Music by John Williams
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Steven Spielberg
Steven Spielberg Movie Reviews
Albert Brooks: Defending My Life
Self
Five Came Back
Himself
Mifune: The Last Samurai
Himself
Hitchcock/Truffaut
Himself
The Fabelmans
Director
West Side Story
Director
Ready Player One
Director
The Post
Director
The BFG
Director
Bridge of Spies
Director
Jurassic Park 3D
Directed by
Lincoln
Directed by
War Horse
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The Adventures of Tintin
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Indiana Jones and the Kingdom of the Crystal Skull
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Munich
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War of the Worlds
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The Terminal
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Catch Me If You Can
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Blog Posts That Mention Steven Spielberg
New York Philharmonic and Steven Spielberg Celebrate the Music of John Williams
Alive Again: Revisiting Steven Spielberg’s Jurassic Park
Video Interview: Meryl Streep, Tom Hanks & Steven Spielberg on The Post
Life Refuses to Stand Still: Another Look at Steven Spielberg’s “Always”
Cannes 2016: Steven Spielberg Adapts “The BFG”
The Audience Man: “Steven Spielberg Director’s Collection”
The Abraham Lincoln Presidential Library Foundation Honors Steven Spielberg with the Lincoln Leadership Prize
The Abraham Lincoln Presidential Library Foundation Honors Steven Spielberg
Book Excerpt: Steven Spielberg and Duel: The Making of a Film Career
Steven Spielberg: My animated tribute
Steven Spielberg’s legacy
Action: Steven Spielberg & the need for speed
Interview with Steven Spielberg
Top secret: Steven Spielberg on the brink of the “Close Encounters” premiere
The Steven Soderbergh Single-Year Double Feature
Celebrating the Artifice: Laurent Bouzereau on Spielberg, Hitchcock, De Palma and More
Super 8: Spielberg Lite
Making contact: Spielberg’s Close Encounters and E.T.
Memo to Spielberg: Hands off “Jaws!”
Oscar will finally pay its respects to Spielberg
A telephone call with Spielberg
Spielberg calls back
Catching up with Spielberg
Spielberg & Cruise & the movies
Private Spielberg
Spielberg turns letterboxing into `Crusade’ with new tape
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
The List is Life: On the 30th Anniversary of Schindler’s List
Kevin Frazier and Nischelle Turner Become First Black Hosts of the 2023 Palm Springs International Film Awards
TIFF 2022: The Fabelmans, Glass Onion
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
Out Upon the World’s Stage: Lincoln as History and Tragedy
Revisiting John Williams’ Score for Jaws, 45 Years Later
30 Minutes on “The Post”
Richard Dreyfuss and Deborah Kolar, Daughter of Robert Shaw, on Jaws
SXSW Film Festival 2018: Ready Player One
Molly Haskell on feminism, censorship, screwball comedy, and life after Andrew Sarris
Bright Wall/Dark Room July 2016: “Watch the Skies: ‘Empire of the Sun’ and the Difficult Third Album” by Brian Doan
NYFF 2015: “Bridge of Spies”
Interview: Peter Biskind Revisits “Easy Riders, Raging Bulls”
The Fall and Rise of “Falling Skies”
The Future of the Movies
Lincoln: “It’s true because it works”
Lincoln: The Abe Team
Indy in the Riviera sunshine
CE3K 30 3.0
What makes a movie a “classic”?
László Kovács: In Memory
Coming to a bad end
The 100 Most Acclaimed Movies of the 20th Century
The AFI Top 100
5-25-77: A Geek Odyssey
With love, from Bay, to you…
The Cruise-ible
We know what you’ll be doing
A Lincoln who creaks with every step
A Master Emerges: Conrad Hall and “The Outer Limits”
Johnny Carson: The man behind the curtain
Inventing David Geffen: The Art of Self-Creation
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
What to Watch on Netflix: May 2025
In the Name of Friendship: Matthew Rankin on “Universal Language”
Have a Great Day: David Lynch (1946-2025)
The Great Craft of 2024
Nothing Left to Prove: Quincy Jones (1933-2024)
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
The World Isn’t As Funny Now: Teri Garr (1944-2024)
“Megalopolis” and “Joker: Folie à Deux”; or, The Virtue of Burning Money
Transcending Hell on Earth in Larisa Shepitko’s “The Ascent”
Telluride Film Festival 2024: Memories for a Lifetime
I Saw the Sixth Sense Knowing the Big Twist, and Loved It Anyway
Looking Into My Soul: Colman Domingo on Sing Sing
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
The 10 Best Fourth of July Releases of the 21st Century
Some Material May Be Inappropriate: The PG-13 Rating at 40
What If a Movie Called IF Found an Audience?
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
On Luca, Tenet, The Invisible Man and Other Films from the Early Pandemic Era that Deserve More Big-Screen Time
Five Years Later, Us is Jordan Peele’s Defining Puzzle
Oscars 2024: The View from the Room
Eye on the Screen: David Bordwell (1947-2024)
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
30 Minutes On: Dune Part One
Jean-Pierre Jeunet Isn’t Anything Like Amélie, but He’s Trying
The Throwaway Scene That Gives Blazing Saddles Its Warm Heart
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Sundance 2024: Sebastian, Girls Will Be Girls, Brief History of a Family
The Joy of Watching Voy! Voy! Voy!
At The Movies With Matt Zoller Seitz On His Birthday
Home Entertainment Guide: December 2023
The Return of 70MM
A Report from the Color Purple Special Screening with Oprah Winfrey
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Looking for Loneliness: Wayne Wang on His Career
Arrow Releases Stunning 4K Special Edition of Martin Scorsese’s Hugo
Ethan Hunt’s Second Act and Tom Cruise’s Third: The Unending Impossible Mission
Roger Ebert on the Films of Christopher Nolan
