The Grand Budapest Hotel
As much as "The Grand Budapest Hotel" takes on the aspect of a cinematic confection, it does so to grapple with the very raw and,…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The studios use screeners to help Academy voters and critics groups catch up on films they might have missed. So why are studios withholding certain films and pushing others?
Missing Roger's Oscars prognostications and his top ten lists. And making a list of my own.
Susan Wloszczyna wonders if women at the helm might be just the thing to revitalize the foundering, repetitive comic-book movie genre.
Listen -- a billion people are throwing up. That's a rough estimate of course, but every year somebody at the Oscars says a billion people on the planet are watching the program; however many watched this year's Oscar show, they may well have felt sickened by it. It was a stomach-churning, jaw-dropping debacle, incompetently hosted and witlessly produced.
Robert Zemeckis' new film "Flight" (2012) returns us to the terrain of live action after his three consecutive animated films (two of which were happy movies about Christmas). Here, he makes it clear from the very first scene that this is a far edgier Zemeckis. It is far more graphic and far more emotional than anything we have previously seen from him. The result is on the outside a big budget public service announcement, while on the inside, a film far more complicated than it seems.
The visceral impact that Ridley Scott's "Alien" had in 1979 can never quite be recaptured, partly because so many movies have adapted elements of its premise, design and effects over the last three decades -- from John Carpenter's remake of "The Thing" (1982) to David Cronenberg's remake of "The Fly" (1986) to "Species" (1998) and "Splice" (2009). No movie had ever looked like this. And it still works tremendously -- but let me tell you, in 1979 a major studio science-fiction/horror film that hinted darkly of interspecies rape and impregnation was unspeakably disturbing. (It got under my skin and has stayed there. We have a symbiotic relationship, this burrowing movie parasite and I. We nourish each other. I don't think Ridley Scott has even come close to birthing as subversive and compelling a creation since.)
The thing is, the filmmakers actually took out the grisly details involving just what that H.R. Giger " xenomorph" did to and with human bodies (the sequels got more graphic), but in some ways that made the horror all the more unsettling. You knew, but you didn't know. It wasn't explicitly articulated. Dallas (Tom Skerrit) just disappears from the movie. The deleted "cocoon" scene (with the haunting moan, "Kill me...") appeared later on a LaserDisc version of the film, and then was incorporated into the 2003 theatrical re-release for the first time. The deleted footage:
Marie writes: I've never seen this done before - and what an original idea! Gwen Murphy is an artist who breathes new life into old shoes, transforming them from fashion accessories into intriguing works of art. Thanks go to club member Cheryl Knott for telling me about this. (Click to enlarge.)
Marie writes: Behold a truly inspired idea...Age 8: Eileen's pink creature It started with a simple idea: to make a recognizable comfort toy for her 4 year-old son Dani, based on one of his drawing. His school had asked the children to bring in a toy from home; an emergency measure in the event of a tantrum or crying fit. Fearing he might lose his favorite, Wendy Tsao decided to make Dani a new one. Using a drawing he often made as her guide, she improvised a plush toy snowman. Five years later, Wendy Tsao has her own thriving home-based craft business - Child's Own Studio - in which she transforms the imaginative drawings of children into plush and cloth dolls; each one handcrafted and one-of-a-kind. She receives requests from parents all over the world; there's 500 people on waiting list. Note: kudos to club member Sandy Kahn for submitting the piece.
HAPPY BELATED BIRTHDAY TO THE EBERT CLUB!
Marie writes: I recently heard from an ex-coworker named Athena aka the production manager on an animated series I'd painted digital backgrounds for. She sent me some great photos she'd found on various sites. More than few made me smile and thus inspired, I thought I'd share them with club members. I've added captions for fun but if you can come up with something better, feel free to submit your wit by way of posted comment. Note: I don't know who the photographers are; doesn't say. (Click pics to enlarge.)
"I want a peanut for every photo you took of me..."
Marie writes: As you know, I tend to avoid filling the Newsletter with cute animal photos - but that's only because a little goes a long way and it's easy to overdose. Indeed; many an otherwise healthy mind has been wiped clean of any trace of dark humor after staring too long at puppies and kittens. That said, every now and again I think it's safe to look at adorable images like this...
(click to enlarge)
Marie writes: I received the following from intrepid club member Sandy Kahn and my eyes widened at the sight of it. It's not every day you discover a treasure trove of lost Hollywood jewelry!
Grace Kelly is wearing "Joseff of Hollywood"chandelier earrings in the film "High Society" (1965)(click image to enlarge.)
Marie writes: I can't prove it but I'm convinced they're related.
The Academy Award winners for the past thirty years have followed consistent molds, primarily in the categories of Best Actress, Best Actor, and Best Picture. It is a very simple set of templates that I will explain with excessive evidence. This is not to say that the Academy Awards are a conspiracy run by some secret society, although that idea would be quite fun. Rather, at the very least, there is a subtext to American culture that plays out in the ideas and ideals in American cinema, and it plays out consistently. At the very least, I'm illustrating some unwritten ideals in American culture. Whether or not they are healthy or corrupt, they are there in us. So, "Best Picture" is not a great movie; rather, it is a great movie that fulfills the mold.
