Blog Posts That Mention Rohmer
Criterion Releases Wonderful Box Set of Eric Rohmer’s Six Moral Tales
Brian Tallerico
Book Review: “Éric Rohmer: A Biography”
Glenn Kenny
Eric Rohmer’s Perceval le Gallois: A knight on a soundstage
Jim Emerson
Life with Rohmer
Jim Emerson
“I saw a Rohmer film once…”: The truth behind the Night Moves meme
Jim Emerson
Eric Rohmer, 1920 – 2010
Jim Emerson
Eric Rohmer: In Memory
Roger Ebert
Cannes 2025: Nouvelle Vague, A Magnificent Life
Brian Tallerico
TIFF 2024: Bonjour Tristesse, The Fire Inside, The Last Showgirl
Marya E. Gates
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
The Editors
The Ebert Fellows Go to Ebertfest 2024
The Editors
Home Entertainment Guide: February 2024
Brian Tallerico
Artists We Spoke to in 2023: Some of Our Favorite Interviews
The Editors
It’s OK, Boomer: The Big Chill Turns 40
Brandon David Wilson
To Return to Innocence From the Other Side: Christian Petzold on Afire
Isaac Feldberg
Must-See Jean Eustache Film Series Led by 4K Restoration of The Mother and the Whore
Godfrey Cheshire
How We Got Here: Matt Johnson on BlackBerry
Brian Tallerico
NYFF 2022: Against Time, The Novelist’s Film, Pacifiction
Scout Tafoya
Jean-Louis Trintignant: 1930-2022
Dan Callahan
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
Ben Kenigsberg
Wearing a Mask to Tell the Truth: Ryūsuke Hamaguchi on Drive My Car
Isaac Feldberg
A Preview of the 57th Chicago International Film Festival
Peter Sobczynski
Short Films in Focus: Ava’s Dating a Senior!
Collin Souter
Cannes 2021: A Hero, Deception, Petrov’s Flu
Ben Kenigsberg
The World of Cinema from Your Couch: An Overview of Berlinale 2021
Peter Sobczynski
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Nick Allen
Get Lost in Bruce Lee’s Greatest Hits from Criterion
Brian Tallerico
Quad Cinema Celebrates Pauline Kael with Losing It At the Movies Retrospective
Vikram Murthi
Joanna Hogg on The Souvenir, Painting the Structure of a Film in Watercolors and More
Carlos Aguilar
John Singleton: 1968-2019
Odie Henderson
Bruno Ganz: 1941-2019
Brian Tallerico
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
Sean Axmaker
RIP Cinema: On James Dean’s Disappearance and French New Wave Legacy
Q.V. Hough
NYFF 2017: “Wonder Wheel”
Godfrey Cheshire
Thumbnails 3/17/17
Matt Fagerholm
TIFF 2016: The Ebert Tribute to Agnès Varda
Brian Tallerico
Roger’s Favorites: Agnès Varda
Chaz Ebert
“The Wrong Man”: Hitchcock’s Least “Fun” Movie Is Also One Of His Greatest
Glenn Kenny
Jacques Rivette: 1928-2016
Patrick Z. McGavin
“Apocalypse” Now: Michael Glover Smith on Chicago Premiere of His First Film
Donald Liebenson
TV Landscape Expands with Amazon’s “Red Oaks,” Hulu’s “Casual”
Brian Tallerico
Christopher Lee: 1922-2015
Peter Sobczynski
2014 Chicago International Film Festival Preview
Peter Sobczynski
Thumbnails 5/29/2014
Matt Fagerholm
Blu-ray Consumer Guide: March 11, 2014
Glenn Kenny
Meet the Writers: Michal Oleszczyk
Michał Oleszczyk
Cannes’ Sha Na Na at Woodstock Moment: A Castle in Italy
Michał Oleszczyk
Hot Tickets: “Lovelace” and “Before Midnight”
Michał Oleszczyk
Pondering ‘Pirates’
Roger Ebert
The Game of Art 3
Roger Ebert
The Best 10 Movies of 1999
Roger Ebert
The Best 10 Movies of 1971
Roger Ebert
Avatar, the French New Wave and themorality of deep-focus (in 3-D)
Jim Emerson
TIFF 2007: Movie bloggers EXPOSED!
Jim Emerson
TIFF 2007 Wrap: Personal best & indelible images
Jim Emerson
The “Best” Non-English-Language Films (Round 1)
Jim Emerson
Mad Men: The Other Woman & the Long Walk
Jim Emerson
Deep Focus: Freedom of (eye-)movementin eight of the greatest long takes ever
Jim Emerson
The Double-Best of the Year
Jim Emerson
“Avenge me! AVENGE ME!”
Jim Emerson
Has Tarantino produced a “legacy of greatness”?
Jim Emerson
Scanners’ 2007 Exploding Head Awards (Part 1)
Jim Emerson
TIFF 2007: The rituals of romance
Jim Emerson
How we really watch a movie
Jim Emerson
TIFF 2007: Casa of Horrors
Jim Emerson
Andrew Sarris, auteurism, and his take on his own legacy
Jim Emerson
In movies begin responsibilities
Jim Emerson
The Golden Age of Cinemania is Now
Jim Emerson
Greatest Films of All Time: Where’s the funny?
Jim Emerson
TIFF 2007: The Eastern Inbred Class
Jim Emerson
The best greatest movies ever list
Jim Emerson
“Thomas Kinkade has won and we, all of us, have lost”
Jim Emerson
Name That Director!
Jim Emerson
In memory of Claude Chabrol (1930-2010)
Jim Emerson
The 100 Greatest Directors of… what?
Jim Emerson
It Ain’t the Meat (It’s the Motion): Thoughtson movie technique and movie criticism
Jim Emerson
Action: Steven Spielberg & the need for speed
Jim Emerson
The Seoul of a New Movie Machine: Dude, you gotta see it in 4-D!
Jim Emerson
Tender Traumas of Helplessness
Omer M. Mozaffar
My Brother, My Love
Michał Oleszczyk
Lisa Nesselson from Paris: On the man who made you think you spoke French
Lisa Nesselson
Toronto #1: Good films are back in season
Roger Ebert
The plague of movie trivia
Roger Ebert
Great Movie: “Cleo from 5 to 7”
Roger Ebert
On “Sideways”: What the critics said
Roger Ebert
A personal vision with international scope
Jim Emerson
So many films, so little time
Roger Ebert
French greats in top form
Roger Ebert
4 fine movies take unfair hits from finicky filmgoers
Roger Ebert
Welles film is restored to intended glory
Roger Ebert
Toronto’s vast film buffet serves fare for all tastes
Roger Ebert
Telluride clears perspective
Roger Ebert
Star Power and Small Gems Get Equal Time at Festival
Roger Ebert
Cannes all winners
Roger Ebert
Cannes Film Festival
Roger Ebert
Malle’s only constant was unpredictability
Roger Ebert
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