Now streaming on Netflix after years of being hard to find, the pop singer’s infamous 2002 film remains hokey and cheesy. So why does it play differently today?
On three great music docs from Sundance on Devo, Brian Eno, and The Brian Jonestown Massacre.
An article about the 2024 Sundance Film Festival announcing 91 projects selected for the Feature Films, Episodic, and New Frontier lineup for its fortieth Edition.
A guide to the latest and greatest on streaming and physical media, including Elemental, Past Lives, Spider-Man: Across the Spider-Verse, and a Criterion edition of Moonage Daydream.
An interview with author and RogerEbert.com contributor Dan Callahan about his new book, Bing and Billie and Frank and Ella and Judy and Barbra.
Our writers highlight favorite tech elements of film from 2022.
A tribute to Angelo Badalamenti (1937-2022), the legendary composer of Twin Peaks, Blue Velvet and Mulholland Dr.
An interview with Charlotte Wells, writer/director of the acclaimed Aftersun.
An interview with the director of In Fabric, The Duke of Burgundy, and this week's Flux Gourmet.
Another diary dispatch from a critic's time at Cannes, including thoughts on new films by George Miller and James Gray.
A preview of the 2022 Cannes Film Festival, which includes new films by David Cronenberg, Claire Denis, Kelly Reichardt, Park Chan-wook, and many more.
A review of the new Showtime series The Man Who Fell to Earth, co-created by Alex Kurtzman and Jenny Lumet.
A tribute to the great comedy director.