Do the Right Thing
Mookie
Spike Lee
Spike Lee Movie Reviews
Sidney
Self
A Choice of Weapons: Inspired by Gordon Parks
Self
Breslin and Hamill: Deadline Artists
Himself
Red Hook Summer
Mookie
Girl 6
Jimmy
Jungle Fever
Cyrus
Mo’ Better Blues
Giant
School Daze
Half-Pint
David Byrne’s American Utopia
Director
Da 5 Bloods
Director
BlacKkKlansman
Director
Pass Over
Director
Rodney King
Director
Michael Jackson’s Journey from Motown to Off the Wall
Director
Chi-Raq
Writer
Da Sweet Blood of Jesus
Director
Oldboy
Director
Passing Strange
Directed by
Miracle at St. Anna
Directed by
Blog Posts That Mention Spike Lee
TIFF 2023 Video: Festival Highlights Including Spike Lee Receiving the TIFF Ebert Director Award
Oscar-winner Spike Lee to Receive the 2023 TIFF Ebert Director Award on Sunday, September 10th
Spike Lee’s NYC Epicenters 9/11-2021½ is Timely, Powerful, and Personal
Spike Lee Receives American Cinematheque Award
Wake Up!: Revisiting Spike Lee’s Do the Right Thing Over 30 Years Later
I Was Surrounded by Love: Spike Lee on the Protests and Da 5 Bloods
Malcolm X: Spike Lee’s Timeless Sermon
Five Spike Lee Films Released on Blu-ray
Hooray for Spike Lee, First Black Jury President of the Cannes Film Festival: Cannes Does the Right Thing
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
Video Interview: Spike Lee, John David Washington on BlacKkKlansman
Roger Ebert on the Films of Spike Lee
Cannes 2018: John David Washington on the Emotional Roller-Coaster of Spike Lee’s BlacKkKlansman
Spike Lee Triumphantly Updates “She’s Gotta Have It” for Netflix
The Truth is the Truth: Spike Lee on “Chi-Raq”
Spike Lee’s Oscar: Hollywood Does the Right Thing
Book Excerpt: “Facing Blackness: Media and Minstrelsy in Spike Lee’s Bamboozled” by Ashley Clark
“Do The Right Thing” Writer, Director Spike Lee Joins Ebertfest Lineup for the Film’s 25th Anniversary
Spike Lee, Mike Tyson Bring Riveting “Undisputed Truth” to HBO
Spike Lee: “We fought that war, too”
Spike Lee: Complete transcript
A Family Tree Grows in Spike Lee’s “Crooklyn”
My talk with Spike Lee
Don’t blame it on Spike!
Lee’s ‘Summer of Sam’ a sizzling look at ’70s N.Y.
Lee doesn’t think “Kings’ was red-lined
The summer of Spike
One-on-one with Spike
By Any Means Necessary: Spike Uses His Clout
Spike vs. Clint on Iwo Jima
Retrospective: Oscar Micheaux and the Birth of Black Independent Cinema
Cannes 2018: BlacKkKlansman, Shoplifters
The Unloved, Part 35: Da Sweet Blood of Jesus
The RogerEbert.com Interviews of 2015
Thumbnails 5/1/15
Thumbnails 2/16/15
Disturbing the Peace: “Do the Right Thing” at 25
Ebertfest Prepares to Unfold as a ‘Tribute to Roger’
Thumbnails 4/1/14
Thumbnails 3/12/14
Thumbnails 11/21/2013
Thumbnails 8/21/2013
Thumbnails 7/26/2013
Thumbnails 7/24/2013
Roger Ebert will receive the Sundance Institute Vanguard Leadership Award
TIFF 2007: Stuck in time
TIFF 2007: The Coens = the essence of movies
What the hell’s happening in The Happening?
Steve Park: A funny man, serious and significant
Stepin Fetchit to Denzel Washington (Part I)
You make the movie, you sell the movie
“Don’t mess Malcolm up”
Is Bill Maher a performer, a preacher, or a pimp?
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
13 Reviews by Roger Ebert for the 2025 Day4Empathy
What to Watch on Netflix: March 2025
If We Picked the Winners: The 97th Academy Awards
30 Years of “Hoop Dreams”: Steve James on Roger Ebert, Oscar Snubs, and Documentary Filmmaking
The Atlas of Cinema: In Praise of Adam Driver
A Look Back at MUBI FEST CHICAGO
Mike Leigh to Receive Ebert Director Award at the 2024 Toronto International Film Festival
Looking Into My Soul: Colman Domingo on Sing Sing
It’s About Reshaping: David Kirkman on Underneath: The Children of the Sun
58th KVIFF Welcomes Viggo Mortensen, Steven Soderbergh, Clive Owen, And More
The LightReel Film Festival Finishes Strong
Neon’s Five Palme d’Or Winners, Ranked
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Cannes 2024: Megalopolis
Two More Weeks in the Midday Sun
On Luca, Tenet, The Invisible Man and Other Films from the Early Pandemic Era that Deserve More Big-Screen Time
Oscar Predictions 2024: What Will Win This Year
The 25th Anniversary of Ebertfest to Open with Star 80, With The Best Man As Its Centerpiece
Bill Bradley is Ready to Tell His Own Story
Spirit Awards 2024: A Platform for Essential Independent Films
The Alliance for Downtown Manhattan Invites Filmmakers to Apply for $50,000 Grant to Make a Film in New York City
The Return of 70MM
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
A Grounding Presence: Andre Braugher (1962-2023)
Staying Connected: Gelila Bekele and Armani Ortiz on Maxine’s Baby: The Tyler Perry Story
Streetcorner Symphony: The Music of Mean Streets
It’s OK, Boomer: The Big Chill Turns 40
CIFF 2023 Interview: Minhal Baig on Chicago Drama We Grown Now
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
Creating an Atmosphere: Justin Simien on Haunted Mansion
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
TIFF 2023: Stop Making Sense, In Restless Dreams: The Music of Paul Simon
TIFF 2023: Table of Contents
Film Forum’s Ousmane Sembène Retrospective Honors the Senegalese Master
Female Filmmakers in Focus: Fran Rubel Kuzui on Tokyo Pop
When Angela Bassett Found Her Inner Tina Turner
Sweet Home Chicago Series for Juneteenth: Video Interview with Filmmaker Mark Harris
Rise of the Beats: On Hip-Hop and Hollywood
Cannes 2023: DePaul University/CHA Youth Resident Filmmakers Isis Gullette, Unique Moore and Christal Westmoreland Arrive in the Riviera
Martin Scorsese was Roger Ebert’s Favorite Director
A Piece of His Fire: Harry Belafonte (1927-2023)
A Road Paved with Bloodshed: High Plains Drifter Turns 50
23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th
Home Entertainment Guide: December 2022
