An interview with director Ken Loach about the making of Sorry We Missed You.
An introduction to Women Writers Week 2020 at Rogerebert.com, #WWW2020
A video essay celebrating Antonia Bird's maligned masterpiece, Ravenous.
This year’s festival was one of the strongest I’ve ever witnessed.
Scout Tafoya celebrates Mike Leigh's Peterloo in his latest video essay about maligned masterpieces.
The Limey is the point when Soderbergh confidently admitted his comfort zone is the genre film.
An interview with Aisling Franciosi, star of Jennifer Kent's "The Nightingale."
Chaz Ebert shares her thoughts on Ron Howard's new documentary, "Pavarotti," and presents an appreciation of the Lyric Opera.
A special edition of Thumbnails spotlighting our coverage of the 2019 Cannes Film Festival.
Ben Kenigsberg predicts "Portrait of a Lady on Fire" will win the Palme d'Or.
Dušan Makavejev used film as a ladder to climb the mental prison walls that he believed imprisoned so many others.
The latest on Blu-ray and DVD, including Happy Death Day, The Foreigner, Professor Marston and the Wonder Women, It, and Blade Runner 2049.
Filmmaker Ira Sachs ("Forty Shades of Blue," "Little Men") talks about the impact of his first feature, “The Delta,” on his life and career, and the lessons he drew from its production.
Chaz Ebert's Cannes Survival Guide; Kidman is Queen of the Croisette; Vanessa Redgrave turns director; Not enough female filmmakers; Dunst and Coppola on Hollywood sexism.
The staff reveals their individual picks for the best films of 2016.
RogerEbert.com picks the best films of 2016.
A CIFF 2016 dispatch on Fisher Stevens and Alexis Bloom's "Bright Lights," Julia Ducournau’s "Raw," and Ken Loach's "I, Daniel Blake."
Great Movies
