Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An open letter from Woody Allen; an Edna Krabappel tribute; the possibility of a "Prometheus 2"; why film festivals reject good films; the return of "Black Angel" (the film meant to precede "Empire Strikes Back").
Writer Susan Wloszczyna responds to our Movie Love Questionnaire.
When Harvey Weinstein is in the house, you know it's a big deal. After all, one of his possible Academy-bait babies was taking its first steps in public at the bustling Scotiabank theaters before the press and industry on Monday. He is not going to leave that special occasion to chance.Day 5 at Toronto brought the unveiling one of the most anticipated pieces of the Oscar-prediction puzzle—"August: Osage County" a.k.a. When Meryl Met Julia—and, judging from the "I like it but…" comments exchanged by audience members as the film came to a close, the reaction was one of tempered admiration.The comically caustic domestic situation, based on the 2008 Tony-winning play, concerns a contentious Oklahoma clan called the Westons who reunite following a family crisis. With a cast jammed with recognizable faces ranging from Sam Shepard's hard-drinking poet of a patriarch to Abigail Breslin's precocious pot-smoking teen, it sometimes comes off like one of those "We Are the World" all-star songs where everyone involved gets a for-your-consideration solo in order to shine.Of course, there are soloists and then there are divas. Nothing can be that bad when there's Meryl Streep as a pill-popping, cancer-ravaged matriarch who puts the diss in dysfunctional as she engages in a verbal dinner-table death match with movie daughter Julia Roberts. Imagine "Who's Afraid of Virginia Woolf" filtered through "Terms of Endearment." The explosive results left some in the theater gasping.A couple of the casting choices seem wonky (Ewan McGregor is out of place as Roberts' roaming husband while Dermot Mulroney is basically playing the Dermot Mulroney role as a sexy self-serving jerk).But some of the most enjoyable portions are when the Weston sisters—joining Roberts' Barbara are Juliette Lewis' flighty Karen and Julianne Nicholson as dark horse Ivy—kick back with glasses of wine and trade stories about their challenging mother and personal secrets.All could be up for Oscars, including Margo Martindale as Streep's big-mama of a sister. The real question is whether it can be justified to place either Streep or Roberts in a supporting category to avoid competing with one another since they are both clearly co-leads. And that is where the mighty Harvey comes in. It has been finally decided: Meryl is lead and Julia is supporting, The negotiations over Syria probably have nothing on the intense discussions that went into that move.As for best picture chances, that is up to Harvey and his magical marketing machine. "August: Osage County" is more certain to fill several acting nomination slots, but just the fact that Roberts and Streep—who have only previously collaborated in the animated "The Ant Bully"—are together at last is a powerful reason to applaud this movie as much as possible.
Here are links to all our coverage from the 2013 Toronto International Film Festival.
At their big D23 Expo event, Disney unleashed some stars and a lot of tantalizing info about live action films.
Marie writes: As the dog days of summer slowly creep towards September and Toronto starts getting ready for TIFF 2013, bringing with it the promise of unique and interesting foreign films, it brought to mind an old favorite, namely The Red Balloon; a thirty-four minute short which follows the adventures of a young boy who one day finds a sentient red balloon. Filmed in the Menilmontant neighborhood of Paris and directed by French filmmaker Albert Lamorisse, The Red Balloon went on to win numerous awards and has since become a much-beloved Children's Classic.
Susan Seidelman has been making films for over 30 years. Her work includes "Desperately Seeking Susan," the pilot for "Sex and the City," and her new sports comedy "The Hot Flashes." Her story is the story of women in Hollywood: a study in creativity, courage and strength. A profile by RogerEbert.com's Christy Lemire.
Troll the NSA; clashes continue in Turkey; the "familiar profile" of the Santa Monica killer; wash your hands!; actresses in Hollywood are having a worse/better time of it; Lego faces getting angrier; great tracking shots.
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in "Behind the Candelabra"?
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
In our many wonderful conversations over the years, Chaz, Roger and I – often along with a step-star step-producer or step-child or two – pushed our inquiries and experiences into the corners of ambiguity to find those images, colors, and sounds where the understanding and commonalities would blend and come together in a Monet Vanilla Sky.
Alex Kazhinsky of Lincolnwood is this year's Grand Prize winner in the annual Outguess Ebert contest — and tells me, "It's a big thrill to win your contest after playing it for so many years!"
Marie writes: Kudos to fellow art buddy Siri Arnet for sharing the following; a truly unique hotel just outside Nairobi, Kenya: welcome to Giraffe Manor.
Marie writes: And so it begins! A new year and another season of Film Festivals and Award shows. The Golden Globes have come and gone and in advance of quirky SXSW, there's Robert Redford's Sundance 2013...
by Roger Ebert
Osama bin Laden is dead, which everybody knows, and the principal facts leading up to that are also well-known. The decision to market "Zero Dark Thirty" as a thriller therefore takes a certain amount of courage, even given the fascination with this most zero and dark of deaths. (The title is spy-speak for "half past midnight," the time of bin Laden's death.)
