Although the title is confounding and perhaps the movie’s worst misstep, it’s Byrne’s digitized and stilted delivery that earns the biggest laughs.
The ever-reliable David Hudson tracks the Rohmer tributes at The Auteurs Daily.
I recall seeing Rohmer's last film at the Toronto Film Festival in 2007:
Eric Rohmer has made a career out of chronicling the rituals of romance (and Romanticism), from the 6th century to the present, and from his celebrated film series, Six Moral Tales (1963 - 1972), Comedies and Proverbs (1981 - 1986), and Tales of the Four Seasons (1990 - 1998). And then there are those elegantly contrived period pictures that don't fit into the series, like "Perceval," "The Marquise of O," "The Lady and the Duke" (which I haven't seen) and now "Les Amours d'Astrée et de Céladon" (known in English-speaking Canada as "The Romance of Astrea and Celadon").
Two of my favorite Rohmer films (perhaps my two very favorites) seem to be among his least-mentioned: "Perceval" and "Summer" (aka "Le Rayon vert") -- the former completely artificial (shot on a painted soundstage) and the latter an equally charming portrait of a romantic klutz.
"Les Amours d'Astrée et de Céladon" is a Rohmerian delight, another ritualized romance (highly mannered behavior, poetic language) played out in a naturalistic pastoral setting (an unblemished slice of French countryside around the River Lignon)....
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This message came to me from a reader named Peter Svensland. He and a fr...
A tribute to Robert Forster.
If this movie wasn’t so dumb, I would have probably found all of this offensive.
A look back at the definitive performances from the most exciting American actor working today.