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Self
Paul Thomas Anderson
Paul Thomas Anderson
Paul Thomas Anderson Movie Reviews
One Battle After Another
Director
Licorice Pizza
Director
Phantom Thread
Director
Inherent Vice
Director
The Master
Written and directed by
There Will Be Blood
Written and directed by
Punch-Drunk Love
Written and Directed by
Magnolia
Written and directed by
Boogie Nights
Written and Directed by
Hard Eight
Written and Directed by
Blog Posts That Mention Paul Thomas Anderson
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Paul Thomas Anderson, Thom Yorke Collaborate on Mesmerizing Anima
After They Yelled Cut: Alana Haim on Licorice Pizza
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
The Best Films of the 2010s: Phantom Thread
Bright Wall/Dark Room May 2018: An Essay on ‘Punch Drunk Love’ by Ethan Warren
Thumbnails 12/12/14
Thumbnails 7/26/2013
There Will Be Blood: Sculpting in time
Preview of Coming Attractions
LAFCA: There Will Be… more 2007 critics awards
Three kinds of violence: Zodiac, No Country for Old Men, There Will Be Blood
The Great(ness) Debate:Flesh, blood, Day-Lewis (and Oscar)
Opening Shots: ‘Punch-Drunk Love’
How we really watch a movie
The Master: Who are you?
Consensus and the Big Film Poll Blowout of 2007
Contrarianism Blog-a-Thon: Let the perversity begin!
Hurdy Gurdys and Aqua Velvas: Misc. “Zodiac” fax…
With mustard
IndieWIRE crix poll: American blood, blood, blood
It’s the End of the Cinema, as we know it (then and now)
The Master: What does it all mean?
A snake in the grass drinks his own poison
At This Year’s Oscars, The Show Must Go On
If We Picked the Winners: The 98th Academy Awards
Why Ryan Coogler Should Win Best Director for “Sinners”
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders
“Sinners” Sets Record with 16 Oscar Nominations
2026 Oscar Nominations Predictions in the Major Categories
Remote-Droppers and Jeff Bridges: Nick Digilio on His Book About 40 Years Reviewing Movies
“One Battle After Another,” “Hamnet” Win Big at 2026 Golden Globes
40 Movies We Can’t Wait to See in 2026
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Craft of 2025
The Great Performances of 2025
“One Battle After Another” Wins Record Number of Chicago Film Critics Association Awards
Two Thumbs Up! The Individual Top Tens of 2025
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
The Ten Best Films of 2025
Siskel & Ebert at the Movies Celebrates its 50th Anniversary
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
Meet the Writers: Peyton Robinson
We Relate: Andrew DeYoung on “Friendship”
The 2025 TCM Classic Film Festival
Highlights from the 2025 MUBI Fest Chicago
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Shelley Duvall’s Five Best Performances
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
A (Not So) Brief History of Silent Film Influences on Pop Music
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
The Return of 70MM
Magnolia: One Day in the Valley
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
Great Cast Elevates Inconsistent High Desert on Apple TV+
Highlights of the 2023 TCM Film Festival
The Unloved, Part 110: Tank Girl
Meaningless Returns Jon Brion, Hollywood’s Ultimate Collaborator, To the Spotlight
The Force of Hope: Mathieu Amalric on Hold Me Tight
The American Dream, Period: Philip Baker Hall (1931-2022)
Home Entertainment Guide: May 2022
Previewing and Predicting the 94th Academy Awards
The 2022 Oscar Nominees: A Full List
2022 Oscar Nomination Predictions
Jane Campion’s The Power of the Dog Leads Chicago Critics Awards with Seven
West Side Story Leads the 2021 Chicago Critics Nominees
The Ten Best Films of 2021
Overdue Oscars: 10 Directors Looking for Their First Academy Award
Overdue Oscars: The 2021 Actors Looking for Their First Academy Awards
The Films That Could Shake Up the Oscar Race
Everything You Need to Know About the 94th Academy Awards (So Far)
Nashville Film Festival 2021 Preview: Invisible, Clara Sola and Four More Highlights
TIFF 2021: A Torontonian’s Take on a Tumultuous TIFF
Something Bigger Than Myself: Billie Piper on Rare Beasts
Stirring the Pot: Glenn Kenny on His New Goodfellas Book
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part II
Krzysztof Penderecki: 1933-2020
The Best Films of the 2010s
The Lost Souls of Joaquin Phoenix
Short Films in Focus: Squirrel
Bright Wall/Dark Room July 2019: Only I Know the Secrets: Breaking Down Under the Silver Lake by Ethan Warren
Happiness and Artifice: The Performances of Julianne Moore
A Look Back at Those We Lost in 2018
Happy New Year from All of Us at RogerEbert.com
Ricky Jay: 1946-2018
A Labor of Love: John C. Reilly on The Sisters Brothers
Figuring It Out: The Films of Laura Dern
Cannes 2018: Stanley Kubrick’s 70mm space odyssey and Gaspar Noé’s dance party
Home Entertainment Consumer Guide: April 19, 2018
Tell Your Truth: Chapman & Maclain Way on Wild Wild Country
Thumbnails Special Edition: Women Writers Week 2018
Alma Matters: Modelling and Being in Phantom Thread
