The Return
Penelope
Juliette Binoche
Juliette Binoche Movie Reviews
The New Look
Coco Chanel
The Taste of Things
Eugenie
Between Two Worlds
Marianne Winckler
Paradise Highway
Sally
Both Sides of the Blade
Sara
Who You Think I Am
Claire Millaud
The Truth
Lumir
Non-Fiction
Selena
High Life
Dr. Dibs
Let the Sunshine In
Isabelle
Polina
Liria Elsaj
Slack Bay
Aude Van Peteghem
Ghost in the Shell
Dr. Ouelet
The Wait
Anna
The 33
María Segovia
Clouds of Sils Maria
Maria Enders
1,000 Times Good Night
Rebecca
Words and Pictures
Dina Delsanto
Godzilla
Ford's Mother / Stepmother
Blog Posts That Mention Juliette Binoche
Olivier Assayas on Non-Fiction, Working with Juliette Binoche, Streaming vs. Theatrical and More
Binoche evokes quality of simply existing
Cannes 2023: The Pot-au-Feu, Kidnapped, A Brighter Tomorrow
Cannes, Day Ten: Olivier Assayas’ “Clouds of Sils Maria”
Certified Copy: How can you be in two spaces at once…?
But didn’t they just now meet?
Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
Cannes 2025: Sound of Falling, Reedland
TIFF 2024: The Return, Riff Raff, The Friend
TIFF 2024: 20 World Premieres We Can’t Wait to See
Cannes 2024 Video #2: The Festival Takes Off
Criterion Celebrates the Films That Forever Shifted Our Perception of Kristen Stewart
Take Time To Savor It: Trần Anh Hùng on The Taste of Things
CIFF 2023: The Taste of Things, Fallen Leaves, La Chimera
Cannes 2023: Highlights of the Year’s Festival
Cannes 2023: Anatomy of a Fall wins Palme d’Or
Home Entertainment Guide: February 2023
Home Entertainment Guide: December 2022
The 25 Best TV Series of 2022
Jean-Louis Trintignant: 1930-2022
Olivier Assayas, Alicia Vikander Are Having a Blast in HBO’s Irma Vep
HBO’s The Staircase is a Masterful, Stark True Crime Epic
A Preview of the 2022 Rendez-Vous with French Cinema
You Need to Feed The Eyes For Your Dreams: The Cinema of Leos Carax
Cannes 2021: Onoda, Everything Went Fine, Between Two Worlds, The Velvet Underground
Meet the Writers: Carlos Aguilar
How the Next Oscars Could Mirror 1997
Poetry is Necessary in Film: Hirokazu Kore-eda on The Truth
It is All An Illusion: Malgorzata Szumowska on The Other Lamb
A Preview of the 2020 Rendez-Vous With French Cinema
CIFF 2019: Preview of the 55th Chicago International Film Festival
55th Chicago International Film Festival Announces Gala and Special Presentation Selections
Twelve Thumbs-Up Films from the Venice Film Festival
Venice Film Festival Preview 2019
Home Entertainment Consumer Guide: May 30, 2019
A Very Deep Place: Claire Denis on High Life
CIFF 2018: Transit, Non-Fiction
45 Movies to see at the 54th Chicago International Film Festival
TIFF 2018: Claire Denis Brings High Life to Toronto, Accepts Ebert Tribute
TIFF 2018: A Faithful Man, Non-Fiction
Venice Film Festival 2018: Suspiria, Peterloo, The Ballad of Buster Scruggs, Non-Fiction
The 20 Most Exciting World Premieres of TIFF 2018
Claire Denis to be Honored at TIFF Ebert Tribute
Three Octogenarians Who Could Make Oscar History
The Master Lets Go: On the Career of Daniel Day-Lewis
NYFF 2017: “Caniba,” “Ismael’s Ghosts,” “Let the Sunshine In”
CIFF 2017 Preview: 45 Films to See
Cannes 2017: “Western” and “Bright Sunshine In”
Unlimited Potential: Olivier Assayas on “Personal Shopper”
A Preview of the 22nd Annual Rendez-Vous with French Cinema
Living Truthfully Under Imaginary Circumstances: Sam Schacht on Method Acting
Home Entertainment Consumer Guide: July 7, 2016
A One-of-a-Kind Artist: The RogerEbert.com Staff Remembers Abbas Kiarostami
Cannes 2016: “Slack Bay,” “The Student,” “Toni Erdmann”
Cannes 2016: Festival Preview
Thumbnails 1/22/16
The Best Performances of 2015
The Individual Top Tens of 2015
Home Entertainment Consumer Guide: November 22, 2015
AFI Fest 2015: “The 33”
Close to Home: Cote de Pablo on “The 33”
2015 Fall Movie Preview
Home Entertainment Consumer Guide: July 23, 2015
Three-and-a-Half-Star Reviews of 2015
The Moral Unknown: “L’avventura” as Influential Text on “Clouds of Sils Maria” & “About Elly”
Location, Location, Location: The Middleburg Film Festival
NYFF 2014: My Favorite Year
2014 Chicago International Film Festival Preview
TIFF 2014: Notes From Odie’s TIFF Diary
TIFF 2014: Traveling in a Darkened Theater
Chloë Grace Moretz, Gayle Forman and Jamie Blackley on “If I Stay”
Cannes 2014 Preview: Legendary Directors Lead Impressive Festival Line-up
Brian De Palma on “Passion,” passion and film
Seduced by Sonoma
The Best 10 Movies of 1990s
The Best 10 Movies of 1996
The Best 10 Movies of 1994
The Best 10 Movies of 1992
Love under stormy skies
And the Palme d’Whiskers goes to…
If it’s springtime, it must be Cannes
Iranian filmmakers take center stage
12 writers, 12 films: MSN’s Best Movies of the Decade
Is it anti-American to like non-English movies?
Arthouse suspense: My month with Abbas and Joe
“Caché:” A riddle, wrapped in a mystery, inside an enigma
CIFF 2010: Our capsule reviews
Indie security alert level: Severe
The best foreign films of 2009
Cannes #3: Fings ain’t wot they used t’be
On orgasms
CIFF 2012 puts the ‘Chicago’ in film fest
“Uncle Boonmee” wins Cannes Palme d’Or
Telluride #1: Premieres & rarities
Jones, July, Jarmusch & Cannes gold
Telluride #4: A cleansing rain of films
Toronto #5: A memorable film season
Toronto #6: Stars present & future
Cannes #5: Strong entries raise bar
