While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A recap of the Telluride Film Festival with an emphasis on how it spotlighted stories about women.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A look at the latest and greatest on streaming services and Blu-ray, including Orson Welles on Criterion, "The Nice Guys," "The Jungle Book," "Me Before You" and more!
An interview with executive producer John Legend about "Southside with You," composing the end credits song "Start" for the film's closing credits and much more.
A look at how Detroit has become the backdrop for horror directors over the last few years and what it says about the city.
The first films announced for the 2016 Toronto International Film Festival.
An interview with director Rebecca Miller about her film "Maggie's Plan."
A preview of dozens of films coming out this summer.
The RogerEbert.com staff pick for the Oscar for Best Actor.
The RogerEbert.com staff pick for the Best Adapted Screenplay of 2015.
An interview with co-writer/director Adam McKay of "The Big Short."
A chronological commentary celebrating the performances of Gena Rowlands.
An AFI Fest 2015 report on "The Big Short" and the Q&A that followed with the filmmakers and stars.
The movie questionnaire and 2015 reviews of RogerEbert.com editor Brian Tallerico.
Oscars saved by the music; Julie Andrews glows in "Sound of Music"; Films of Michael Mann reassessed; Rise of the reactress; Let's get out of here.
A review of HBO's "The Jinx" by Andrew Jarecki.
The longest film ever made; Social media spawns outrage; Kanye West is a sanctimonious prat; Binge-watching can be good medicine; 10 films mishandled by the MPAA.
All of our video segments from Cannes 2014.
Barbara Scharres previews the 2014 Cannes Film Festival.
The male bonding/rivalry and cars-go-vrooom of "Rush" leaves Susan Wloszczyna bored, but the Sandra Bullock and Dame Judi Dench save the day with great work in "Gravity" and "Philomena" respectively.
An interview with Nicolas Winding Refn, director of "Valhalla Rising," "Drive" and "Only God Forgives," among other films. Simon Abrams talks to the filmmaker about midnight movies, meeting Alejandro Jodorowsky, and the possibility that he might day make a Wonder Woman movie.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Alan Sepinwall breathes fire on people who spoil Game of Thrones plot developments for newcomers; why the new Doctor Who should be a man, again; the late Iain Banks in his own words; John Malkovich saves a man's life; why you won't read to the end of anything; like air guitar, but with sex.
Now that the Cannes Film Festival is over, critics Ben Kenigsberg and Michał Oleszczyk take a look back over the festival.