"The Congress" is a roll call of the orgiastic pleasures and bountiful comforts that art provides, and, a reminder of what waits for us when…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
RogerEbert.com contributor Godfrey Cheshire's landmark two-part series "Death of Film/Decay of Cinema" anticipated many of the changes that would later shake the medium to its core.
Joe Swanberg on "Sex Tape"; The problem with "Star Wars"; Advice for writers of color; The necessary evil of Twitter; Jonah Ray hates Sublime's "What I Got."
FFC Jana Monji interviews Ebertfest attendees John and Jim Burns.
RogerEbert.com editor-in-chief Matt Zoller Seitz announces his next director book, about Oliver Stone.
How healthcare handles bipolar disorders; Examining the films of Jonathan Glazer; Movie of the week at The Dissolve is Clueless; Reevaluating William Friedkin's Sorcerer; Wes Anderson directed commercials.
Superhero movies; A personal story about a man's uncle; Under the Skin and feminism; Barbara Walters sets retirement date; Mickey Rooney leaves us.
A public school making a change for the better; Constant surveillance; A crime of love; Analyzing the interiors of The Grand Budapest Hotel; Eviscerations of classic novels.
Veronica Mars gets technology right; The five things that separate The Grand Budapest Hotel from the rest of Anderson's films; The five things you need to know about technology and media; An interview with Walter Murch; Reviewing last night's Scandal episode.
The death of modern malls; Matthew Weiner talks Mad Men; Spike Lee is coming to Ebertfest; Nicolas Cage on film critics and being famous; Daze and Confused and growing up.
A half-hour documentary about David Milch's Western drama "Deadwood," which premiered ten years ago this week on HBO. Written by Matt Zoller Seitz, edited by Steven Santos, narrated by Jim Beaver.
"True Detective" finale; coverage of the True/False film festival; the case against Wes Anderson; a case for Wes Anderson; inside the mind of a psychopath
Why DiCaprio doesn't get lucky at the Oscars; Atheism in Hollywood; Famous rejection letters; Wes Anderson as an advertiser; Auteur theory and Kent Jones.
An interview with Wes Anderson; Wesley Morris on the state of gay culture; True Detective and women; Gawker founder Nick Denton tells all; Film preservation 2.0.
An oral history of RoboCop; Sid Ceasar passes away; Shia LaBeouf has a new artistic endeavor; Social media sites as the front pages of the Internet; Roeper on Leno.
A celebration of A Christmas Story; The Wes Anderson Collection's first pan; Abel Ferrara breaks it down for you, pal.
Notes on Jason Schwartzman's special place in the Wes Anderson universe.
Sheila writes: Animators Doug Bayne, Ben Baker and Trudy Cooper were approached by the Australian sketch show "The Elegant Gentleman's Guide to Knifefighting" to create some animations. They were asked, "You guys like Terry Gilliam, right?" Clearly, they do. Here is one of their extremely amusing creations: Famous Paintings, animated.
"The Wes Anderson Collection" video essay series finishes with a look at the director's 2012 hit "Moonrise Kingdom," the tale of a young love that throws a small community into turmoil.
"The Wes Anderson Collection" video essay series continues with a look at the director's sprightly adaptation of Roald Dahl's classic children's novel.
"The Wes Anderson Collection" video essay series continues with "The Darjeeling Limited," the director's comedy about brotherhood, death, and the limits of control.
"The Wes Anderson Collection" continues with a video essay on "The Life Aquatic with Steve Zissou," probably Anderson's most widely disliked feature, and MZS's personal favorite.
A close look at "The Royal Tenenbaums," the third in a series of videos based on Matt Zoller Seitz's book "The Wes Anderson Collection."
A video essay on Wes Anderson's second film "Rushmore," by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
Part 1 of a video essay series adapted from RogerEbert.com editor Matt Zoller Seitz's book "The Wes Anderson Collection. " This opening chapter is about Wes Anderson and Owen Wilson's debut feature "Bottle Rocket," the short that preceded it, and the art that influenced them.