The Lady and the Duke
Written by
Rohmer
Rohmer
Rohmer Movie Reviews
Blog Posts That Mention Rohmer
Criterion Releases Wonderful Box Set of Eric Rohmer’s Six Moral Tales
Book Review: “Éric Rohmer: A Biography”
Eric Rohmer’s Perceval le Gallois: A knight on a soundstage
Life with Rohmer
“I saw a Rohmer film once…”: The truth behind the Night Moves meme
Eric Rohmer, 1920 – 2010
Eric Rohmer: In Memory
Robert Daniels & Odie Henderson Talk “Baby Boy” at 25
Cannes 2026: Nagi Notes, Ashes
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Nouvelle Vague, A Magnificent Life
TIFF 2024: Bonjour Tristesse, The Fire Inside, The Last Showgirl
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
The Ebert Fellows Go to Ebertfest 2024
Home Entertainment Guide: February 2024
Artists We Spoke to in 2023: Some of Our Favorite Interviews
It’s OK, Boomer: The Big Chill Turns 40
To Return to Innocence From the Other Side: Christian Petzold on Afire
Must-See Jean Eustache Film Series Led by 4K Restoration of The Mother and the Whore
How We Got Here: Matt Johnson on BlackBerry
NYFF 2022: Against Time, The Novelist’s Film, Pacifiction
Jean-Louis Trintignant: 1930-2022
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
Wearing a Mask to Tell the Truth: Ryūsuke Hamaguchi on Drive My Car
A Preview of the 57th Chicago International Film Festival
Short Films in Focus: Ava’s Dating a Senior!
Cannes 2021: A Hero, Deception, Petrov’s Flu
The World of Cinema from Your Couch: An Overview of Berlinale 2021
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Get Lost in Bruce Lee’s Greatest Hits from Criterion
Quad Cinema Celebrates Pauline Kael with Losing It At the Movies Retrospective
Joanna Hogg on The Souvenir, Painting the Structure of a Film in Watercolors and More
John Singleton: 1968-2019
Bruno Ganz: 1941-2019
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
RIP Cinema: On James Dean’s Disappearance and French New Wave Legacy
NYFF 2017: “Wonder Wheel”
Thumbnails 3/17/17
TIFF 2016: The Ebert Tribute to Agnès Varda
Roger’s Favorites: Agnès Varda
“The Wrong Man”: Hitchcock’s Least “Fun” Movie Is Also One Of His Greatest
Jacques Rivette: 1928-2016
“Apocalypse” Now: Michael Glover Smith on Chicago Premiere of His First Film
TV Landscape Expands with Amazon’s “Red Oaks,” Hulu’s “Casual”
Christopher Lee: 1922-2015
2014 Chicago International Film Festival Preview
Thumbnails 5/29/2014
Blu-ray Consumer Guide: March 11, 2014
Meet the Writers: Michal Oleszczyk
Cannes’ Sha Na Na at Woodstock Moment: A Castle in Italy
Hot Tickets: “Lovelace” and “Before Midnight”
Pondering ‘Pirates’
The Game of Art 3
The Best 10 Movies of 1999
The Best 10 Movies of 1971
Avatar, the French New Wave and themorality of deep-focus (in 3-D)
TIFF 2007: Movie bloggers EXPOSED!
TIFF 2007 Wrap: Personal best & indelible images
The “Best” Non-English-Language Films (Round 1)
Mad Men: The Other Woman & the Long Walk
Deep Focus: Freedom of (eye-)movementin eight of the greatest long takes ever
The Double-Best of the Year
“Avenge me! AVENGE ME!”
Has Tarantino produced a “legacy of greatness”?
Scanners’ 2007 Exploding Head Awards (Part 1)
TIFF 2007: The rituals of romance
How we really watch a movie
TIFF 2007: Casa of Horrors
Andrew Sarris, auteurism, and his take on his own legacy
In movies begin responsibilities
The Golden Age of Cinemania is Now
Greatest Films of All Time: Where’s the funny?
TIFF 2007: The Eastern Inbred Class
The best greatest movies ever list
“Thomas Kinkade has won and we, all of us, have lost”
Name That Director!
In memory of Claude Chabrol (1930-2010)
The 100 Greatest Directors of… what?
It Ain’t the Meat (It’s the Motion): Thoughtson movie technique and movie criticism
Action: Steven Spielberg & the need for speed
The Seoul of a New Movie Machine: Dude, you gotta see it in 4-D!
Tender Traumas of Helplessness
My Brother, My Love
Lisa Nesselson from Paris: On the man who made you think you spoke French
Toronto #1: Good films are back in season
The plague of movie trivia
Great Movie: “Cleo from 5 to 7”
On “Sideways”: What the critics said
A personal vision with international scope
So many films, so little time
French greats in top form
4 fine movies take unfair hits from finicky filmgoers
Welles film is restored to intended glory
Toronto’s vast film buffet serves fare for all tastes
Telluride clears perspective
Star Power and Small Gems Get Equal Time at Festival
