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The Bye Bye Man

The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.

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The Book of Love

The feature debut of director and co-writer Bill Purple does not feature a single authentic moment. Imperfect would actually be a step up.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#291 December 13, 2016

Matt writes: At RogerEbert.com, we recently published a thoughtful essay by Pete Croatto in which he makes his case for "why film critics should see bad movies." Of course, how can one judge what is good if they ignore what is bad? Many of Roger Ebert's most entertaining reviews were the ones where he eviscerated a bad movie with his scathing wit and unbridled love for the oft-squandered potential of the art form. Three books have been devoted to compiling the best of Roger's negative reviews, and they were recently paid tribute by critic Brent Northup in his review of "Shut In" for Helenair.com. My personal favorite of Roger's bad movie takedowns was his half-star review of 1997's disastrous live-action comedy, "Mr. Magoo."

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#278 June 14, 2016

Matt writes: Hello, Ebert Club subscribers! I'm Matt Fagerholm, Assistant Editor at RogerEbert.com, and I'll be taking over the Ebert Club newsletter. My inimitable predecessor, Sheila O'Malley, has gotten me up to speed on what you'll be expecting from this membership, and I'm very excited to provide you with a sneak peek at some of the most enticing titles in both current and classic cinema.

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#276 May 17, 2016

Sheila writes: The Cannes Film Festival is up and running and Rogerebert.com is there! You can check out Rogerebert.com's full coverage in the Table of Contents for the film festival. That post will be updated as more dispatches come in. There is video footage as well, including a memorable moment when Chaz Ebert asked a question at the "Money Monster" press conference. Finally, "Two Weeks in the Midday Sun," Roger Ebert's 1987 book about the Cannes Film Festival, was re-released in May, just in time for the 2016 festival. The re-release has a foreword written by Martin Scorsese, which you can read here.

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