The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report on “Hasse Ekman: The Other Swede in the Room” at the Museum of Modern Art in NYC.
A report on the robust "Classics" section of the 2015 Venice Film Festival.
Aging heroes won't give up the gun; Why sex scenes for over-60s are taboo; Trump's resemblance to Citizen Kane; Last films of Fritz Lang; RIP Wes Craven.
An interview with the legendary Peter Bogdanovich.
An appreciation of Stephen Frears' "My Beautiful Laundrette" after its Criterion release.
An interview with Patrick McGilligan on his books about Clint Eastwood, Orson Welles and more.
An in-depth look at the extraordinary film career of 100-year-old actor Norman Lloyd, currently starring in Judd Apatow's "Trainwreck."
Sheila writes: Filmmaker (and Ebertfest favorite) Ramin Bahrani has directed a new documentary short called "Lift You Up," profiling a man named Glyn Stewart. Bahrani met Stewart in a food bank while filming a commercial in North Carolina, and knew he wanted to make a film about him. In an interview on Rogerebert.com, Bahrani says, "I liked him immediately. He had an electric personality. He was so intent on laughing and hugging everyone, that I assumed he must be harboring a profound sadness. I wanted to know why." You can read the full interview with Bahrani, as well as view "Lift You Up" over on Rogerebert.com.
A review of Josh Karp's “Orson Welles’s Last Movie: The Making of ‘The Other Side of the Wind’”.
A table of contents for Cannes 2015 coverage by Ben Kenigsberg.
A guide to the latest Blu-ray, VOD, and streaming options, including "Fifty Shades of Grey," "American Sniper," and "Blackhat".
Ben Kenigsberg reviews Philippe Garrel's "In the Shadow of Women," which opened Directors' Fortnight.
Sheila writes: Roger Ebert included Orson Welles' 1965 "Chimes at Midnight" in his Great Movies series, writing, in 2006, "It dropped so completely out of sight that there is no video version in America, Britain or France. Preparing to attend the epic production of both parts of Shakespeare's "Henry IV" at the Chicago Shakespeare Theater, I wanted to see it again and found it available on DVD from Spain and Brazil. Both versions carry the original English-language soundtrack; the Brazilian disc is clear enough and a thing of beauty. What luck that Welles shot in black-and-white, so there was no color to fade."
On the wealth of new books and materials about Orson Welles on his 100th birthday.
An excerpt from the new book on Orson Welles by F.X. Feeney.
A reposting of Godfrey Cheshire's landmark essay in anticipation of the Critic's Forum at Ebertfest.
A recap of the 2015 TCM Film Festival.
Festival correspondent and awards season expert Erik Childress picks his favorite review of Roger's.
Our Far-Flung Correspondent Brings Explosive Polish 1980s Sci-Fi to NYC
Eight things the writer wants you to know about Albert Maysles, the pioneering documentary filmmaker who died last week at age 88.
A 2002 Star-Ledger profile of Albert Maysles, by MZS.
An excerpt from Adrian's Martin's Mise en scène and Film Style: From Classical Hollywood to New Media Art.
An appreciation of Joseph Sargent, Director of many classic television and theatrical films, including "The Taking of Pelham 123."
Chris Rock on Hollywood; Being big, black and scary; Terry Kilburn on "A Christmas Carol"; Filming in Death Valley; Ava DuVernay on "Selma."
Remembering Mike Nichols; Kathryn Bigelow's experimental short; The rational wonders of Christopher Nolan; Interviewing Billy Wilder; RIP Leigh Chapman.