One of the best times you'll have at the movies this year, and possibly the year's best film overall.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An appreciation of the actor's perseverance through age 63 despite depression.
A report on day three of TIFF on "Pawn Sacrifice" and "The Humbling."
Ebertfest receives a 2014 grant from the Hollywood Foreign Press.
Dangers facing journalists like James Foley; 11 things that shouldn’t be said to black people; Mara Wilson on Robin Williams; Reflections on "The Big Sleep"; R.I.P. Leonard Maltin’s Movie Guide.
An examination and appreciation of one of Robin Williams' greatest films, "The Fisher King."
There's nothing selfish about suicide; "Garden State" does not hold up; Looking back at "The Abyss"; America is not for black people; The problem with "Persecuted."
The writers of RogerEbert.com reflect on the life, career and death of Robin Williams.
Gilbert Gottfried on Robin Williams; Remembering Lauren Bacall; Paying attention; Tyler Ross shines in "The Killing"; Reflections on "Lawrence of Arabia."
Sheila writes: What a sad week this has been already. We lost both Robin Williams and Lauren Bacall, and the tributes have been flooding the Internet. We have included some link round-ups below with tribute pieces and obituaries, including the two beautiful pieces running on Rogerebert.com. The response has been overwhelming. In case you missed it, here is David Simon's remembrance of a day on the set of "Homicide" with Robin Williams. Please share your favorite roles, favorite moments, favorite memories of these two beloved performers.
Robin Williams, 1951-2014.
A piece on the best releases new to streaming services and Blu-ray in the last two weeks, including "Noah," "Scanners," and "Life After Beth."
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
A remembrance of Harold Ramis.
Matt Zoller Seitz on why Philip Seymour Hoffmann mattered.
Gerardo Valero picks his favorite piece of Roger's writing.
A video essay on Wes Anderson's second film "Rushmore," by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
Bob Calhoun argues that the great tradition of physical comedy is alive and well and living in the professional wrestling ring
Lee Daniels, the director of "Lee Daniels' The Butler," discusses his personal stakes in the story and working with Forest Whitaker on the way the character grows and changes.
Tom Shales looks at "Carson on TCM," a weekly series of shows culling great Carson interviews.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: This week's Newsletter arrives a day early and lighter than usual, as come Tuesday morning, I'll be on a Ferry heading to Pender Island off the West Coast, where I've arranged to visit old friends for a few days and enjoy my first vacation in two years; albeit a brief one. No rest for the wicked. :-)
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
After discovering that a cancer will take her life within a few months, Ann, a young 23 years-old, makes two important decisions: to hide the disease from everyone (including her husband and their two young daughters) and to draw up a list of things she wants to do before her death - and her wishes include "making love to another man" and "causing someone to fall for me." This is the point at which "My Life Without Me," directed and written by Isabel Coixet, risks scaring away its viewers: the attitudes of Ann show, yes, selfishness and immaturity.
You better watch out You better not cry You better have clout We're telling you why Two Thumbs Down are comin' to town We're making a list, Checking it twice; Gonna find out whose movie was scheiss. Sandy Claws is comin' to town. We see you when you're (bleeping), We know when you're a fake We know if you've been bad or good So be good for cinema's sake!