Roofman
Leigh Wainscott
Kirsten Dunst
Kirsten Dunst Movie Reviews
Civil War
Ellie
The Power of the Dog
Rose Gordon-Burbank
Woodshock
Theresa
The Beguiled
Edwina Dabney
Hidden Figures
Vivian Michael
Midnight Special
Sarah
The Two Faces of January
Colette MacFarland
On the Road
Camille
Upside Down
Eden
Melancholia
Justine
All Good Things
Katie Marks
How to Lose Friends & Alienate People
Alison
Spider-Man 3
Mary Jane
Marie Antoinette
Marie-Antoinette
Elizabethtown
Claire Colburn
Wimbledon
Lizzie Bradbury
Spider-Man 2
Mary Jane Watson
Eternal Sunshine of the Spotless Mind
Mary
Mona Lisa Smile
Betty Warren
Blog Posts That Mention Kirsten Dunst
Kirsten Dunst, Always on the Brink of Transformation
Video Interview: Sofia Coppola, Kirsten Dunst and Elle Fanning on “The Beguiled”
Something Bigger: Joel Edgerton & Kirsten Dunst on “Midnight Special”
Dark turn for Dunst
recent Two Thumbs Up® reviews
Apocalypse von Trier; Miike in 3-D
What Lars von Trier really said about Nazis…
Melancholia: This is The End
TIFF 2025: 20 World Premieres We Can’t Wait to See
I’ve Got A Way With Young People: 25 Years of Dick
Jesse Plemons on Being Funny, Stepping Off the Ledge and Making ‘Kinds of Kindness’
Cannes 2024 Video #8: Award Winners
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
The Imperiled Women of Alex Garland’s Films
Why Eternal Sunshine of the Spotless Mind Remains Unforgettable
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
Wagner Moura Is Still Holding On To Hope
The Great Performances of 2023
A Look Inside Sofia Coppola’s New 488-Page Retrospective, Archive
Female Filmmakers in Focus: Jane Campion on Power of the Dog
Home Entertainment Guide: November 2022
Some Idea of Me: On the 10th Anniversary of Ruby Sparks
Home Entertainment Guide: July 2022
7 Movies to Watch on the 50th Anniversary of Watergate
Previewing and Predicting the 94th Academy Awards
The Power of the Dog Wins Big at the Critics Choice Awards
Women Writers Week 2022: Table of Contents
The Annotated Table of Contents and Bios for Women Writers Week 2022
The Long, Strange Trip for Women Who Have Competed for the Best Director Oscar
Introduction to Women Writers Week
The 2022 Oscar Nominees: A Full List
2022 Oscar Nomination Predictions
An Eternal Influence: Anne Rice: 1941-2021
The Ten Best Films of 2021
2021 Chicago Critics Film Festival Preview
NYFF 2021: Closing Thoughts
TIFF 2021: Petite Maman, The Power of the Dog, Huda’s Salon
57th Chicago International Film Festival Runs October 13th-24th, Will Host Fundraiser on September 13th
Venice Film Festival 2021: Parallel Mothers, The Power of the Dog
Telluride Film Festival Announces Full 2021 Program Lineup
Home Entertainment Guide: February 2021
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Netflix and Marriage Story Lead 2019 Golden Globe Nominations
The Best Films of the 2010s
Buy What Showtime is Selling in On Becoming a God in Central Florida
The House That Lars von Trier Built, and That I Live In
Hug Your Family: Ben Foster on Leave No Trace
Home Entertainment Consumer Guide: May 10, 2018
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
The Individual Top Tens of 2017
Bright Wall/Dark Room: “Home is Where the Hurt Is” by Asher Gelzer-Govatos
Home Entertainment Consumer Guide: October 19, 2017
Venice Film Festival 2017: “The Leisure Seeker,” “Woodshock”
A Returning Visitor: Comparing the Two Versions of “The Beguiled”
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Cannes 2017: “The Beguiled,” “A Gentle Creature,” “Closeness”
Cannes 2017: The Fest Opens with “Ismael’s Ghosts,” “Loveless”
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2017 Summer Movie Preview: 25 Films We’re Excited About
If I Had an Emmy Ballot 2016
Cannes 2016: “Café Society”
30 Minutes on: “Midnight Special”
Berlin 2016: “Midnight Special”
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
The Best TV of 2015
“Carol,” “Trainwreck,” “Mr. Robot” Among 2016 Golden Globe Nominees
FX’s “Fargo” Maintains High Quality in Second Chapter
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The Act of Not Having An Act: Cameron Crowe’s Ambivalent Humanism
HBO’s “The Jinx: The Life and Deaths of Robert Durst”
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Neil Jordan’s Seven Grim Fairy Tales: An Infographic Guide to a Director’s Obsessions
Public Edition #4
Elizabethtown Revisited
The Best Films of 2010
Ebert’s 2006 summer/fall round-up
The Best Films of 2004
“The Tree of Life” takes the Palme d’Or
Cannes 2011: All eyes forward
With great power, comes great responsibility
Running from your memories
Bachelorette: Invasion of the b-face girls
The best feature films of 2010
The Best Films of 2011
“Melancholia” descends on Toronto
Cannes #6: Palme d’Odds
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Cannes #8: Sex, awards & film
Sundance holds great promise
Opening night puts the spotlight on Downey Jr.
The film’s the thing Telluride fest gives nod to big movies on small screen
Udderly bull
