Transformers: The Last Knight
So much incoherent noise that you’ll want to bang your head on the seat in front of you just to get some rest.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Ben Kenigsberg makes his predictions for the 2017 Cannes awards.
Chaz Ebert reports on "The Meyerowitz Stories (New and Selected)," "The Killing of a Sacred Deer" and more in her fourth video dispatch from Cannes 2017.
A report from the Cannes Film Festival on the latest from Michael Haneke, Noah Baumbach and Kiyoshi Kurosawa.
A preview of the 2017 Cannes Film Festival.
An interview with Mexican superstar Eugenio Derbez about his English-language breakout, "How to Be a Latin Lover," remaking "Being There" and more.
A look at what's coming to theaters this January through April.
The latest on Netflix and Blu-ray, including three fantastic Criterion releases.
A preview of the 2016 New York Asian Film Festival, including Sammo Hung's "My Beloved Bodyguard" and Yee-sum Luk's "Lazy Hazy Crazy."
How Hollywood failed Paula Patton; Into the cinema, onto the page; Hard questions for Ronan Farrow; Fandom is broken; Brian De Palma, American Master.
Monica Castillo responds to our Movie Love Questionnaire.
A review of Kevin Smith's "Yoga Hosers."
Contributors to RogerEbert.com each list their favorite films of 2015.
Anthony Daniels on "Star Wars VII"; History of Action-Movie Heroes; Love in the films of Jacques Démy; Emma Thompson on Trump; How Netflix could change the movie business.
An overview of the films that will be theatrically released in the 2015 fall season.
An appreciation of Time Magazine writer Richard Corliss.
A reposting of Godfrey Cheshire's landmark essay in anticipation of the Critic's Forum at Ebertfest.
Odie Henderson went to TIFF 2014 and shares his favorites from this year's fest, along with a glimpse of what's it like on the ground at a fest like Toronto.
Chaz Ebert reports on James Marsh's "The Theory of Everything" and Chris Rock's "Top Five."
RogerEbert.com contributor Godfrey Cheshire's landmark two-part series "Death of Film/Decay of Cinema" anticipated many of the changes that would later shake the medium to its core.
Nell Minow responds to our Movie Love Questionnaire.
Steve Erickson discusses James Gray's career with the director of the upcoming The Immigrant.
The evolution of video games; Looking back at Christopher Evan Welch; Tina Fey and Amy Poehler team upl No more expert reviews; Info on Inherent Vice.
Harold Ramis dies at 69; A look at the state of film criticism; Method acting destroying the profession; Meryl Streep and the Oscars; Sex and the City ten years later.
"I believe he's not guilty."
"Are you sure?"
"No, but I have a reasonable doubt."
The last words spoken in David Mamet's HBO feature film "Phil Spector" are "reasonable doubt." The first words appear in white letters on a black screen:
This is a work of fiction. It's not "based on a true story." ... It is a drama inspired by actual persons on a trial, but it is neither an attempt to depict the actual persons, nor to comment upon the trial or its outcome.
I'm not quite sure what that means (beyond "Don't sue us") -- but it sounds a little like one of Mamet's nonsensical latter-day post-right-wing conversion rants. (Read Mamet's 2008 Village Voice essay, "Why I Am No Longer a 'Brain-Dead Liberal'" and see if you can figure out how he went from an unthinking, ignorant knee-jerk lefty to an unthinking, ignorant knee-jerk conservative. It has something to do with NPR, but what was he listening to? "Car Talk"? He doesn't say -- only that he believes in choosing one's political positions and convictions the way you would choose a sports team to root for, based on your affection for a place and whatever colors you feel are the most flattering this season.)