's "Absolute Beginners" as the one that deserves another look. As Tafoya says, Julien Temple's film is "a bawdy, colorful feast for the eyes and ears." Bowie's career defied expectation and so does Temple's film, displaying a love for what only movies can do. The opening tracking shot was name-checked in the opening tracking shot of Robert Altman's "The Player," which is itself a discussion of great tracking shots in movies—a meta tribute worthy of Bowie himself—but the entire film is worth seeing for its bright and lowdown spirit and its relentless inventiveness. For decades now it has been poised on the edge of mass rediscovery without ever quite crossing over. Let's hope the ninth or tenth time is the charm.—Matt Zoller Seitz
Netflix's "Wild Wild Country" is easily one of the craziest documentaries I’ve ever seen.
A review of Steven Spielberg's "Ready Player One" from the SXSW Film Festival.
An appreciation of Joe Dante's The 'Burbs on the eve of its Blu-ray Special Edition release.
A review of AMC's The Terror, based on the book by Dan Simmons.