Robert De Niro earned consideration on any list of the best actors of all time, especially during a run in the 1970s and 1980s when he was virtually unchallenged for the title and won two Oscars. After a relatively disappointing period later in life, he came roaring back in the 2010s, earning another Oscar nomination for David O. Russell’s “Silver Linings Playbook” before ending the decade with a one-two punch of Todd Phillips’ “Joker” and a long-awaited reunion with Martin Scorsese for “The Irishman,” which earned the 76-year-old actor some of the best reviews of his career.
Robert Anthony De Niro Jr. was born on August 17, 1943 in Manhattan, New York City. While he would become famous for playing Italian characters, he is actually part Irish too, and his mother has a number of backgrounds, including French and German. They divorced when he was only two, and Robert De Niro was raised by his mom in Greenwich Village and Little Italy.
Robert De Niro made his screen debut in 1963 in a film that happened to be another major debut, the first work by Brian De Palma, “The Wedding Party,” although the low-budget film would not actually be released until 1969.
His career really took off in a major way when he worked with a man who would become his most regular collaborator, Martin Scorsese, on 1973’s “Mean Streets.” Playing Johnny Boy opposite a young Harvey Keitel, Robert De Niro made an instant impression, especially when one compared the energy of this role to that of a young Vito Corleone in the next year’s “The Godfather Part II.” Appearing in flashbacks in Francis Ford Coppola’s epic, Robert De Niro earned his first Oscar nomination for Best Supporting Actor and went home with the Academy Award.
The working relationship with Martin Scorsese would be one of the most remarkable acting collaborations in film history as the two worked together eight more times, including their next project together, 1976’s “Taxi Driver,” which became instantly iconic and identifiable with De Niro. The “You talkin’ to me?” scene has been parodied hundreds of times, and the film was a major influence on “Joker” years later and earned the performer his first Best Actor nomination.
At this point in his career, Robert De Niro was already getting a reputation as someone willing to go to extremes for his craft. He didn’t shy away from epics like Bernardo Bertolucci’s “1900,” Elia Kazan’s “The Last Tycoon,” or the next movie that would really elevate him to another level, the Best Picture-winning “The Deer Hunter” in 1978.
He didn’t win for that film, but Robert De Niro would take the Best Actor Oscar for his next work, a reunion with Scorsese to make “Raging Bull,” often named the best film of the ‘80s. Gaining weight to play Jake La Motta, De Niro gave an instantly unforgettable performance, and a streak of great work followed in the ‘80s.
Highlights of this era include “True Confessions,” Scorsese’s “The King of Comedy,” “Once Upon a Time in America,” Terry Gilliam’s “Brazil,” “The Mission,” “Angel Heart,” a long-awaited reunion with friend Brian De Palma for “The Untouchables,” and comedy cult classic “Midnight Run.” None of these won Oscars, but it’s an amazingly diverse and impressive run for any actor in any decade, and Robert De Niro would cap it in 1990 with two films that got raves, Scorsese’s “Goodfellas,” and “Awakenings,” which netted his first Oscar nod in a decade.
The early ‘90s remained a creatively rich time for Robert De Niro. Highlights include “Backdraft,” “Cape Fear,” “Night and the City,” “Mad Dog and Glory,” “This Boy’s Life,” and “A Bronx Tale.” Again, he had a one-two punch in 1995 with Scorsese’s “Casino” and Michael Mann’s “Heat,” two of the most beloved films of his career.
Major work continued through the ‘90s, including “Sleepers,” “Cop Land,” Quentin Tarantino’s “Jackie Brown,” “Wag the Dog,” and “Ronin. “
The public perception of Robert De Niro started to shift at the end of the ‘90s and the turn of the century as the tough guy often found himself parodying that persona in films like “Analyze This” and “Meet the Parents.” While commercially successful, Robert De Niro struggled to balance these movies with the kind of critical darlings he had made for the first three decades of his career. Films like “The Adventures of Rocky & Bullwinkle,” “15 Minutes,” “Showtime,” and “City by the Sea” didn’t too much to further his reputation, although he did receive some praise for his directorial effort “The Good Shepherd” with Matt Damon and Angelina Jolie in 2006. He also had a major achievement in this period when he co-founded the Tribeca Film Festival in 2002.
It wouldn’t be until 2012 that Robert De Niro got the best reviews in a generation and his first Oscar nomination in over twenty years when he starred in Russell’s “Silver Linings Playbook” with Bradley Cooper and Jennifer Lawrence. The hit film seemed to illustrate an enlivened Robert De Niro, someone still willing to take creative risks, and he started getting good reviews even in mainstream films like “The Intern” and HBO’s “The Wizard of Lies,” in which De Niro played Bernie Madoff.
2019 would be another one of those one-two punch years like 1990 and 1995. First, he appeared in the massive hit “Joker,” a film that works from a template of two De Niro classics: “Taxi Driver” and “The King of Comedy.” Then he would dig deeper than he has in years, giving one of his all-time best performances in Scorsese’s epic “The Irishman.” At the time of this writing, Robert De Niro was widely considered a lock for his eighth Oscar nomination and, potentially, could win his first Academy Award since “Raging Bull.”
As for his personal life, Robert De Niro married Diahnne Abbott in 1976, and the two had a son before divorcing in 1988. He was married again, this time to Grace Hightower, in 1997, but they separated in 1999, after having one son, although then got back together in 2004. They had a daughter in 2011 but split again in 2018.
Robert De Niro has been an active, vocal opponent of President Donald Trump, calling him a gangster that he can’t wait to see in jail.
An interview with actor/filmmaker Melora Walters about her directorial efforts, Waterlily Jaguar and Drowning, as well as her performances in Paul Thomas Anderson's Magnolia and the Hulu series Pen15.
A feature on the lasting power of Charles Laughton's Night of the Hunter and what it says about dangerous reflections of faith, then and now.
RogerEbert.com contributor Glenn Kenny talks with editor-at-large Matt Zoller Seitz about Made Men, Kenny's book-length account of the making of Martin Scorsese's Goodfellas.
I have come to appreciate silence not as a sign of weakness or capitulation, but as a finely sharpened dagger that finds its way to the heart, every time.
Matt writes: With the Academy Awards just weeks away, there appears to be a quartet of front-runners emerging in the acting races: Joaquin Phoenix in "Joker" for Best Actor, Renée Zellweger in "Judy" for Best Actress, Brad Pitt in "Once Upon a Time...in Hollywood" for Best Supporting Actor and Laura Dern in "Marriage Story" for Best Supporting Actress.
It’s possible that even the uncanny valley ushered in by Scorsese’s so-called “youthification” is there by the director’s elaborate design.
A piece on Robert De Niro, Harvey Keitel, and Joe Pesci, and what they've meant to the career of Martin Scorsese.
As of this writing, Todd Phillips’ “Joker” has earned nearly $1 billion globally, making it one of the most successful comic book movies ever released. But the discourse surrounding it will outlive this moment. No comic book-derived film since “Black Panther” has sparked more commentary, although the discussion surrounding this one has been more oppositional than anything else, and clouded by bad faith on every side.