300: Rise of an Empire
In comparison with "300", this insane film is more engaging by dint of being absolutely impossible to take even a little bit seriously.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Why DiCaprio doesn't get lucky at the Oscars; Atheism in Hollywood; Famous rejection letters; Wes Anderson as an advertiser; Auteur theory and Kent Jones.
An interview with Wes Anderson; Wesley Morris on the state of gay culture; True Detective and women; Gawker founder Nick Denton tells all; Film preservation 2.0.
An oral history of RoboCop; Sid Ceasar passes away; Shia LaBeouf has a new artistic endeavor; Social media sites as the front pages of the Internet; Roeper on Leno.
A celebration of A Christmas Story; The Wes Anderson Collection's first pan; Abel Ferrara breaks it down for you, pal.
Notes on Jason Schwartzman's special place in the Wes Anderson universe.
Sheila writes: Animators Doug Bayne, Ben Baker and Trudy Cooper were approached by the Australian sketch show "The Elegant Gentleman's Guide to Knifefighting" to create some animations. They were asked, "You guys like Terry Gilliam, right?" Clearly, they do. Here is one of their extremely amusing creations: Famous Paintings, animated.
"The Wes Anderson Collection" video essay series finishes with a look at the director's 2012 hit "Moonrise Kingdom," the tale of a young love that throws a small community into turmoil.
"The Wes Anderson Collection" video essay series continues with a look at the director's sprightly adaptation of Roald Dahl's classic children's novel.
"The Wes Anderson Collection" video essay series continues with "The Darjeeling Limited," the director's comedy about brotherhood, death, and the limits of control.
"The Wes Anderson Collection" continues with a video essay on "The Life Aquatic with Steve Zissou," probably Anderson's most widely disliked feature, and MZS's personal favorite.
A close look at "The Royal Tenenbaums," the third in a series of videos based on Matt Zoller Seitz's book "The Wes Anderson Collection."
A video essay on Wes Anderson's second film "Rushmore," by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
Part 1 of a video essay series adapted from RogerEbert.com editor Matt Zoller Seitz's book "The Wes Anderson Collection. " This opening chapter is about Wes Anderson and Owen Wilson's debut feature "Bottle Rocket," the short that preceded it, and the art that influenced them.
Video essays on Wes Anderson, including all seven chapters of "The Wes Anderson Collection" and all five chapters of "Wes Anderson: The Substance of Style."
Appreciation of Kumar Pallana, actor, gymnast, card sharp, juggler, yoga instructor, and a charming presence in the films of Wes Anderson.
Patrice Chereau, 1944-2013; how Wes Anderson Made 'The Royal Tenebaums': Errol Morris on the Zapruder film; Francis Coppola's "Twixt" Reconsidered; Starbucks cup label fails; Disney's first Black animator
Excerpt from RogerEbert.com editor Matt Zoller Seitz's book "The Wes Anderson Collection," about the making of "The Royal Tenenbaums."
A defense of "Boardwalk Empire"; Wes Anderson and manic pixie dream girls; Phillip Garrel's "Jealousy"; seconds on "Seconds"; a real-life Gustavo Fring?
Book trailer for The Wes Anderson Collection, by RogerEbert.com editor Matt Zoller Seitz.
Writer Sheila O'Malley responds to our Movie Love Questionnaire.
Writer Odie Henderson responds to our Movie Love Questionnaire.
From the archives: RogerEbert.com editor Matt Zoller Seitz reprints the first-ever profile of Wes Anderson and Owen Wilson, written for Dallas Observer in 1993
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."
CHICAGO, June 4, 2013 – Ebert Digital LLC, owner of the redesigned popular film review and movie news site, RogerEbert.com, has selected Matt Zoller Seitz, a Pulitzer-nominated film and television critic, as the new editor-in-chief. The site's three-member Advisory Board has also been named and will include serial entrepreneur Brad Keywell, co-founder of several technology companies, including Groupon, as well as award-winning Chicago editor, author and journalist Frank Sennett and internationally known Fortune 100 corporate consultant/coach Janelle Brittain.
Michał Oleszczyk contrasts the opulent excess of opening night film "The Great Gatsy" with the grimmer realities of Amat Escalante's "Heli."