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From the official press release from the Toronto International Film Festival, with links to our coverage of the winning films, when available.

PEOPLE’S CHOICE AWARDS PRESENTED BY ROGERS

The 48th edition of TIFF’s People’s Choice Awards, presented by Rogers, presents the audience’s top titles at the Festival as voted by the viewing public. All feature films and Primetime series in TIFF’s Official Selection are eligible.

People’s Choice Award presented by Rogers: Hamnet, dir. Chloé Zhao

First runner-up: Frankenstein, dir. Guillermo del Toro

Second runner-up: Wake Up Dead Man: A Knives Out Mystery, dir. Rian Johnson

International People’s Choice Award presented by Rogers: No Other Choice, dir. Park Chan-wook

First runner-up: Sentimental Value, dir. Joachim Trier

Second runner-up: Homebound, dir. Neeraj Ghaywan

People’s Choice Documentary Award presented by Rogers: The Road Between Us: The Ultimate Rescue, dir. Barry Avrich

First runner-up: EPiC: Elvis Presley in Concert, dir. Baz Luhrmann

Second runner-up: You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution…, dir. Nick Davis

People’s Choice Midnight Madness Award presented by Rogers: Nirvanna the Band the Show the Movie, dir. Matt Johnson  

First runner-up: Obsession, dir. Curry Barker

Second runner-up: The Furious, dir. Kenji Tanigaki

SHORT CUTS AWARDS

Short Cuts Awards are presented to the Best International Short Film, Best Canadian Short Film, and Best Animated Short Film, as awarded by the Short Cuts jury. Each of the three winning films will receive a bursary of $10,000 CAD. The 2025 jurors for the Short Cuts Awards are Ashley Iris Gill, Marcel Jean, and Connor Jessup.

Short Cuts Award for Best International Short Film:

Talk Me, dir. Joecar Hanna | Spain/USA

Short Cuts jury’s statement: “This film sparked one of the most interesting conversations around the jury table. Talk Me is bold in its portrayal of intimacy and the universal longing for connection. The characters fit so naturally into the film’s unique, evocative world that everything feels normal very quickly. Its cinematography is beautiful, delicate yet deliberate, each frame carefully crafted to draw us deeper into the story. By allowing the visuals to lead, the film creates an immersive experience of vulnerability and honesty. For its courage, craft, and sensitivity, the jury presents the Short Cuts Award for Best International Short Film to Joecar Hanna’s Talk Me.”

Honourable Mention:

Agapito, dirs. Arvin Belarmino & Kyla Danelle Romero | Philippines

Short Cuts jury’s statement: “For its formal precision, command of a delicate tone, poetic awareness of space and movement, and deeply personal reflections on family, the jury is thrilled to present an Honourable Mention to Arvin Belarmino and Kyla Danelle Romero’s remarkable Agapito. The jury also wants to acknowledge the brilliantly nuanced and committed performances of the film’s young cast.”

Short Cuts Award for Best Canadian Short Film:

The Girl Who Cried Pearls, dirs. Chris Lavis & Maciek Szczerbowski | Canada  

Short Cuts jury’s statement: “In addition to highlighting the film’s daring technical achievement and sumptuous artistic direction, the jury also wants to recognize a fable about greed and the capacity of artists to create a fantastic world by the power of their narrative voice. The Short Cuts Award for Best Canadian Short Film goes to Chris Lavis and Maciek Szczerbowski for The Girl Who Cried Pearls.”

Honourable Mention:

A Soft Touch, dir. Heather Young

Short Cuts jury’s statement: “A Soft Touch really pierced our hearts. It finds a way to transform routine, everyday moments into a quietly devastating portrait of neglect and resilience. With searing precision and simplicity, the film illuminates how easily older folks can be overlooked, and in doing so, demands our attention, empathy, and accountability. The jury awards an Honourable Mention to Heather Young’s A Soft Touch.”

