Like Ficarra and Requa’s 2011 comedy Crazy Stupid Love, Focus begins promisingly and bops along enjoyably for a while, only to run out of steam…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Highlights of our 2014 interviews, including Woody Allen, Wes Anderson, Kevin Spacey, Terry Gilliam, Eddie Redmayne, Jessica Chastain, Hilary Swank and many more.
Lists from our critics and contributors on the best of 2014.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
Ten underrated female performances from 2014 worthy of Oscar consideration.
Interviews with Tilda Swinton, Julianne Moore, F. Murray Abraham and others at the 2014 Gotham Independent Film Awards.
An interview with Oscar winner Hilary Swank, star of Tommy Lee Jones' "The Homesman."
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
Passes for Ebertfest 2015 will go on sale Saturday, November 1st.
The best recent releases on Blu-ray and streaming services, including "Blue Ruin," "Middle of Nowhere," "Only Lovers Left Alive," and "Love Streams."
"Only Lovers Left Alive" is Top 5 Jim Jarmusch for sure; a long, warm bath in sensuality, with flashes of Wong-Kar Wai amid the ennui. In its deliberate slowness, it also ends up feeling like requiem for 20th century film storytelling, and for the pre-digital world.
A look at the cinematic and political history that resulted in Bong Joon-Ho's "Snowpiercer."
Five dumbest arguments against gender diversity. Why Louis C.K. is wrong about Common Core; Alfonso Cuarón's questions for Mexico's president; The relevance of 'Her'; The case for why Johnny Depp is overrated.
A complete guide to the 16th Annual Roger Ebert's Film Festival.
The Chicago Sun-Times reports on the 2014 Ebertfest, including appearances by Oliver Stone & Spike Lee.
Art and improvement; Vampires on film; Philippines censor board makes a wholesome request; An interview with Jackie Robinson's pen pal; Completed movies that have yet to be released.
Tilda Swinton, interviewed; The story behind "Boy With Appple"; Analyzing how rape is depicted in television; "Poptimism" and music criticism; Thoughtful reflections on Roger Ebert.
Chaz reflects on the last year.
"True Detective" finale; coverage of the True/False film festival; the case against Wes Anderson; a case for Wes Anderson; inside the mind of a psychopath
Wes Anderson talks about the sources behind "The Grand Budapest Hotel", dining with his cast every night on location, and the comic gifts of Ralph Fiennes.
Sheila writes: It's been such a sad week, with the shocking news of Philip Seymour Hoffman's passing. I am still struggling to get my head around it, and I know so many others feel the same, not to mention his colleagues, friends, and family, all of whom must be heartbroken. There is a roundup of tributes to him below in the newsletter. With so much darkness in the world, and so much pain, I wanted to lead off this week with a funny and silly photo gallery I came across, of a couple who re-enact famous movie scenes with their baby. Here they are, in "Apollo 13".
Festival passes for EbertFest, April 23–27, are going fast. Get yours soon.
"The Wes Anderson Collection" video essay series finishes with a look at the director's 2012 hit "Moonrise Kingdom," the tale of a young love that throws a small community into turmoil.
The legend of Harvey Scissorhands; the controversial twist of "Homeland"; a "Lucking Out" review; the sad misogyny of "Xanth"; the NSA galls the spy-crazy French.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".
The first day of the Toronto International Film Festival.