The Last Song
Based on the novel by
Sparks
Sparks
Sparks Movie Reviews
Blog Posts That Mention Sparks
Some Idea of Me: On the 10th Anniversary of Ruby Sparks
Reintroducing Sparks: Edgar Wright and Russell and Ron Mael on The Sparks Brothers
Sundance 2021: The Sparks Brothers, Amy Tan: Unintended Memoir, Rita Moreno: Just A Girl Who Decided to Go For It, Ailey
2026 Sundance Preview: 20 Films We Can’t Wait to See
40 Movies We Can’t Wait to See in 2026
The Great Performances of 2025
Sundance Film Festival Announces 2026 Line-Up
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
Ari Aster Talks with Chaz Ebert About “Eddington” at Music Box
What to Watch on Netflix: July 2025
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Movies for the Freaks: Mark Anthony Green on “Opus”
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
The 10 Best Horror Films of 2024
The 25 Best TV Series of 2024
Black Harvest Film Festival 2024: Disco Afrika, It Was All a Dream, Dreams Like Paper Boats
Short Films in Focus: Don Hertzfeldt’s “ME”
Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
Less Sex Scenes, More Sex Shots: Sean Baker and Mikey Madison on “Anora”
HBO’s “The Franchise” Takes Satirical Aim at the MCU
TIFF 2024: Village Keeper, 40 Acres, Flow
TIFF 2024: On Swift Horses, Meet the Barbarians, All of You
The Needle Drop Sessions: Pump Up the Volume & Untamed Heart
You Ready To Be the King?: Fresh Turns 30
I Believe in Me: Alex Thompson and Kelly O’Sullivan on Ghostlight
Cannes 2024 Diary 2: International Genre Picks
Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
Female Filmmakers in Focus: Marija Kavtaradzė on Slow
SXSW 2024: Omni Loop, Desert Road, Things Will Be Different
Avatar: the Last Airbender and What We Talk About When We Talk About Redemption
A (Not So) Brief History of Silent Film Influences on Pop Music
The Throwaway Scene That Gives Blazing Saddles Its Warm Heart
The 25 Best TV Series of 2023
Netflix’s Scott Pilgrim Takes Off is a Phenomenal Stand-Alone Anime Addition
CIFF 2023: The Taste of Things, Fallen Leaves, La Chimera
TIFF 2023: 20 World Premieres We Can’t Wait to See
Noir City Returns to the Music Box in Chicago
Bright Wall/Dark Room August 2023: My Money is Still in Your Pocket by Sarah Welch-Larson
Fantasia 2023: River, The Becomers, Aporia
Tribeca 2023: The Listener, Eric LaRue
Michelle Yeoh: Kicking Ass Across the Multiverse
Women Writers Week 2023: Table of Contents
52nd Annual Rotterdam International Film Festival Highlights
Sundance 2023: A Little Prayer, Eileen, Bad Behaviour
Female Filmmakers in Focus: Carlota Pereda on Piggy
TIFF 2022: Prisoner’s Daughter, What’s Love Got to Do with It, Walk Up
There Are Many Different Types of Deaths: On This is Not a Burial, It’s a Resurrection
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
Home Entertainment Guide: April 2022
Hulu’s Life & Beth is a Heartfelt Mixed Bag
Women Film Editors: Shedding the Cloak of Invisibility
Just Another Step on the Journey, Man!: 1983’s Underrated NYE Comedy, Get Crazy
The Individual Top Tens of 2021
West Side Story Leads the 2021 Chicago Critics Nominees
All the Voices in the Conversation: Uzo Aduba on National Champions
Korean Master Kim Jee-Woon Directs Apple’s Visionary Dr. Brain
First Four Laika Releases Get Special Edition Blu-rays
Another Chance: On the Sustained Power of John Frankenheimer’s Seconds
Netflix’s The Chair Sets Up a Potentially Great Show
You Need to Feed The Eyes For Your Dreams: The Cinema of Leos Carax
HBO’s Small Town News: KPVM Pahrump Struggles to Find the Story
Art Alone Endures: A Parisian’s Take on the 2021 Cannes Film Festival
Cannes 2021: Titane Wins Palme d’or
Apple TV+’s Schmigadoon! Puts on a Dazzling, Self-Aware Show
Cannes 2021 Video #2: Annette, Jury Press Conference
Cannes 2021: Annette
Cannes Film Festival Preview 2021
Doc10 Festival 2021: Three Highlights of a Powerful Year
Apple TV+’s Dark Physical is Definitely Not a Comedy but Still Worth Your Time
Don’t Leave A Stranger: Nicole Riegel and Jessica Barden on Holler
RogerEbert.com Hosts Inaugural Black Writers Week to Showcase Film and TV Critics, Equity Thought Leaders and Groundbreakers in Diverse Fields
Black Writers Week 2021: Table of Contents
The Show Must Go On: The Cannes 2021 Film Festival
We Can Sing Again: Nine Movie Musicals Coming Out in 2021
Book Excerpt: Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper by Scout Tafoya
Sundance 2021: Human Factors, Pleasure, Prime Time
Sundance 2021: Table of Contents
Cloris Leachman: 1926-2021
The Lynchian Aspirations of Losing Alice Underwhelm Rather Than Intrigue
The 2020 Frontrunners for Best Director
Bright Wall/Dark Room December 2020: Intimacy, Touch, and the Perennial Beauty of Hands by Lainey Wood
The Best Television of 2020
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
Baz Luhrmann’s Romeo + Juliet is as Irreplaceable as Ever
Fox’s Filthy Rich Skates the Line Between Drama and Camp
Luca Guadagnino’s HBO Series We Are Who We Are Off to a Glorious Start
Music and Family Combine in Apple TV’s Wonderful Central Park
TNT’s Snowpiercer Carves Its Way Through Prestige TV Landscape
The Best Films of the 2020 Sundance Film Festival
Sundance 2020: 20 Films We Can’t Wait to See in Park City
The 4-Star Films of 2019
Return to the World of Stephen King with Hulu’s Castle Rock