Short Cuts Award for Best Animated Short Film:

To the Woods, dir. Agnès Patron | France

Short Cuts jury’s statement: “This wordless journey into the bond between two siblings becomes a transcendent meditation on the mysteries of time and memory, love and loss, connection and transformation. Animated with lush, cosmic beauty and vibrating with tenderness and insight, the film plunges its viewer into deep, deep feeling. For its overwhelming artistry, luminous spirit, and soul-expanding sense of mystery, the jury presents the Short Cuts Award for Best Animated Short Film to Agnès Patron’s To the Woods. The jury also wants to note the film’s jaw-dropping sound design and the work of composer Pierre Oberkampf, whose score ranks among the best film music of recent years.”

FIPRESCI PRIZE

The FIPRESCI jury is awarding the International Critics Prize, dedicated to emerging filmmakers, to a debut feature film having its World Premiere in TIFF’s Discovery or Centrepiece programmes. The 2025 FIPRESCI jury members are: Katharina Dockhorn (Germany), Francisco Ferreira (Portugal), Jean-Philippe Guerand (France), Andy Hazel (Australia), and Justine Smith (Canada).

FIPRESCI Prize:

Forastera, dir. Lucía Aleñar Iglesias | Spain/Italy/Sweden

FIPRESCI jury’s statement: “Spanish cinema, long shaped by the exuberance of Pedro Almodóvar, has found a new distinctive voice in Lucía Aleñar Iglesias. Set on sun-drenched Mallorca, Forastera follows 16-year-old Cata, whose carefree family holiday is brought to a halt by the death of her grandmother. In her grief, the teenager takes on the older woman’s persona — wearing her clothes, adopting her gestures and silences. Aleñar Iglesias directs with restraint and precision, finding power in understatement. Performances from newcomer Zoe Stein and veteran Lluís Homar anchor the film’s dreamlike rhythms. What might sound slight becomes luminous: a meditation on an adolescent’s first encounter with death, and a ghost story about how the past lingers in the present. Forastera is a quietly assured debut, simple yet transformative, marking Aleñar Iglesias as a filmmaker the FIPRESCI jury would like to bet on.”

NETPAC AWARD

Presented by the Network for the Promotion of Asian Pacific Cinema, the NETPAC Award recognizes films specifically from the Asian and Pacific regions. The jury consists of three international community members selected by TIFF and NETPAC, who award the prize to the best Asian film by a first or second-time feature director. The 2025 NETPAC jury members are Dina Iordanova, Helen Lee, and Keoprasith Souvannavong, who is serving as Jury Chair.

NETPAC Award:

In Search of The Sky (Vimukt), dir. Jitank Singh Gurjar | India

NETPAC jury’s statement: “For offering an indelible tale of tolerance, desperation and faith, conveyed through a unique lens of realism and poetics, elevated by striking performances. In Search of The Sky (Vimukt) is a truly independent achievement by Indian filmmaker Jitank Singh Gurjar. The film transports the audience to rural central India, where an impoverished elderly couple contends with their cognitively challenged adult son and the villagers who threaten their existence. A beacon of hope comes in the form of the Maha Kumbh Mela, a pilgrimage to the world’s largest spiritual gathering where they seek renewal and new possibilities of life.”

BEST CANADIAN DISCOVERY AWARD

The Best Canadian Discovery Award celebrates works of emerging filmmakers who contribute to enriching the Canadian film landscape. All Canadian first or second feature films in Official Selection are eligible for this award. The winner will receive a cash prize of $10,000 CAD.

Jury members presiding over both the Best Canadian Discovery Award and Best Canadian Feature Film Award are: Jennifer Baichwal, Sophie Jarvis, and R.T. Thorne:

“Thirty-five films in 10 days gives you some perspective on the cinematic zeitgeist in our country. As a jury, we were particularly impressed by the wonderful variety, breadth, and strength of storytelling in the Indigenous films supported by the Indigenous Screen Office. This was a powerful indicator of the future of cinema in this country, and we look forward to seeing more in the future.”

Best Canadian Discovery Award:

Blue Heron, dir. Sophy Romvari | Canada

Jury’s statement: “Blue Heron, written and directed by Sophy Romvari, is a film centered on a family struggling with a troubling personal crisis, where all elements — script, direction, cinematography, performance and editing — unite to powerfully transcend the sum of their parts. The complexity of story, perspective, and emotion is conveyed with understated simplicity — nothing is superfluous — and the transitions between real and imagined, past and present, are seamless, as well as heartbreaking. Blue Heron is a stunning and assured feature debut about love, grief, memory, and the yearning to go back to the moment before everything changed.”