Of course, no one is really robbed of an Academy Award nomination. It's a gift; not a right. The balloting procedure is conducted honestly and reflects a collective opinion, which was demonstrated this year when the Academy voters had the curiosity to seek out Demian Bichir for best actor for his deeply convincing performance as a Mexican gardener in Los Angeles in "A Better Life." He wasn't on my mental list of possible candidates, but when I heard the name, I thought, "Of course! Good thinking!"
Two movies about the love of movies lead the field in the 2012 Academy award derby. Both look back at formative years for the art form. Martin Scorsese's "Hugo," about a young boy who makes a friend of the inventor of the cinema, led the field with 11 nominations. And Michel Hazanavicius' "The Artist," set when Hollywood was making the transition from silent pictures to the talkies, placed second with ten.
Hollywood nostalgia may be warmly embraced Tuesday morning when the 2012 Academy awards nominations are announced. Films involving the invention of the cinema, the transition from Silent to Talkies and the legend of Marilyn Monroe are among those certain to be nominated.
Here's what you've been waiting for: Richard T. Jameson and Kathleen Murphy present their annual "Moments Out of Time" ("Images, lines, gestures, moods from the year's films") at MSN Movies. It's kind of like film criticism as haiku. But, you know, without haiku rules. They're short poems.
From RTJ's intro at his online movie magazine, Straight Shooting:
Kathleen Murphy and I first threw together a "Moments out of Time" feature for the year 1971. I'd had a brief go at it in 1969 for Seattle's premier counterculture rag The Helix, and pretty perfunctory it was--only a dozen or so films referred to, in lines like "The terrible beauty of The Wild Bunch...." The 1971 tribute ran to several pages of the first 1972 issue of Movietone News, the Seattle Film Society newsletter that, just about that time, turned the evolutionary corner en route to becoming a legitimate film journal. As for "Moments out of Time," it continued, and grew, each year through the decade MTN was published. Subsequently it appeared when and where opportunity presented--including one year in the early 2000s when our host was the spiffy German film mag Steadycam. For the past half-dozen years we've been graciously showcased by the Movies section at MSN.com, where editor Dave McCoy has patiently accommodated us as we (all right, I) send one e-mail after another, tweaking words and punctuation to get the lines to bump in the right place.
A dozen of my favorites:
-- "Tinker Tailor Soldier Spy": Control (John Hurt), aced out of MI6 after the disaster in Budapest, announces, "Smiley is coming with me." Smiley (Gary Oldman), his back to the camera, tilts his head a millimeter -- surprise? acceptance? both?...
-- Upside-down shadows of kids at play on gray asphalt, swinging from the top of the frame in "The Tree of Life"...
-- "Midnight in Paris": the evolution of the expression on Gil (Owen Wilson) -- F. Scott Fitzgerald has just introduced him to Ernest Hemingway -- from gobsmacked to go-with-the-flow delight...
-- A drop of perspiration falling onto a café tabletop, fatally fracturing the fourth wall of a Hungarian "play" in "Tinker Tailor Soldier Spy"...
There is a 20 second moment in Jason Reitman's "Young Adult" that just floored me. Here is the story of a High School Prom Queen -- Mavis Gary (Charlize Theron) - revisiting her hometown on a targeted mission to reclaim her old boyfriend. She walks through her parents' house and sees a large wedding photo. I thought it was a photo of her parents; her mother looks just like her? But, no, it is her own wedding. Not only do her parents keep the photo, but her father casually praises her ex-husband. I don't remember how long she's been divorced, but I was devastated just listening to his comments. Any normal parent would break his or her back to provide the child with every benefit; any child knows this. Still, the child also needs to hear the "I love you" and the "I value you" and the "I'm proud of you." But, when the child's ears hear, "I like your ex-spouse," from the two people she needs validation from, they are saying, "I like your ex-spouse, though he is worth nothing compared to you." What she instead hears is, "You're no good. You failed. I'm siding with him."
Marie writes: some of you may recall reading about the Capilano Suspension Bridge in North Vancouver, British Columbia Canada. (Click to enlarge.)
Marie writes: Belgium club member Koen Van Loocke has submitted the following and it's so awesome, I have no words. But first, background..The Cinematic Orchestra is led by composer/programmer/multi-instrumentalist Jason Swinscoe, who formed his first group "Crabladder" in 1990 while a Fine Arts student at Cardiff College. The group's fusion of jazz and hardcore punk elements with experimental rhythms, inspired Swinscoe to further explore the musical possibilites and by the time the group disbanded in the mid-'90s, he was playing DJ at various clubs and pirate radio stations in and around London.
Marie writes: I was browsing the 2010 National Geographic Photography Contest Galleries and came upon this amazing shot - click to enlarge!
The Birth Of Earth: Photo by Terje Sorgjerd"Getting close or getting too close? Photo taken of the Eyjafjallajokull volcano eruption that would grind most of europe air traffic. This is the scariest moment in my life, and also the most beautiful and frightening display of raw force I have ever seen." - Terje Sorgjerd
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
2009 was a great year for Kathryn Bigelow. After a 7-year hiatus from filming K-19: The Widowmaker, she returned to direct The Hurt Locker, a suspense and war film set in Iraq that has deservedly been recognized by critics and award bodies alike, and is expected to be one of the primary contenders for the Academy Awards. Bigelow is known for her superb work in the action genre, which is rarity among female directors. Her skill in filming tension and violence is as good as any of today's directors.