Echo Valley
Kate Garrett
Julianne Moore
Julianne Moore
Julianne Moore Movie Reviews
Sirens (2025)
Michaela
The Room Next Door
Ingrid
Mary & George
Mary Villers
May December
Gracie Atherton-Yoo
Sharper
Madeline Phillips
When You Finish Saving The World
Evelyn
Dear Evan Hansen
Heidi Hansen
Lisey’s Story
Lisey
Spirit Untamed
Cora Prescott (voice)
The Woman in the Window
Jane Russell
The Glorias
Gloria Steinem
After the Wedding
Theresa
Gloria Bell
Gloria Bell
Bel Canto
Roxanne Cross
Suburbicon
Margaret
Wonderstruck
Lillian Mayhew / Rose
Kingsman: The Golden Circle
Poppy
Maggie’s Plan
Georgette
The Hunger Games: Mockingjay – Part 2
Alma Coin
Blog Posts That Mention Julianne Moore
The Pitfalls of Suburban Ennui: In Praise of Todd Haynes and Julianne Moore’s Collaborations
They Found Their Herd: Julianne Moore, Jake Gyllenhaal, Elaine Bogan and More on Making Spirit Untamed
Moving Forward Together: Julianne Moore and Bette Midler on The Glorias
Happiness and Artifice: The Performances of Julianne Moore
Video Interview: Julianne Moore, Oakes Fegley, Jaden Michael and Millicent Simmonds on “Wonderstruck”
Video Interview: Julianne Moore on “Maps to the Stars”
1 Julianne Moore + 1 Mark Ruffalo + 1 movie:Putting them all together
Sundance 2022: When You Finish Saving the World, Living, Call Jane
TIFF 2018: Gloria Bell
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Stars Align at 2014 Gotham Independent Film Awards
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recent Two Thumbs Up® reviews
More sex, please. We’re American.
The Kids Are All Right: Taut editing, stunning effects
Game Change: Not mavericky, but nice
Karlovy Vary Announces 2026 Award Winners
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
“Cookie’s Fortune”: A Little Southern Comedy
What to Watch on Netflix: May 2025
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
The State of the 2024 Oscar Race
TIFF 2024: The Room Next Door, Hard Truths
Venice Film Festival 2024: The Biennale College
Venice Film Festival 2024: Prepping for the Biennale
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Nine Major Omissions from the 2024 Oscar Nominations
Oscar Predictions 2024: What Will Be Nominated This Year
The Ten Best Films of 2023
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
Short Films in Focus: Big Touch
The Drama and Discomfort: Charles Melton on May December
NYFF 2023: May December, Kidnapped, Close Your Eyes
NYFF 2023: Highlights of the First Week of the Fest Include New Todd Haynes, Nuri Bilge Ceylan
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Magnolia: One Day in the Valley
Cannes 2023: May December, Anatomy of a Fall and a Godard Trailer
Cannes 2023: Exciting Films at This Year’s Festival
Karlovy Vary to Honor Russell Crowe
Creeping Panic: Rebecca Hall and Andrew Semans on Resurrection
Cannes 2022 Video #1: Opening Night Welcomes Ukrainian President Volodymyr Zelenskyy and Final Cut
Cannes 2022: Final Cut
TIFF 2021 Preview: 20 Films We Can’t Wait to See
Richard Donner: 1930-2021
A Look Back at Tribeca 2021: The Narrative Features
We Can Sing Again: Nine Movie Musicals Coming Out in 2021
CBS’s Clarice Dilutes the Sprawling Strangeness of Its Source
Meet the Writers: Carlos Aguilar
Cannes Flashback: Wonderstruck, Netflix Controversy and More
Lighting the Torches of Others: A Celebration of Gloria Steinem
Sundance 2020: The Glorias, Herself, Four Good Days
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
Jay Roach on Bombshell, the Appeal of Polarizing Figures, Turning Charlize Theron into Megyn Kelly and More
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Andrew Davis and The Fugitive Return To Chicago
A Beautiful Challenge: Guy Vandenberg and Steve Williams on 5B
Home Entertainment Consumer Guide: June 13, 2019
The Monster of Florence: Ridley Scott’s Hannibal on 4K Blu-ray
Oscar Predictions 2019: Who Will Win, Who Should Win, and Who Should Have Been Nominated
Sundance 2019: 20 Films We Can’t Wait to See in Park City
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
The 20 Most Exciting World Premieres of TIFF 2018
30 Minutes on: Wonderstruck
A Distinctive Pattern: The Legendary Costume Designer Sandy Powell on “Wonderstruck”
Venice Film Festival 2017: “Suburbicon,” “The Private Life of a Modern Woman”
A Box of Chocolates: Preview of the 2017 Telluride Film Festival
2017 Fall Movie Preview: 25 Films We’re Excited About
Comic-Con 2017: Interview with Brian Selznick about “Wonderstruck”
Cannes 2017 Video #2: “Wonderstruck,” Netflix Controversy and More
Cannes 2017: “Wonderstruck,” “Jupiter’s Moon,” “Barbara”
Cannes Film Festival 2017 Preview
No Longer an Inconceivable Future: The Vision of Alfonso Cuarón’s “Children of Men”
The Best Films of 2016 So Far
Nora is Always Right: Emilia Clarke & Jojo Moyes on “Me Before You”
True Love Never Did Run Smooth: Rebecca Miller on “Maggie’s Plan”
Bright Wall/Dark Room April 2016: “An Attempt at Something” by Matt Brennan
Another Sunny Miami International Film Festival Comes To A Close
Timeless Horror: The 25th Anniversary of “The Silence of the Lambs”
Home Entertainment Consumer Guide: February 4, 2016
Golden Globe Presenters Announced for Jan. 10th Telecast
Previewing and Predicting the 73rd Golden Globe Awards
The RogerEbert.com Interviews of 2015
NYFF 2015: “The Witness,” “Don’t Blink,” “Maggie’s Plan”
The Ghost Comes: Michael Shannon on “Freeheld,” “99 Homes”
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TIFF 2015 Recap: “45 Years,” “Son of Saul,” “Room,” “Spotlight,” and more
TIFF 2015: “Into the Forest” & “Freeheld”
Reeling: Chicago LGBTQ+ International Film Festival 2015 Preview
TIFF 2015: Preview of the 40th Toronto International Film Festival
2015 Fall Movie Preview
Sincere Warmth, Unscripted Hilarity Abound as HFPA Gives Away $2M
Interview: André Gregory and Wallace Shawn
Home Entertainment Consumer Guide: March 11, 2014
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“Birdman,” “Budapest,” Lady Gaga Win Big at Oscars 2015
“Birdman” Wins Big at Independent Spirit Awards
Observations of an Awards Season Skeptic, Part Three: The Low Spark of Pre-Oscars Oscar Fatigue
