As long as the focus is on Mia and Elliot, the film is involving and moving.
Slate: To come back to this, I have to say, I really don't like these movies like "Barbershop" and "Beauty Shop." I just don't. I think of what you were doing—yet you made these films possible, right?
Lee: Don't put that on me.
Slate: No, but you created an open field for black filmmakers.
Lee: Yeah, but it morphed into something else. But no, you can't put "Barbershop" on me.
Slate: Still, don't you find it ironic that you created the atmosphere that made these films possible, and now they're more popular than more serious movies?
Lee: I never said that those films should not be made. I just think that they shouldn't be the only type of films that are made. But I'd take "Barbershop" over "Get Rich or Die Tryin'." In "Barbershop," you're not trying to kill anybody.
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
A look back at one of the best films of all time.
Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.