The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Owen Wilson and Wes Anderson remember L.M. "Kit" Carson, who helped them get their start in the movie business.
An appreciation of filmmaker, writer and actor L.M. "Kit" Carson, a singular talent.
Migizi Pensoneau on "The Daily Show"; Why NYT TV criticism is so bad; Netflix's terrible selection; David Simon on the death of the middle class; John Cusack: "Hollywood is a whorehouse."
Bob Fosse's masterpiece "All That Jazz" jumps back and forth through the past and the present, and through memory and fantasy, but it also collects the history of film editing in one story.
A report on the Toronto International Film Festival premiere of "St. Vincent," starring Bill Murray.
The best recent releases on Blu-ray and streaming services, including "Blue Ruin," "Middle of Nowhere," "Only Lovers Left Alive," and "Love Streams."
RogerEbert.com contributor Godfrey Cheshire's landmark two-part series "Death of Film/Decay of Cinema" anticipated many of the changes that would later shake the medium to its core.
Joe Swanberg on "Sex Tape"; The problem with "Star Wars"; Advice for writers of color; The necessary evil of Twitter; Jonah Ray hates Sublime's "What I Got."
FFC Jana Monji interviews Ebertfest attendees John and Jim Burns.
RogerEbert.com editor-in-chief Matt Zoller Seitz announces his next director book, about Oliver Stone.
How healthcare handles bipolar disorders; Examining the films of Jonathan Glazer; Movie of the week at The Dissolve is Clueless; Reevaluating William Friedkin's Sorcerer; Wes Anderson directed commercials.
Superhero movies; A personal story about a man's uncle; Under the Skin and feminism; Barbara Walters sets retirement date; Mickey Rooney leaves us.
A public school making a change for the better; Constant surveillance; A crime of love; Analyzing the interiors of The Grand Budapest Hotel; Eviscerations of classic novels.
Veronica Mars gets technology right; The five things that separate The Grand Budapest Hotel from the rest of Anderson's films; The five things you need to know about technology and media; An interview with Walter Murch; Reviewing last night's Scandal episode.
The death of modern malls; Matthew Weiner talks Mad Men; Spike Lee is coming to Ebertfest; Nicolas Cage on film critics and being famous; Daze and Confused and growing up.
A half-hour documentary about David Milch's Western drama "Deadwood," which premiered ten years ago this week on HBO. Written by Matt Zoller Seitz, edited by Steven Santos, narrated by Jim Beaver.
"True Detective" finale; coverage of the True/False film festival; the case against Wes Anderson; a case for Wes Anderson; inside the mind of a psychopath
Why DiCaprio doesn't get lucky at the Oscars; Atheism in Hollywood; Famous rejection letters; Wes Anderson as an advertiser; Auteur theory and Kent Jones.
An interview with Wes Anderson; Wesley Morris on the state of gay culture; True Detective and women; Gawker founder Nick Denton tells all; Film preservation 2.0.
An oral history of RoboCop; Sid Ceasar passes away; Shia LaBeouf has a new artistic endeavor; Social media sites as the front pages of the Internet; Roeper on Leno.
A celebration of A Christmas Story; The Wes Anderson Collection's first pan; Abel Ferrara breaks it down for you, pal.
Notes on Jason Schwartzman's special place in the Wes Anderson universe.