What Céline Sciamma is interested in is "moments." There are many moments that linger in the mind long after the film has ended.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A piece on the first wave of critics groups awards and some predictions for SAG and the Golden Globe nominees.
A report on "Haemoo," "Foxcatcher" and "American Sniper" from the 2014 AFI Fest.
An assembly of coverage on RogerEbert.com regarding Bennett Miller's "Foxcatcher."
An interview with Bennett Miller, director of "Foxcatcher," "Moneyball" and "Capote."
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
A photo gallery offering snapshots from The Ebert Dinner at the 2014 Toronto International Film Festival.
A review of "Foxcatcher," premiering tonight at the Toronto International Film Festival.
The best recent releases on Blu-ray and streaming services, including "Blue Ruin," "Middle of Nowhere," "Only Lovers Left Alive," and "Love Streams."
Rian Johnson to direct "Star Wars"; The demise of Manic Pixie Dream Girls; Oliver Stone talks to middle-schoolers; Smartphones cause irritability; "The Texas Chainsaw Massacre" production tales.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
All of our video segments from Cannes 2014.
The Turkish director, a longtime Cannes favorite, won the festival's top prize.
Fantastic performances balance out Ryan Murphy and Larry Kramer’s melodramatic approach to the history of the AIDS crisis in HBO’s highly-anticipated "The Normal Heart," premiering Sunday, May 25th, 2014.
Chaz Ebert's latest video reports on the Cannes premieres of "Foxcatcher," "The Homesman," "Mr. Turner," and "The Wonders," while offering an extended report on the emotional screening of "Life Itself."
A Cannes report on the new Bennett Miller film, Foxcatcher, starring Channing Tatum, Mark Ruffalo, and Steve Carell.
Abel Ferrara's thinly veiled take on Dominique Strauss-Kahn screened off-fest.
Sam Fragoso battles mix-ups and traffic, but does get to see "Infinitely Polar Bear".
What Dave Chappelle's walk-off says about the relationship between black entertainers and white audiences; Rising Sun revisited; the gender gap wage lie; nine things introverts do all the time, such as stalking Mark Ruffalo; those appliances you think are off might not be off; your neighborhood airport might be on the decline; a consideration of the selfie.
Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.
Marie writes: Intrepid club member Sandy Khan has sent us the following awesome find, courtesy of a pal in Belgium who'd first shared it with her. "Got Muck?" was filmed by diver Khaled Sultani (Emirates Diving Association's (EDA) in the Lembeh Strait, off the island coast of Sulawesi in Indonesia. Camera: Sony Cx550 using Light & Motion housing and sola lights. Song: "man with the movie camera" by cinematic orchestra.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Happy New Year from the Ebert Club!TRAILERS
Marie writes: When I first learned of "Royal de Luxe" I let out a squeal of pure delight and immediately began building giant puppets inside my head, trying to imagine how it would look to see a whale or dragon moving down the street..."Based in Nantes, France, the street theatre company Royal de Luxe performs around the world, primarily using gigantic, elaborate marionettes to tell stories that take place over several days and wind through entire cities. Puppeteers maneuver the huge marionettes - some as tall as 12 meters (40 ft) - through streets, parks, and waterways, performing their story along the way." - the Atlantic
(Click images to enlarge.)