Quentin Tarantino Movie Reviews
Blog Posts That Mention Quentin Tarantino
Three of Quentin Tarantino’s Most Beloved Features Get the 4K Steelbook Treatment
Brian Tallerico
Cannes 2023: Close Your Eyes, plus Quentin Tarantino
Ben Kenigsberg
Cannes Flashback: Quentin Tarantino, Werner Herzog, Ernest White II and More
Chaz Ebert
Cannes 2019 Video #5: Quentin Tarantino, Werner Herzog, Ernest White II and More
Chaz Ebert
Cannes 2019: Quentin Tarantino Brings Hollywood to Cannes
Ben Kenigsberg
Roger’s Favorites: Quentin Tarantino and Lawrence Bender
The Editors
“The Hateful Eight” vs. “Pulp Fiction”: The Devolution of Quentin Tarantino
Gerardo Valero
Quentin Tarantino’s Top 8 for 2009
Jim Emerson
Quentin Tarantino glouriously basterdizes World War Two
Roger Ebert
Quentin Tarantino, a ‘Pulp’ Hero
Roger Ebert
Stone on Quentin Tarantino, Juliette Lewis and Woody Harrelson
Roger Ebert
The Tarantino Dozen
Craig Lindsey
Faster, Quentin! Thrill! Thrill!
Roger Ebert
DGA honors Bigelow, Cameron, Daniels, Reitman, Tarantino
Roger Ebert
Has Tarantino produced a “legacy of greatness”?
Jim Emerson
The Tarantino Talkies
Jim Emerson
Rogen. Franco. Pineapple. Tarantino. Ninjas.
Jim Emerson
Cannes #7: Tarantino the glorious basterd
Roger Ebert
One on one with Quentin
Roger Ebert
Video Interview: Once Upon a Time…in Hollywood
Katherine Tulich
Cannes 2019: Once Upon a Time … in Hollywood
Barbara Scharres
Film is What You Use to Make Movies
Aaron Aradillas
“Pulp Fiction” and the mythology of cool
Matt Zoller Seitz
Roger Ebert will receive the Sundance Institute Vanguard Leadership Award
Chaz Ebert
Django Unchain my heart (and set me free)
Jim Emerson
Django America
Omer M. Mozaffar
I have lunch with the mayor
Barbara Scharres
The Double-Best of the Year
Jim Emerson
Contra-Basterds
Jim Emerson
Jason Reitman’s newest movie: Lost in the Air (press tour simulator)
Jim Emerson
The filmmaker: Wayne Kramer on critics & criticism
Jim Emerson
Inglourious Basterds: Real or fictitious, it doesn’t matter…
Jim Emerson
Basterd ancestry
Jim Emerson
Ten Movies That Shook The World
Jim Emerson
Some ways to watch Inglourious Basterds [sic]
Jim Emerson
3-D, QT & “DP”
Jim Emerson
Bump and Grindhouse
Jim Emerson
Two-timing Basterds
Jim Emerson
And the Muriel™ for the Oscar™ for Best Picture goes to…
Jim Emerson
What the hell’s happening in The Happening?
Jim Emerson
Who matters?
Jim Emerson
The Basterds who would not die!
Jim Emerson
Deeper into movies
Jim Emerson
(Kar-) Wai, Oh Why?
Jim Emerson
Are Movies Going to Pieces?
Jim Emerson
Name That Director!
Jim Emerson
The color of blood: A study in scarlet
Jim Emerson
It’s the End of the Cinema, as we know it (then and now)
Jim Emerson
Bye, Sally — Sally Menke, 1953 – 2010
Jim Emerson
The 100 Greatest Directors of… what?
Jim Emerson
Yes, gayer than “Dreamgirls”
Jim Emerson
QT, the critics, the ‘fanboys’ and the best movies ever
Jim Emerson
Arthouse suspense: My month with Abbas and Joe
Jim Emerson
The fillet of fests
Jim Emerson
How much of Pulp is Fiction?
Gerardo Valero
“Kill Bill” and the love of cinema
Gerardo Valero
Cannes #10: And, at last, the winners are…
Roger Ebert
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
Isaac Feldberg
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Ben Kenigsberg
Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
Chaz Ebert
Cannes 2025: Leave One Day, The Gold Rush
Ben Kenigsberg
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Scott Dummler
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
Carla Renata
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Brian Tallerico
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
Brian Tallerico
14 Underrated Movies of 2024
The Editors
The Great Craft of 2024
The Editors
Nothing Left to Prove: Quincy Jones (1933-2024)
Odie Henderson
Panic! At the Disco: Body Double at 40
Brendan Hodges
Home Entertainment Guide: July 2024
Brian Tallerico
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
Edward Frumkin
Bright Wall/Dark Room July 2024: No, Captain, My Captain: Crimson Tide and the Perils of Mutiny by Bryan Miller
The Editors
Two More Weeks in the Midday Sun
Scott Dummler
Meanwhile in France…Cannes to Be Specific
Lisa Nesselson
Speed Kills: On the 25th Anniversary of Go
Matt Zoller Seitz
Part of the Solution: Matthew Modine on Acting, Empathy, and Hard Miles
Matt Zoller Seitz
The 10 Best Movies Made for Under $50,000
Tim Grierson
Home Entertainment Guide: January 2024
Brian Tallerico
Spirit Awards 2024: A Platform for Essential Independent Films
Chaz Ebert
Sundance 2024: I Saw the TV Glow, Thelma, Freaky Tales
Brian Tallerico
At The Movies With Matt Zoller Seitz On His Birthday
Matt Zoller Seitz
The Return of 70MM
Craig D. Lindsey
Streetcorner Symphony: The Music of Mean Streets
Aaron Aradillas
Noir City Returns to the Music Box in Chicago
Laura Emerick
Extremely Grotesque: Park Chan-wook on Oldboy
Isaac Feldberg
The Ranown Westerns Join the Criterion Collection
Walter Chaw
Rise of the Beats: On Hip-Hop and Hollywood
Shawn Edwards
Cannes 2023: Highlights of the Year’s Festival
Jason Gorber
Cannes 2023 Video #8: The Winners are Revealed
Chaz Ebert
Cannes 2023: Anatomy of a Fall wins Palme d’Or
Ben Kenigsberg
Five Great Tales from Cannes’ Past
The Editors
Cannes 2023: Table of Contents
The Editors
Home Entertainment Guide: May 2023
Brian Tallerico
Airwaves: The Top 40 Beauty of the Air Soundtrack
Aaron Aradillas
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
Matt Fagerholm
The Stories Behind Martin Scorsese’s Killers of the Flower Moon
Sarah Knight Adamson
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