Honourable Mention:

100 Sunset, dir. Kunsang Kyirong | Canada

Jury’s statement: “We as a jury were struck by the remarkable world-building in 100 Sunset, Kunsang Kyirong’s directorial debut. She invites us into the apartment complex that is home to members of the Tibetan immigrant community in Toronto, where we experience the gossip, rivalries, and intrigues through the eyes of an observant young thief who rarely speaks but seems to register everything. The growing friendship between the thief and a newly arrived young wife is a study in seeing and being seen, and the interplay of an old DV camera perspective takes us along on their journey of expanding horizons.”

BEST CANADIAN FEATURE FILM AWARD

The Best Canadian Feature Film Award honours the unique craft and storytelling in Canadian cinema. All Canadian feature films in Official Selection — excluding first or second features — are considered for the award. The winning filmmaker will receive a $10,000 CAD cash prize.

Best Canadian Feature Film Award:

Uiksaringitara (Wrong Husband), dir. Zacharias Kunuk | Canada

Jury’s statement: “Wrong Husband, directed by Zacharias Kunuk, is a love story from thousands of years ago that blends the epic and intimate and immerses viewers in a mesmerizing and unique cinematic experience. The supernatural is ever-present and matter of fact alongside exquisite details of the daily rhythms of ancient Inuit life. The humour, gentleness and stoicism in the characters’ interactions is deeply moving, and the landscape is both a sublime setting and a character in itself. This is a beautiful and not unexpected achievement from a master storyteller.”

Honourable Mention:

There Are No Words, dir. Min Sook Lee | Canada

Jury’s statement: “An Honourable Mention goes to There Are No Words, written and directed by veteran documentarian Min Sook Lee. This film is a profound and devastating story of unspeakable loss; the shifting shape and mingling of individual and collective memory; the sometimes brutal immigrant experience; and how past violent personal and political realities can continue to define the identity of a family.”

PLATFORM AWARD

Marking the tenth anniversary of the Festival’s competitive section, Platform champions bold directorial vision and distinctive storytelling on the world stage. The Platform Award is a prize of $20,000 CAD given to the best film in the programme, selected by an in-person international jury: Carlos Marqués-Marcet (Jury Chair), Marianne Jean-Baptiste, and Chloé Robichaud.

Platform Award:

To The Victory!, dir. Valentyn Vasyanovych | Ukraine/Lithuania

Platform jury’s statement: “To The Victory! is the unanimous choice for this year’s Platform Award amongst a very strong selection. Bringing cinematic language to its roots and, at the same time, masterfully playing with audience expectations, this film dismantles convention to reveal deeply resonant universal emotions. Director Valentyn Vasyanovych has choreographed a mise-en-scène rendered with masterful precision, arriving at the kind of refined simplicity that can only be achieved with artistic maturity and bold vision. He has deftly used comedy to address a very complicated and complex situation into a work that is both audacious and profoundly beautiful. Ultimately, the film returns us to the very essence of cinema — reminding us why we are compelled to tell stories on film, and why we continue to do so.”

Honourable Mention:

Hen, dir. György Pálfi | Germany/Greece/Hungary

Platform jury’s statement: “The jury also wishes to recognize the extraordinary artistry of director György Pálfi, whose work exemplifies boldness, intelligence, and creative ingenuity. Blending cinematic genres in an inventive and seamless manner, Hen demonstrates remarkable precision in its camera movement and shot composition, resulting in an exceptionally effective narrative. György’s unwavering commitment to exploring humanity through the perspective of the hen yields a singularly original vision — a work of stunning originality, unlike anything else in contemporary cinema.”

Awards descriptions including eligibility can be found here: tiff.net/awards. Information on the People’s Choice Award voting process can be found here: tiff.net/vote.

Last Sunday, TIFF hosted its seventh annual TIFF Tribute Awards, in partnership with Rolex. Photos of the event can be found here.

The 50th Toronto International Film Festival, presented by Rogers, concludes today. The 51st edition of the Festival will take place September 10–20, 2026.

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The AV Club, The New York Times, and many more, and the President of the Chicago Film Critics Association.

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