Sometimes, it feels as if we are eavesdropping on day-to-day conversations rather than just hearing the usual litany of platitudes and regrets.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An appreciation of David Letterman on his final day on the air.
An interview with star of stage, film, and TV, Colm Feore.
The day Roger Ebert saved my life; Adam Curtis has an eye for the unsettling; Oscar front-runners get silly; A sniper unloads on "Sniper"; Autism is better than measles.
Why "Mrs. Doubtfire" is Robin Williams's greatest role; Alex Ross Perry on "Listen Up Philip"; Keanu Reeves on "John Wick"; Blackwater founder remains free; Six films to remember from Chicago fest.
An appreciation of the actor's perseverance through age 63 despite depression.
A report on day three of TIFF on "Pawn Sacrifice" and "The Humbling."
Ebertfest receives a 2014 grant from the Hollywood Foreign Press.
Dangers facing journalists like James Foley; 11 things that shouldn’t be said to black people; Mara Wilson on Robin Williams; Reflections on "The Big Sleep"; R.I.P. Leonard Maltin’s Movie Guide.
An examination and appreciation of one of Robin Williams' greatest films, "The Fisher King."
There's nothing selfish about suicide; "Garden State" does not hold up; Looking back at "The Abyss"; America is not for black people; The problem with "Persecuted."
The writers of RogerEbert.com reflect on the life, career and death of Robin Williams.
Gilbert Gottfried on Robin Williams; Remembering Lauren Bacall; Paying attention; Tyler Ross shines in "The Killing"; Reflections on "Lawrence of Arabia."
Sheila writes: What a sad week this has been already. We lost both Robin Williams and Lauren Bacall, and the tributes have been flooding the Internet. We have included some link round-ups below with tribute pieces and obituaries, including the two beautiful pieces running on Rogerebert.com. The response has been overwhelming. In case you missed it, here is David Simon's remembrance of a day on the set of "Homicide" with Robin Williams. Please share your favorite roles, favorite moments, favorite memories of these two beloved performers.
Robin Williams, 1951-2014.
A piece on the best releases new to streaming services and Blu-ray in the last two weeks, including "Noah," "Scanners," and "Life After Beth."
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
A remembrance of Harold Ramis.
Matt Zoller Seitz on why Philip Seymour Hoffmann mattered.
Gerardo Valero picks his favorite piece of Roger's writing.
A video essay on Wes Anderson's second film "Rushmore," by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
Bob Calhoun argues that the great tradition of physical comedy is alive and well and living in the professional wrestling ring
Lee Daniels, the director of "Lee Daniels' The Butler," discusses his personal stakes in the story and working with Forest Whitaker on the way the character grows and changes.
Tom Shales looks at "Carson on TCM," a weekly series of shows culling great Carson interviews.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger