A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
David Lynch's Los Angeles; Islamophobia on cable news; Interview with U2; Journalism startup Latterly; Why social impact is more important than ever for documentaries.
Malala Yousafzai wins Nobel Peace Prize; 10 greatest vampire movies; Shonda Rhimes interview; Christianity Today hates "Left Behind"; Genius of nudity in "Gone Girl."
This is a dispatch about the first weekend of NYFF 2014, including Green's "La Sapienza" and Fincher's "Gone Girl".
Author Peter Biskind revisits four auteurs from the '70s--Steven Spielberg, Martin Scorsese, Roman Polanski, and Terrence Malick.
Erik Childress analyzes the impact of the recently-awarded BAFTAs on the Oscar race.
The Producers Guild, the Writers Guild and the Directors Guild have all weighed in. How good are they as predictors of the Oscars?
The nominations from the Producers Guild, Screen Actors Guild and the Writers Guild have announced their nominations, and the Oscars race is starting to come into focus.
Matt Zoller Seitz's Top 10 films of 2013.
Missing Roger's Oscars prognostications and his top ten lists. And making a list of my own.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Sheila writes: While life can often be messy and awful, and the bombardment of bad news from around the globe is disheartening to say the least, sometimes it really helps to sit back, relax, and watch a bunch of guys working together to play "Flight of the Bumblebees" on the cliched 100 bottles of beer on the wall. This clip came out a couple of years ago and I haven't tired of it. I love the collaboration and the creativity. I love in particular the scene that isn't shown here, the one where they worked it all out.
China's military says "Pacific Rim" is American propaganda; the nudist colony member who just won't leave; a guide to Craigslist crime; remembering cinematographer Vadim Yusov; a case for the doofus Batman of yore; the 50th anniversary of MLK's "I Have a Dream Speech"; Park Chan-wook directs a music video.
Sheila writes: Thank you all for taking the time to answer our survey! We will keep you posted on any changes that may come about. So let's get to the newsletter, shall we? Jack Kerouac famously wrote the majority of "On the Road" on one long scroll of paper. Kerouac found that taking the time to remove the finished pages off of the typewriter and replacing them with a fresh sheet interrupted his flow. California artist Paul Rogers, who has done ten book covers for Random House UK of Hemingway classic, has created an online scroll of beautiful illustrations for Kerouac's novel. Evocative and gritty, they make a great companion piece for "On the Road". You can see more of Paul Rogers' cool work at his site.
Cybill Shepherd recalls working on Peter Bogdanovich's "At Long Last Love" and the critical drubbing she in particular took in the press.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
This year's Outguess Ebert contest seems a little like shooting fish in a barrel. For the first time in many a year, maybe ever, I think I've guessed every one correctly.A few years ago, I came across an article about the newly identified psychological concept of Elevation. Scientists claim it is as real as love or fear. It describes a state in which we feel unreasonable joy; you know, like when you sit quiet and still and tingles run up and down your back, and you think things can never get any better.
I tried applying it to that year's Oscar nominees. Did it work any better than any other approach? You need Elevating nominees. An example of Elevation would be when the bone morphs into a space station in "2001." Did I feel Elevation in making any of my Guesses this year. That doesn't mean it was a bad year at the movies. Harvey Weinstein, accepting his achievement award from the Producers' Guild, said he thought 2012 was the best in 90 years. Maybe he felt Elevation when he gazed upon the Weinstein Company's box office figures.
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
The Oscars are the most important way the American film industry can honor what it considers the year's best work. But for millions of movie lovers all over the globes, they are something else: A show.
That's why I suspected last June that Quvenzhané Wallis might win a nomination. The pride of Hounduras Elementary School in Houma, LA, has now become, at nine, the youngest nominee in history for Best Actress. Her story is even better: She was five when she auditioned for the role, and six when she performed it.
Happy New Year from the Ebert Club!TRAILERS
With the 2013 Oscarcast moved up to Feb. 24, movie fans are already in a lather over the possible nominees, especially since again this year there can be "up to" ten finalists in the Best Picture category. I claim no inside knowledge (I'm still waiting to hear from my friend Deep Oscar), but it's never too early to speculate.
The story of Ben Affleck's "Argo" concerns the real-life rescue of six fugitive American embassy employees from Ayatollah "Salman Rushdie Fatwa" Khomeini's Iran in 1980. The Canadian ambassador, Ken Taylor, hid them in his home until they were smuggled out of the country 79 days after the takeover of the embassy by Iranian militants. But the movie is more substantially interested in the nature of movies themselves, and how stories get turned into them. Since its premiere at the Toronto International Film Festival last month, "Argo" has been praised as "a crackerjack thriller" (the kind of argot movie reviewers use) and criticized for downplaying the Canadians' considerable efforts and not being, you know, "historically accurate. I'm sore-y, we know it's Based On A True Story and all, but that's not really what this movie is aboot.
Ben Affleck's "Argo" (2012) is a unique specimen. On the one hand, it is an exciting, suspenseful rescue story. It is his best film, though as a central character he seems to keep directing himself as a mostly expressionless central character. It is, without doubt, thrilling from start to finish. On the other hand, it is a crass cheerleading of ethnocentrism, recalling Menahem Golan's "Delta Force" (1986). As I watched "Argo," part of me was absorbed in the suspense, as though I was wide eyed, with my hand covering my open mouth. Another part of me was thinking that the timing of its release was a bit too perfect, as though I was scratching my head, thinking "Seriously? You're stooping that low?" Still, the film seems to even take that point as a subtle comment about global cinema culture.
There's a tense scene in Ben Affleck's new thriller "Argo" that dramatizes how the magic of Hollywood is potent all over the world. The movie, based on a true story, involves a cockamamie scheme to rescue six American embassy workers during the 1979 Iran hostage crisis by passing them off as location scouts for a non-existent science-fiction epic.
Ben Affleck's "The Town" (2010) is an impressive effort from a third time director whose acting choices almost derailed his Hollywood career. With the clear exception of "Changing Lanes" (2002), this film is better than everything he ever did before and the reason is simple: instead of choosing to be involved in another blockbuster wannnabe, Affleck wrote, directed and starred in this heartfelt project about a fascinating borough that he seems familiar with. It is also a work of numerous, obvious inspirations, raising the question of whether said fact makes it any less worthy.