Jason Bourne is a film that, as a fan of the series, I kept trying to like. It just wouldn’t let me.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Roger's Favorites: actor Denzel Washington.
A preview piece on the DOC10 festival at Chicago's Music Box Theatre.
A preview of Ebertfest 2016 and the first Ebert Humanitarian Award
A report from the 2016 True/False documentary film festival in Columbia, Missouri.
An interview with the director of Stop, and a presentation of the short film itself.
An op-ed on how the decision to move the Lifetime Achievement Oscar off the telecast hurts us all.
A review of Justin Simien's "Dear White People" by Columbia Links student Messiah Young.
The latest and greatest on Blu-ray and DVD, including "Bridge of Spies," "Chi-Raq," "Suffragette," "Truth" and more.
An interview by Ebert Fellow Hunter Harris with the stars and director of Sundance Next film "The Land."
A review of Richard Tanne's "Southside with You."
A preview of our most anticipated titles at the 2016 Sundance Film Festival.
Highlights of our 2015 interviews, including Brie Larson, Bryan Cranston, Jason Segel, Lexi Alexander, Sarah Silverman, Spike Lee, Tom McCarthy, Ramin Bahrani, Paul Feig, Charlie Kaufman and much more.
The writers of RogerEbert.com on some of our favorite performances of 2015.
Contributors to RogerEbert.com each list their favorite films of 2015.
The ten best films of 2015.
A look at the latest additions to the now-completed Sundance 2016 lineup.
A report on the press conference for Spike Lee's "Chi-Raq."
A chronological commentary celebrating the performances of Gena Rowlands.
An article about Spike Lee's Honorary Oscar at the 2015 AMPAS Governors Awards.
An article on Ebertfest 2016 passes available for purchase on November 2nd.
Guillermo del Toro's key theme; Silent frame rates and DCP; Exciting news from Sheila O'Malley; New "Star Wars" music; Unsinkable Effie Brown.
An excerpt from "Facing Blackness: Media and Minstrelsy in Spike Lee’s Bamboozled" by Ashley Clark.
Sheila writes: In the films of Spike Lee, the characters often break the fourth wall and speak directly into the lens. There's a break in the action, and the dialogue spoken to the camera feels almost like it's from a documentary, with the "talking head" giving us more information for context. In this cut from the wonderful video-site "Press Play," watch the best To the Camera moments from Spike Lee's films.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Simon Abrams.
The table of contents for RogerEbert.com's complete coverage of AFI Docs 2015.