May not be the novel revelation that its predecessor was, but it has its heart—and its stomach—in the right place.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look at the work of John Williams outside of his greatest hits.
A number of Oscar contenders have impressed this year with their abundance of talent onscreen.
An interview with the writer/director, star and real-life inspiration for veteran drama "Thank You For Your Service."
The latest on Blu-ray and DVD, including "The House," "Baby Driver," "The Beguiled," "American Gods," "The Good Place," and Orson Welles' "Othello."
A great documentary about a profound and mysterious artist.
An interview with director John Carroll Lynch about his Harry Dean Stanton film, "Lucky."
18 noir films, all in 35mm, will screen at Chicago's Music Box Theater from Friday, August 25 through Thursday, August 31.
Matt writes: One of the most acclaimed films of 2017 thus far is Edgar Wright's "Baby Driver," a cinematic adrenaline rush for the ages. It's the best fusion of ingenious car chases and equally imaginative song choices I've seen since "The Blues Brothers," and at RogerEbert.com, we have provided in-depth coverage of the picture, beginning with Brian Tallerico's three-and-a-half star review. Nell Minow conducted a terrific interview with Wright, Nick Allen analyzed Wright's rarely seen first feature ("A Fistful of Fingers") and Diana Drumm explored Wright's identity as "a true cinephile."
A comparison of the 1971 and 2017 versions of "The Beguiled."
Sofia Coppola, Kirsten Dunst and Elle Fanning on the making of "The Beguiled."
Matt writes: We are certain that Roger Ebert would've been thrilled by director Patty Jenkins' recent record-shattering triumph. Her superhero blockbuster, "Wonder Woman," had the highest-grossing opening weekend for a film directed by a woman, and has earned widespread acclaim from both audiences and critics (including our own). It is only Jenkins' second feature, arriving 14 years after her astonishing debut, "Monster," which was hailed by Ebert as the best film of 2003, containing a performance by Charlize Theron that was dubbed by the critic as one of the greatest in cinema history (Theron went on to win the Best Actress Oscar).
Lisa Nesselson on the true victim in the battle between Cannes and Netflix.
Chaz Ebert reports on "The Beguiled," "Good Time," "In the Fade" and more in her fifth video dispatch from Cannes 2017.
A report from Cannes on the latest from Sofia Coppola, along with reviews of two films from Russia.
A preview of the 2017 Cannes Film Festival.
25 films we can't wait to check out during the summer movie season.
An appreciation of Richard Schickel, Time magazine film critic and prolific film director and book author.
I see a movie almost every year on my birthday; some are better than others.
This seasoned triumvirate of talent deserves their recognition in a competitive year.
A look at the films expected to dominate this year's Oscar race and the narrative scope they share.
The latest and greatest on Blu-ray and streaming services, including The Infiltrator, Cafe Society, Blood Father, and a Criterion edition of Boyhood.
A look at what films like "Sully" and "Deepwater Horizon" say about the modern disaster movie.
A look at how Venice, Telluride and Toronto helped form this year's awards season.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A review of the latest directorial project by Mel Gibson, straight from its Venice premiere.