La La Land
This is a beautiful film about love and dreams, and how the two impact each other.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
The latest on Blu-ray and DVD, including "The Invitation," "Sing Street," "Louder Than Bombs," "Keanu" and "Hardcore Henry."
A review of Terrence Malick's "The New World," now on Criterion Blu-ray and DVD.
Depressing and fun. Not a combination you encounter every day.
Christine Swanson on "The Miki Howard Story"; Who's afraid of female Ghostbusters; Trump is wrong on Muslims; Remembering Anton Yelchin; How "Silicon Valley" nails Silicon Valley.
A preview of dozens of films coming out this summer.
A review of the three biggest Cannes winners now playing at TIFF: Son of Saul, Dheepan and The Lobster.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Matt Zoller Seitz.
Ta-Nehisi Coates writes letter to his son; Robert Frank: the man who saw America; Pizzolatto vs. Fukunaga; Scorsese on "The Third Man"; Dietrich Brüggemann on "Heil."
A review of the new season of "True Detective," starring Vince Vaughn, Colin Farrell, Rachel McAdams and Taylor Kitsch.
Jacques Audiard's "Dheepan" took the Palme d'Or at the 68th Cannes Film Festival.
A Cannes report on the latest from Yorgos Lanthimos and Woody Allen.
Editor in Chief Matt Zoller Seitz responds to our Movie Love Questionnaire.
A tribute to Isabelle Huppert as the 2014 Chicago International Film Festival plans to do the same this weekend.
An interview with Jessica Chastain, star of "Miss Julie," opening tonight at the Chicago International Film Festival.
A preview of the 2014 Chicago International Film Festival.
An interview with the legendary Liv Ullmann, at this year's TIFF with "Miss Julie."
On the eve of its 10th anniversary, a new version of Oliver Stone's Alexander on Blu-ray demands a reappraisal.
Director John Lee Hancock on the challenges of making a film about Walt Disney for Disney.
Marie writes: Last week, in response to a club member comment re: whatever happened to Ebert Club merchandize (turned out to be too costly to set up) I had promised to share a free toy instead - an amusement, really, offered to MailChimp clients; the mail service used to send out notices. Allow me to introduce you to their mascot...
This piece is about director Neil Jordan's seven most overtly supernatural, fairy tale-like films—The Company of Wolves, High Spirits, Interview with the Vampire, The Butcher Boy, In Dreams, Ondine, and his latest, the mother-daughter vampire shocker Byzantium. An infographic analysis of each—please refer to the key for each symbol's meaning—reveals this pattern and confirms Byzantium is the culmination of 30+ years of Jordan exorcising his personal demons on-screen.
Marie writes: Did you know that if you wear your contact lenses too much and too long during the cold, winters months - and with the windows closed and the heat cranked-up, that you can develop an annoying eye condition? Because you can. Ahem. And so for the time being, I'll be spending less time staring at my monitor and more time resting my eyes. The Newsletter will still arrive as usual each week, but it won't be as huge. That said, it will contain a few extra goodies to make up for it, by way of curious finds. And speaking of finding stuff...."On Thursday, March 7, 2013, SpaceX's Grasshopper doubled its highest leap to date to rise 24 stories or 80.1 meters (262.8 feet), hovering for approximately 34 seconds and landing safely using closed loop thrust vector and throttle control. Grasshopper touched down with its most accurate precision thus far on the centermost part of the launch pad. At touchdown, the thrust to weight ratio of the vehicle was greater than one, proving a key landing algorithm for Falcon 9. The test was completed at SpaceX's rocket development facility in McGregor, Texas." - by Neatorama
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website