The film looks beautiful, using natural locations and available light, all of which creates a real sense of the environment.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with director Ken Loach about the making of Sorry We Missed You.
An introduction to Women Writers Week 2020 at Rogerebert.com, #WWW2020
A video essay celebrating Antonia Bird's maligned masterpiece, Ravenous.
An extensive preview of the films being shown at the 55th annual Chicago International Film Festival.
This year’s festival was one of the strongest I’ve ever witnessed.
On three films from TIFF, including the latest by Ken Loach and Celine Sciamma.
Scout Tafoya celebrates Mike Leigh's Peterloo in his latest video essay about maligned masterpieces.
The Limey is the point when Soderbergh confidently admitted his comfort zone is the genre film.
An interview with Aisling Franciosi, star of Jennifer Kent's "The Nightingale."
Chaz Ebert shares her thoughts on Ron Howard's new documentary, "Pavarotti," and presents an appreciation of the Lyric Opera.
A special edition of Thumbnails spotlighting our coverage of the 2019 Cannes Film Festival.
Ben Kenigsberg predicts "Portrait of a Lady on Fire" will win the Palme d'Or.
A third video dispatch from Cannes 2019.
A review of the new Ken Loach movie.
A preview of the 2019 Cannes Film Festival.
A video preview of Cannes 2019.
Dušan Makavejev used film as a ladder to climb the mental prison walls that he believed imprisoned so many others.
An excerpt from the latest issue of the online magazine, Bright Wall/Dark Room.
The latest on Blu-ray and DVD, including Happy Death Day, The Foreigner, Professor Marston and the Wonder Women, It, and Blade Runner 2049.
Filmmaker Ira Sachs ("Forty Shades of Blue," "Little Men") talks about the impact of his first feature, “The Delta,” on his life and career, and the lessons he drew from its production.
Chaz Ebert's Cannes Survival Guide; Kidman is Queen of the Croisette; Vanessa Redgrave turns director; Not enough female filmmakers; Dunst and Coppola on Hollywood sexism.
The staff reveals their individual picks for the best films of 2016.
RogerEbert.com picks the best films of 2016.
A CIFF 2016 dispatch on Fisher Stevens and Alexis Bloom's "Bright Lights," Julia Ducournau’s "Raw," and Ken Loach's "I, Daniel Blake."
A recap of highlights of the 2016 New York Film Festival.