Dario Argento Panico
Sé stesso
Guillermo Del Toro
Guillermo Del Toro Movie Reviews
78/52
Himself
Five Came Back
Himself
Extraordinary Tales
Narrator: The Pit and the Pendulum (voice)
Frankenstein (2025)
Director
Guillermo del Toro’s Pinocchio
Director
Nightmare Alley
Director
The Witches
Writer
Scary Stories to Tell in the Dark
Writer
The Shape of Water
Screenplay
Crimson Peak
Director
The Book of Life
Producer
The Hobbit: The Desolation of Smaug
Screenplay
Pacific Rim
Director
Don’t Be Afraid of the Dark
Written by
Hellboy II: The Golden Army
Directed by
Pan’s Labyrinth
Directed and written by
Hellboy
Directed by
Blade II
Directed by
The Devil’s Backbone
Written and Directed by
Blog Posts That Mention Guillermo Del Toro
Guillermo del Toro to Receive Ebert Director Award at the 2025 TIFF Tribute Awards
Guillermo del Toro’s Cabinet of Curiosities Boasts a Master’s Standards
SDCC 2020: Guillermo del Toro and Scott Cooper on Antlers and Filmmaking
Bright Wall/Dark Room October 2018: A Story with A Ghost in It: On Family, Trauma, and Hope in Guillermo del Toro’s Crimson Peak
Book Excerpt: Guillermo del Toro’s “The Devil’s Backbone” by Matt Zoller Seitz & Simon Abrams
AFI Fest 2017: “The Shape of Water” Panel with Guillermo del Toro, Sally Hawkins and more
Eye Protein: The Beauty of Trilogía de Guillermo del Toro
Guillermo del Toro’s “Monsters” Unleashed at LACMA
Ebertfest 2016: An Interview with Guillermo del Toro
Ebertfest 2016: 21 Most Quotable Moments from Guillermo del Toro
Ebertfest 2016, Day 1: Guillermo del Toro Opens This Year’s Cinematic Theme Park
Roger’s Favorites: Guillermo del Toro, Alfonso Cuarón and Alejandro González Iñárritu
Guillermo Del Toro’s ‘Crimson Peak’ to Open Ebertfest 2016
Book Excerpt: Guillermo Del Toro talks about the Best FIlm You’ve Never Seen
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
From Guillermo and Gottfried to the Golden Arm, Ebertfest 2022 is Back in Full Swing
TIFF 2017: “The Shape of Water,” “First Reformed,” “Darkest Hour”
A Box of Chocolates: Preview of the 2017 Telluride Film Festival
The Power of Fear: Reflections on “Pan’s Labyrinth”
Thumbnails 10/26/15
Thumbnails 11/22/2013
Opening Shots: Pan’s Labyrinth
Losing control, or ceding control, or not…
TIFF: Borat R US
“Talking faux-seriously about juvenilia…”
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The 10 Best Horror Films of 2025
The Great Craft of 2025
The Great Performances of 2025
Two Thumbs Up! The Individual Top Tens of 2025
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
“Silent Hill f” Sends Gamers to a New Destination in a Terrifying Universe
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
The Personal Becomes Universal in Moving, Funny “Long Story Short”
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival
What to Watch on Netflix: July 2025
The 2025 TCM Classic Film Festival
Will I Ever Take My Kids to the Movies?
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
Meet the Writers: Zachary Lee
The Great Craft of 2024
Home Entertainment Guide: November 2024
Criterion Releases Gorgeous Box Set for Their 40th Anniversary
10 Underrated Horror Movies That Roger Ebert Loved (and Where to Watch Them)
Criterion Adds Val Lewton Double Feature to the Collection
Phenomenal Remake Reminds Gamers of the Influence of “Silent Hill 2”
Fantasia 2024: The Chapel, The Beast Within, FAQ
Home Entertainment Guide: May 2024
She’s Alive! Why Frankenstein Is Back—And Why It’s Being Used to Tell Women’s Stories
Ebertfest Film Festival Over the Years
30 Minutes On: Dune Part One
Home Entertainment Guide: December 2023
Disney+’s Percy Jackson and the Olympians is Nice, Safe, and Fun
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
Fantasia 2023: Lovely, Dark, and Deep, Where the Devil Roams, With Love and a Major Organ
A Look Back at Tribeca 2023
Highlights of the 2023 TCM Film Festival
Home Entertainment Guide: March 2023
Video: Recap of Ebertfest 2022
Oscars 2023: What It’s Like to Attend Hollywood’s Biggest Night
Oscars 2023: Inside the Press Room with the History-Making Winners
Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023
10 Major Snubs and Surprises from the 2023 Oscar Nominations
The Stars Shine at the 2023 Critics Choice Awards
The Great Filmmaking Craft of 2022
The Great Performances of 2022
The Banshees of Inisherin Named Best Picture by Chicago Film Critics Association
The Individual Top Tens of 2022
The Ten Best Films of 2022
Everything Everywhere All at Once Leads Chicago Film Critics Nominations
Ebertfest Film Festival 2023 Passes On Sale December 12th
Home Entertainment Guide: Horror Movie Edition
From the Deep: On the Staying Power of Creature from the Black Lagoon
I Won’t Know If I’m Coming or Going: Rodrigo García on Nine Lives and His Latest Film, Raymond & Ray
Stay Weird: Highlights of the 2022 Fantastic Fest
On The Rise of Taylor Swift, Filmmaker
The Ebert Fellows on Ebertfest 2022
Ebertfest 2022 Recap: A Golden Homecoming
Ebertfest 2022 Announces Complete Lineup, Will Be Dedicated to Sidney Poitier and Gilbert Gottfried
Roger’s Top Ten Lists: Best Films of 2006
Meet the Guests of Ebertfest 2022
Home Entertainment Guide: March 2022
2022 Oscar Nomination Predictions
Home Entertainment Guide: January 2022
24 Great Performances of 2021
Overdue Oscars: 10 Directors Looking for Their First Academy Award
