Let the Sunshine In
The film’s confidence comes in part from the acceptance of the things that can’t be known.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
You know, for kids!
A report on the premieres of the George Clooney's Suburbicon and James Toback's The Private Life of a Modern Woman from Venice.
The 25 films we're most excited to see during the fall of 2017.
An interview with Hailee Steinfeld, star of "The Edge of Seventeen."
A essay on Elvis Mitchell and his radio interview series, "The Treatment."
A review of the Criterion release of Joel & Ethan Coen's "Inside Llewyn Davis."
A list of the 2016 Academy Award nominees.
Contributors to RogerEbert.com each list their favorite films of 2015.
A review of Steven Spielberg's "Bridge of Spies" from its NYFF premiere last night.
An overview of the films that will be theatrically released in the 2015 fall season.
Chaz Ebert reports on enticing films at Cannes, including "Son of Saul," "Carol" and "Irrational Man."
A dispatch from Cannes on the new films by Emmanuelle Bercot, Hirokazu Kore-eda, and Matteo Garrone.
A report from the 2015 Film Independent Spirit Awards.
Interviews with Tilda Swinton, Julianne Moore, F. Murray Abraham and others at the 2014 Gotham Independent Film Awards.
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
The second part of a feature on the work of Joel & Ethan Coen.
John Turturro, actor/writer/director of Fading Gigolo, discusses his career, working with Woody Allen, and cinema's difficulty in capturing true intimacy.
Clever, fun, twisted, and wildly entertaining in the way that fans of not just "Fargo" but all of the Coens’ work hoped it would be.
Sheila writes: In 1968, Stanley Kubrick, whose game-changing "2001" was released that year, was interviewed for Playboy magazine. You can check out a facsimile of the interview here, but Open Culture has transcribed some of it, in particular the section where Kubrick gives some predictions on what the world will look like in the year 2001. It's fascinating speculative stuff.
Scout Tafoya's "The Unloved," an appreciation of fascinating movies that were critically reviled on first release, continues with a look at 1994's "The Hudsucker Proxy."
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.