At the heart of Steven Spielberg's "Lincoln" is a quiet scene between President Abraham Lincoln (Daniel Day-Lewis) and two young men, Samuel Beckwith (Adam Driver) and David Homer Bates (Drew Sease), in an otherwise empty telegraph cipher office. Lincoln has to make a crucial decision: Does he consider a peace proposal from a Confederate delegation on its way to Washington, and thus perhaps immediately end the bloody Civil War that has claimed the lives of more than half a million Americans, knowing that it would doom his attempt to pass the Thirteenth Amendment to the Constitution, officially banning slavery in the United States? Or does he try to legally solidify and extend his Emancipation Proclamation by getting the Thirteenth Amendment passed during a narrow window of opportunity (during the lame duck session of Congress between his re-election and second inauguration) at the cost of extending the war?
"Johnny Carson: The King of Late Night" (120 minutes) premieres on PBS' "American Masters" at 9:00pm Monday, May 14th (check local listings). The film will also be released on DVD and Blu-ray on July 17th.
As I reflect on my life, I grow increasingly grateful for having witnessed the greatest half-century in the history of the United States. Consider just a few of the crucial events that have shaped us during the past 50 years: The civil rights movements for African-Americans, women and the disabled; the assassinations of JFK, MLK and RFK; the war in Vietnam and its domestic fallout; landing on the moon and exploring the outer reaches of the universe; the global trauma of AIDS and seemingly perpetual threats of war and terrorism; and, perhaps most important, the emergence and meteoric rise of the digital age, exemplified by the Internet and social media with the power to literally change history through an exponential expansion of human connectedness.
If you've witnessed these decades through the multicolored lenses of popular culture, the rewards have been astonishing. Consider the careers we've seen in that time: Dylan, The Beatles, The Rolling Stones, Neil Young, Springsteen, Madonna, The Clash, U2, Nirvana... Don Rickles, Richard Pryor, George Carlin, Eddie Murphy, Tina Fey... Clint Eastwood, Martin Scorsese, Dustin Hoffman, Meryl Streep, Steven Spielberg, Werner Herzog... We could all make our own long lists and we'd all arrive at the same conclusion: The past half-century has been nothing short of phenomenal.
And one way or another, it all comes down to "The Tonight Show with Johnny Carson."
HAPPY BELATED BIRTHDAY TO THE EBERT CLUB!
The grand-prize winner of the 2012 Outguess Ebert contest is Debra McCune of Cedar Lake, Ind.
Sarah Palin lacked the preparation or temperament to be one heartbeat away from the presidency, but what she possessed in abundance was the ability to inflame political passions and energize the John McCain campaign with star quality. That much we already knew. What I didn't expect to discover after viewing "Game Change," a new HBO film about the 2008 McCain campaign, was how much sympathy I would feel for Palin, and even more for John McCain.
Marie writes: I can't prove it but I'm convinced they're related.
It was like an episode from "The Twilight Zone." The Academy Award for best picture went to a silent film in black and white. The unstoppable "The Artist," which had nothing going for it but boundless joy, defeated big-budgeted competitors loaded with expensive stars because … well, because it was so darned much fun. Its victory will send Hollywood back to its think-tanks.
It's a sunny, unseasonable 80 degrees as the 2012 Santa Barbara International Film Festival kicks in, but all I want is to be indoors. When you peer at a schedule listing nearly 200 films jammed into 10 days, and you just can't wait, you know you're an addict. This is my third SBIFF so I recognize the signs.
Suddenly each January, there's an extra bustle in this appealing, laid-back town. Downtown on lower State Street, trucks appear bearing vivid banners, soon to be festooned overhead. Special lights and rigging go up at 2 central venues - the precisely restored, historic Lobero and Arlington Theatres. Locals watch to see whether Festival Director Roger Durling changes his hair: one year it was spikey, another year purple. This time it's rather like Heathcliff - longer, romantic.
The Academy Award winners for the past thirty years have followed consistent molds, primarily in the categories of Best Actress, Best Actor, and Best Picture. It is a very simple set of templates that I will explain with excessive evidence. This is not to say that the Academy Awards are a conspiracy run by some secret society, although that idea would be quite fun. Rather, at the very least, there is a subtext to American culture that plays out in the ideas and ideals in American cinema, and it plays out consistently. At the very least, I'm illustrating some unwritten ideals in American culture. Whether or not they are healthy or corrupt, they are there in us. So, "Best Picture" is not a great movie; rather, it is a great movie that fulfills the mold.
Of course, no one is really robbed of an Academy Award nomination. It's a gift; not a right. The balloting procedure is conducted honestly and reflects a collective opinion, which was demonstrated this year when the Academy voters had the curiosity to seek out Demian Bichir for best actor for his deeply convincing performance as a Mexican gardener in Los Angeles in "A Better Life." He wasn't on my mental list of possible candidates, but when I heard the name, I thought, "Of course! Good thinking!"