Happy End
Writer
Michael Haneke
Michael Haneke Movie Reviews
Blog Posts That Mention Michael Haneke
Hypocrisy Exists Everywhere: Michael Haneke on “Happy End”
Mimicking Being a Human Being: Michael Cera on “Person to Person” and “Lemon”
Dr. Haneke’s diagnosis
The Haneke MacGuffin: What is the mystery?
Cannes 2017: “Happy End,” “The Meyerowitz Stories,” “Before We Vanish”
Love under stormy skies
The bookie for the Palme d’Or
If it’s springtime, it must be Cannes
The Cannes winners, as sort of expected
Who will win the Palme d’Or?
VIFF #1: The “normal” pedophile nobody notices
The Double-Best of the Year
Opening Shots: ‘Caché’
From zombies to Pasolini: Movies as schoolyard dares
What is hidden in Caché?
Cannes & Cannes-not: On being a movie geek
The reviews are in: Let the Funny Games begin!
When I fall in love…
Welcome to the experiment
Your User’s Guide to Movie Violence
“Caché:” A riddle, wrapped in a mystery, inside an enigma
London Film Festival 2024 Highlights
No Easy Answers: On the Power of The Teachers’ Lounge
Trigger Warning: Jessica Hausner Is Going to Keep Asking Uncomfortable Questions
Ebertfest Film Festival Over the Years
The Great Performances of 2023
Empathy Comes With Maturity: Ira Sachs on Passages
Home Entertainment Guide: December 2022
I’m Afraid of Other People and Myself: Christian Tafdrup on Speak No Evil
Jean-Louis Trintignant: 1930-2022
Sundance 2022: Speak No Evil, Fresh, Babysitter
Sundance 2021: In the Earth, I Was a Simple Man, John and the Hole
Meet the Writers: Carlos Aguilar
Sundance 2020: Exil, Jumbo
Cinepocalypse 2019: Kindred Spirits, The Swerve
Home Entertainment Consumer Guide: May 30, 2019
I Don’t Want to See An Actor Onscreen: Franz Rogowski on Transit, Happy End, Victoria and More
Sundance 2019 Interview: Julius Onah on Luce
The RogerEbert.com Interviews of 2018
RIFF 2018: Iceland, Donbass and Swimming with The Fifth Element
The New York Film Festival 2018 Preview
TIFF 2018: A Faithful Man, Non-Fiction
Behind the Lens: Isabelle Huppert on Claire’s Camera
Home Entertainment Consumer Guide: October 5, 2017
TIFF 2017: “The Square,” “Happy End,” “The Other Side of Hope”
Cannes 2017: Palme d’Or predictions
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Cannes 2017 Video #1: Preview
Cannes Film Festival 2017 Preview
Thumbnails 5/15/17
Ebertfest 2017, Day 3: A Special Short, the World’s Greatest Actress and More
Replicating the Ambiguity of Life: Cristian Mungiu on “Graduation”
SXSW 2017: “Madre,” “Us and Them,” “Most Beautiful Island”
Emmanuelle Riva: 1927-2017
CIFF 2016: “Imperfections,” “24 Weeks”
TIFF 2016: Cannes Hits Come to Toronto
Violent Worship: The Hypocrisy of the Purge Films
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Hell to Pay: Indie Horror Icon Larry Fessenden on Wendigos and Ugly Americans
The Cannes of Latin America: The Los Cabos International Film Festival 2015
Home Entertainment Consumer Guide: November 22, 2015
CIFF 2015: “Entertainment”
Comfortable Shoes: Joel Edgerton on “The Gift”
Who’s Who In Reviews: Peter Sobczynski
Four-Star Reviews of 2015
Sundance 2015 Interview: The Cast and Producers of “Knock Knock”
The Ten Best Films of 2014
CIFF 2014 Tribute: Isabelle Huppert
Five Films from the Seattle International Film Festival That Deserve Your Attention
Thumbnails 6/9/14
The Best of the d’Ors
Thumbnails 5/16/2014
Bernadette Lafont: The French New Wave’s First Leading Lady Hardly Ever Played “Lady-like”
Fresh blood: Three Great Directors of Direct-to-Video Action
Violence, War, Death: Cannes Report, May 19
Second-guessing my Oscar guesses
2013 Academy Award nominees
Holy Oscar! A long day’s journey into Muriel
Outguess Ebert? I may have them all right
A pretty good set of nominees
National Society of Film Critics falls for “Amour”
“Hurt Locker” sweeps the field in Chicago Film Critics’ Awards
Three critics’ groups vote on year’s best movies: Consensus forming?
NY Crix add kudos to ‘Hurt Locker’
5/14: Swanky 3-D goggles for the chic cineaste
Pirates of the Riviera
Palme d’Or loves “Amour”
A letter from Chaz
Terrence Malick, the man who wasn’t there
Is it rape? Is it funny?
Deep Focus: Freedom of (eye-)movementin eight of the greatest long takes ever
Favorite movies of 2009 movie: The commentary track
Can one bad shot ruin an entire movie?
Is it time for best movies of the decade already?
Top secret leakage from my 2010 Muriels ballot!
How we really watch a movie
Jim’s favorite movies of 2009: The movie
12 writers, 12 films: MSN’s Best Movies of the Decade
Is it anti-American to like non-English movies?
