Morris From America
Morris from America is not the kind of film that stays with you, but its central performances do.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The first films announced for the 2016 Toronto International Film Festival.
An interview with director Rebecca Miller about her film "Maggie's Plan."
A preview of dozens of films coming out this summer.
The RogerEbert.com staff pick for the Oscar for Best Actor.
The RogerEbert.com staff pick for the Best Adapted Screenplay of 2015.
An interview with co-writer/director Adam McKay of "The Big Short."
A chronological commentary celebrating the performances of Gena Rowlands.
An AFI Fest 2015 report on "The Big Short" and the Q&A that followed with the filmmakers and stars.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Brian Tallerico.
Oscars saved by the music; Julie Andrews glows in "Sound of Music"; Films of Michael Mann reassessed; Rise of the reactress; Let's get out of here.
A review of HBO's "The Jinx" by Andrew Jarecki.
The longest film ever made; Social media spawns outrage; Kanye West is a sanctimonious prat; Binge-watching can be good medicine; 10 films mishandled by the MPAA.
All of our video segments from Cannes 2014.
Barbara Scharres previews the 2014 Cannes Film Festival.
The male bonding/rivalry and cars-go-vrooom of "Rush" leaves Susan Wloszczyna bored, but the Sandra Bullock and Dame Judi Dench save the day with great work in "Gravity" and "Philomena" respectively.
An interview with Nicolas Winding Refn, director of "Valhalla Rising," "Drive" and "Only God Forgives," among other films. Simon Abrams talks to the filmmaker about midnight movies, meeting Alejandro Jodorowsky, and the possibility that he might day make a Wonder Woman movie.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Alan Sepinwall breathes fire on people who spoil Game of Thrones plot developments for newcomers; why the new Doctor Who should be a man, again; the late Iain Banks in his own words; John Malkovich saves a man's life; why you won't read to the end of anything; like air guitar, but with sex.
Now that the Cannes Film Festival is over, critics Ben Kenigsberg and Michał Oleszczyk take a look back over the festival.
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white men arguing about race, and "Blue is the Warmest Color" takes its time to follow the transition from uncertain teenager to knowing adult.
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold artist and photographer Gustaf Mantel's Tumblr blog "If we don't, remember me" - a collection of animated GIFs based on classic films. Only part of the image moves and in a single loop; they're sometimes called cinemagraphs. The results can be surprisingly moving. They also can't be embedded so you have to watch them on his blog. I already picked my favorite. :-)
Marie writes: I was looking for something to make Roger laugh, when the phone rang. It was a bad connection, but this much I did hear: "Roger has died." That's how I learned he was gone, and my first thought was of the cruel and unfair timing of it. He'd been on the verge of realizing a life long dream: to be the captain of his own ship.
Marie writes: Did you know that if you wear your contact lenses too much and too long during the cold, winters months - and with the windows closed and the heat cranked-up, that you can develop an annoying eye condition? Because you can. Ahem. And so for the time being, I'll be spending less time staring at my monitor and more time resting my eyes. The Newsletter will still arrive as usual each week, but it won't be as huge. That said, it will contain a few extra goodies to make up for it, by way of curious finds. And speaking of finding stuff...."On Thursday, March 7, 2013, SpaceX's Grasshopper doubled its highest leap to date to rise 24 stories or 80.1 meters (262.8 feet), hovering for approximately 34 seconds and landing safely using closed loop thrust vector and throttle control. Grasshopper touched down with its most accurate precision thus far on the centermost part of the launch pad. At touchdown, the thrust to weight ratio of the vehicle was greater than one, proving a key landing algorithm for Falcon 9. The test was completed at SpaceX's rocket development facility in McGregor, Texas." - by Neatorama
Happy New Year from the Ebert Club!TRAILERS