The House with a Clock in Its Walls
Black, more than anyone else, should have been the one to wind up The House with a Clock in Its Walls. Too bad he doesn't…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of new films by Luca Guadagnino, Mike Leigh, Olivier Assayas, and the Coen brothers from Venice.
A recap of Day 4 & 5 of Ebertfest 2018.
You know, for kids!
A report on the premieres of the George Clooney's Suburbicon and James Toback's The Private Life of a Modern Woman from Venice.
The 25 films we're most excited to see during the fall of 2017.
An interview with Hailee Steinfeld, star of "The Edge of Seventeen."
A essay on Elvis Mitchell and his radio interview series, "The Treatment."
A review of the Criterion release of Joel & Ethan Coen's "Inside Llewyn Davis."
A list of the 2016 Academy Award nominees.
Contributors to RogerEbert.com each list their favorite films of 2015.
A review of Steven Spielberg's "Bridge of Spies" from its NYFF premiere last night.
An overview of the films that will be theatrically released in the 2015 fall season.
Chaz Ebert reports on enticing films at Cannes, including "Son of Saul," "Carol" and "Irrational Man."
A dispatch from Cannes on the new films by Emmanuelle Bercot, Hirokazu Kore-eda, and Matteo Garrone.
A report from the 2015 Film Independent Spirit Awards.
Interviews with Tilda Swinton, Julianne Moore, F. Murray Abraham and others at the 2014 Gotham Independent Film Awards.
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
The second part of a feature on the work of Joel & Ethan Coen.
John Turturro, actor/writer/director of Fading Gigolo, discusses his career, working with Woody Allen, and cinema's difficulty in capturing true intimacy.
Clever, fun, twisted, and wildly entertaining in the way that fans of not just "Fargo" but all of the Coens’ work hoped it would be.
Sheila writes: In 1968, Stanley Kubrick, whose game-changing "2001" was released that year, was interviewed for Playboy magazine. You can check out a facsimile of the interview here, but Open Culture has transcribed some of it, in particular the section where Kubrick gives some predictions on what the world will look like in the year 2001. It's fascinating speculative stuff.
Scout Tafoya's "The Unloved," an appreciation of fascinating movies that were critically reviled on first release, continues with a look at 1994's "The Hudsucker Proxy."
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?