Megadoc
Self
Francis Ford Coppola
Francis Ford Coppola
Francis Ford Coppola Movie Reviews
What She Said: The Art of Pauline Kael
Himself
Friedkin Uncut
Himself
Harold and Lillian: A Hollywood Love Story
Himself
Five Came Back
Himself
Megalopolis
Writer
The Godfather Coda: The Death of Michael Corleone
Director
The Cotton Club Encore
Director
Apocalypse Now: Final Cut
Director
Tetro
Written and directed by
Youth Without Youth
Written, directed and produced by
Apocalypse Now /Redux
Directed by
The Rainmaker
Written and Directed by
Jack
Directed by
Bram Stoker’s Dracula
Directed by
The Godfather, Part III
Written by
Tucker: The Man and His Dream
Directed by
The Outsiders
Directed by
The Black Stallion
Produced by
Apocalypse Now
Directed and produced by
Blog Posts That Mention Francis Ford Coppola
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Spit On A Griddle: The Return of Francis Ford Coppola’s One from the Heart
Francis Ford Coppola’s “Rumble Fish” Reigns on Criterion Blu-ray
Eleanor Coppola Was the Guardian Angel of Apocalypse Now
Along for the Ride with Sofia Coppola
The Next Coppola
Coppola looks forward to his own films
“Napoleon” & Carmine Coppola
Coppola on laziness: Let’s go to the transcript
Cannes 2024: Megalopolis
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
A Plea for Someone to Save Megalopolis
The Unloved, Part 32: Youth Without Youth
My coverage of the first Sundance Film Festival, held in *July* 1981
Apocalypse Now: An audio-visual aid
Avatar and Oscar again raise thequestion: What is cinematography? (Part 2)
The Double-Best of the Year
Eyeless in Monument Valley, Part II
Replies to Walter Murch on the end of 3D as we know it
Do the Contrarian (Part II)
Opening Shots: The Conversation
The offer we cannot refuse
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
Hearing a Movie: Daniel Roher on “Tuner”
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”
Something Lasting and Unforgettable: Robert Duvall (1931-2026)
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
You Play Well: Diane Keaton (1946-2025)
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Locarno Film Festival 2025: Preview
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Your Guide to Ebertfest 2025: Day 2, April 24th
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Female Filmmakers in Focus: The Films of Euzhan Palcy
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
I Think Of Them As The Work: Gene Hackman (1930-2025)
The Great Craft of 2024
The Great Performances of 2024, Part Two
The World Isn’t As Funny Now: Teri Garr (1944-2024)
“Megalopolis” and “Joker: Folie à Deux”; or, The Virtue of Burning Money
The Atlas of Cinema: In Praise of Adam Driver
TIFF 2024: 20 World Premieres We Can’t Wait to See
“Risky Business” Remains One of the Most Daring Films of the ’80s
In Memoriam: Alain Delon
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
Home Entertainment Guide: June 2024
The Brat Pack Movies, Ranked
Cannes 2024 Video #8: Award Winners
Cannes 2024: Sean Baker’s Anora wins Palme d’Or
Cannes 2024 Video #3: Megalopolis, Kinds of Kindness, Oh Canada, Bird, Wild Diamond
Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides
Cannes 2024 Video #2: The Festival Takes Off
A Preview of the 2024 Cannes Film Festival
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
The 10 Most Anticipated Films of Cannes 2024
The Movies That Underwent Major Changes After Their Festival Premiere
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
The Scene That Clint Eastwood Cut to Make Unforgiven a Classic
Book Excerpt: Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema by Odie Henderson
Print the Legend: On the Legacy of William Friedkin
He Did It All: William Friedkin (1935-2023)
The Best Performance in Oppenheimer Belongs to Alden Ehrenreich
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
The Consummate Collaborator: Bill Butler (1921-2023)
Home Entertainment Guide: Horror Movie Edition
Home Entertainment Guide: July 2022
James Caan: 1940-2022
Jesus, I Love to Shoot Film: The Siskel Film Center Pays Tribute to Haskell Wexler
Paramount+’s The Offer Can’t Sell Godfather Making-Of
Thumbnails 4/5/22
Home Entertainment Guide: March 2022
Bring the Governors Awards Back to the Oscars
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
Home Entertainment Guide: Horror Edition
Telluride Film Festival Announces Full 2021 Program Lineup
Thumbnails Special Edition: Happy 40th Anniversary to the Sundance Institute
I’m a Sound Man: Brian De Palma’s Blow Out at 40
The Whole Parade: On the Incomparable Career of Nicolas Cage
It’s Alive!: On the Many Faces of Frankenstein
The Story of Who We Are: Gregory Nava Helps Celebrate Selena’s 50th Birthday
SXSW 2021: Broadcast Signal Intrusion, Offseason
Meet the Writers: Roxana Hadadi
To Coda or Not to Coda: On the New Version of The Godfather Part III
The Ten Best Films of 2020
FX’s Fargo Returns with an Ambitious But Underdeveloped Interrogation of the American Dream
Home Entertainment Guide: May 28, 2020
Ari Aster’s Hereditary to Screen at Ebertfest 2020 with Alex Wolff in Attendance
Ebertfest Announces Kathryn Bostic and the Opening and Closing Night Films for 2020 Festival
Creators of Modern Sherlock Bring Dracula to Life on Netflix
