The Greatest Night in Pop
Self
Bob Dylan
Bob Dylan
Bob Dylan Movie Reviews
Joan Baez: I Am a Noise
Self (archive footage)
Nothing Compares
Self (Archival Footage)
Hallelujah: Leonard Cohen, A Journey, A Song
Jimmy Carter Rock & Roll President
Self
Once Were Brothers: Robbie Robertson and The Band
Himself
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
Himself
Mavis!
Himself
Pete Seeger: The Power of Song
Masked and Anonymous
Jack Fate
The Last Waltz
Blog Posts That Mention Bob Dylan
From Don’t Look Back to Rolling Thunder Revue: The Cinema of Bob Dylan
TIFF 2007: Robert Zimmerman Bob Dylan Revisited
Dylan, Dublin and a Bit of Magic: Lance Daly Reflects on Kisses, Ten Years After Its U.S. Release
Mise-en-Bob
No Box He Won’t Escape From: James Mangold on “A Complete Unknown”
10 Music Documentaries You Should See After The Greatest Night in Pop
The trailer for the Coen Brothers’ “Inside Llewyn Davis” about the 1960s folk era in Greenwich Village
50 greatest music films ever
TIFF 2007: Movie bloggers EXPOSED!
Euphoria in a matter of seconds
Art that reaches backward and points forward
“The Sopranos”: Eighty-Sixed
How does it feel? Footnote fetishism & “I’m Not There”
TIFF 2007: What did I know and when did I know it?
Mr. Jones’ review…
Compatibility and taste: Bad sneakers and a piña colada, my friend
I’m Not There: Ode to Joy
He’s Here: The Legend of Pete Seeger
I Am a Writer: “Wonder Boys” Turns 25
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
A Mathematical Explanation of What is Going to Win Best Picture This Year
Oscar Nominations Predictions 2025
We Were Lucky: Jon Landau and Stevie Van Zandt on “Road Diary: Bruce Springsteen and the E Street Band”
Bird on a Wire: Kris Kristofferson (1936-2024)
The State of the 2024 Oscar Race
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
The Forrest Gump Soundtrack Hits Different in the Spotify Era
The Actors Rumored to Star in the Beatles Biopics Look Nothing Like Them. Good.
The Beatles Were Never More Human Than in ‘Let It Be’
When Paul Simon Bombed at the Movies
The Internet Will Never Let Russell Crowe Forget Les Miserables
The Power of Community: Steve Cohen and Paula Froehle on the Chicago Media Project’s A Decade of Docs Fundraiser on October 28th
Roger Ebert on the Films of Martin Scorsese
Fantasia 2023: New Life, The Sacrifice Game, Home Invasion
Prime Video’s The Terminal List is an Alpha Male Cry for Help
Home Entertainment Guide: March 2022
Sundance 2022: Nothing Compares, All That Breathes, Tantura
A Preview of the 57th Chicago International Film Festival
Bright Wall/Dark Room September 2021: It’s All Happening by Ethan Warren
TIFF 2021: Beba, All My Puny Sorrows, To Kill the Beast
Telluride Film Festival 2021: Hallelujah: Leonard Cohen, The Velvet Underground, Bernstein’s Wall
Home Entertainment Guide: February 2021
Fantasia 2020: Slaxx, Tiny Tim: King for a Day, The Oak Room, The Five Rules of Success
We Are All Connected: Backstage at the 2020 Academy Awards
The Best Films of the 2010s: Inside Llewyn Davis
Bright Wall/Dark Room October 2019: A New Spirit for ’75! by Ethan Warren
30 Minutes on “Not Fade Away”
The Active Eye: D.A. Pennebaker, 1924-2019
Obsession and The Void: The Performances of Christian Bale
Cannes 2018: Lars von Trier returns to Cannes with The House That Jack Built
30 Minutes on: Wonderstruck
Tom Petty: 1950-2017
The Look and the Voice: On Sam Shepard’s Definitive Performance in “The Right Stuff”
The frontier in his eyes: Sam Shepard, 1943-2017
Leonard Cohen: 1934-2016
CIFF 2016 Preview: 35 Films to See
TIFF 2016: “Abacus: Small Enough to Jail,” “The B-Side”
TIFF 2016: Fisher Stevens on “Before the Flood”
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Au Revoir: On Criterion’s Release of “Inside Llewyn Davis”
Film Noir For the Baby Boomer Generation: Wim Wenders’ “The American Friend”
30 Minutes on: “Cool Hand Luke”
People Are Smart: Adam McKay on “The Big Short”
Home Entertainment Consumer Guide: December 3, 2015
NYFF: “Carol,” “The Assassin,” “Right Now, Wrong Then”
Emotion without Sentiment: Oren Moverman on “Time Out of Mind”
Look Away, Dixie Land: Reflections on Life in the South, Racist Iconography, and Alan Moore’s Swamp Thing
Jerry Weintraub: 1937-2015
Who’s Who In Reviews: Peter Sobczynski
Thumbnails 7/6/15
AFI Docs 2015: Stanley Nelson, “Prophet’s Prey,” “Hot Type: 150 Years of The Nation”
Short Films in Focus: Lucy Walker’s “The Lion’s Mouth Opens”
The Act of Not Having An Act: Cameron Crowe’s Ambivalent Humanism
Thumbnails 3/5/15
“Godard: The First Wave” Comes to Chicago
The Individual Top Tens of 2014
AFI Fest 2014: Award winners ‘Güeros,’ ‘The Midnight Swim’ and ‘Self Made’
Thumbnails 4/24/14
From The Duke to The Departed: RogerEbert.com Writers Share Memories of the Academy Awards
If We Picked the Winners 2014: Best Actress
Top Ten Lists of 2013 From Our Contributors
Thumbnails 11/22/2013
Thumbnails 11/25/2013
Meet the Writers: Peter Sobczynski
The 2013 Santa Barbara International Film Festival (by way of Oklahoma)
The year’s ten best films and other shenanigans
Looking back at 1968, through a lens
Ebert’s Best 10 Movies of 2005
“Medium Cool” on multiple levels
Heath Ledger: In Memory
‘The Sopranos’: Eighty-Sixed
Three kinds of violence: Zodiac, No Country for Old Men, There Will Be Blood
Under cover of The Dark Knight
Heath Ledger, 1979-2008
Movie culture: The Dead, the Deader and the Deadest
