In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb large ouygaatyh4jzithj6fi3uyf31ri

Wonder

You’ll shed a tear or two—especially if you’re a parent—and they’ll be totally earned.

Thumb mv5bztg3yteznjytzty2ns00yjnmltlhnjutzti2m2e5ndi4m2njxkeyxkfqcgdeqxvymzi3mdezmzm . v1 sy1000 cr0 0 675 1000 al

Mudbound

The film invites us to observe its characters, to hear their inner voices, to see what they see and to challenge our own preconceived notions…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Channel Archives

Reviews

The Outsiders

  |  

It's unfortunate that Francis Ford Coppola's "The Outsiders" opens on the same day as "Bad Boys." That makes the contrast all the more dramatic between the high-energy realism of "Bad Boys" and Coppola's stylized, over-careful, deadening approach to somewhat similar material.

Both movies are about tough teenagers. The kids in "Bad Boys" are hardened 1980s street criminals, while the kids in "The Outsiders" are 1950s Nebraska greasers, living in a time when even their toughness belongs to a more romantic tradition. But even so, those are real kids in "Bad Boys," while Coppola's teenagers seem trapped inside too many layers of storytelling.

Advertisement

"The Outsiders" is based on a well known novel for teenagers by S. E. Hinton. It's about class warfare between rich kids (the "soches") and poor kids (the greasers). The greasers try to pick up a soche's girlfriend at the drive-in, there's a fight later that night, and a rich kid gets killed. The two greasers who did it run immediately to Dallas Winston (Matt Dillon), who is the town's ranking adolescent hood. He gives them money and tells them to hop a train out of town.

Although the two scared kids (Ralph Macchio and C. Thomas Howell) are convincing enough, the story isn't -- and neither is the way Coppola sees it. He seems to be struggling with some sort of fixation on the contrived Hollywood sound stage look of the 1950s; there are scenes in which he poses his two heroes against a lurid sunset and bathes them in backlights so improbably reddish-orange that the kids look like Gordon MacRae in "Oklahoma!"

The problem with seeing characters in a highly stylized visual way is that it's hard for them to breathe and move and get us involved in their stories. That's what happens here. The thin narrative material for "The Outsiders" only adds up to a movie of 90 minutes, and even then there are scenes that seem to be killing time. Nothing that happens in the movie seems necessary; it's all arbitrary.

This is Matt Dillon's second outing in material by S. E. Hinton. In "Tex" he played a three-dimensional character, complicated and convincing. In "The Outsiders," he's required to do little more than standard "Rebel Without a Cause" behavior.

The problem, I'm afraid, is with Coppola's direction. He seems so hung up with his notions of a particular movie "look," with his perfectionistic lighting and framing and composition, that the characters wind up like pictures, framed and hanging on the screen.

There's not much life in this movie, or spontaneity. It's a stylistic exercise. The man who made the "Godfather" pictures and "Apocalypse Now" is a great director. He ought to reserve these exercises for the rehearsal halls of his fancy and get back to making movies.

Advertisement

Popular Blog Posts

Why I Stopped Watching Woody Allen Movies

Stop watching movies made by assholes. It'll be OK.

Tears of a Machine: The Humanity of Luv in "Blade Runner 2049"

No character in “Blade Runner 2049” is more relatably human than Luv.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

“Call of Duty” and “Wolfenstein” Redefine the Modern WWII Game

A review of two of the biggest games of 2017, a pair that use World War II in very different ways.

Reveal Comments
comments powered by Disqus