Ennio
Self
Clint Eastwood
Clint Eastwood Movie Reviews
Cry Macho
Mike Milo
The Mule
Earl Stone
Tab Hunter Confidential
Himself
Trouble with the Curve
Gus
Gran Torino
Walt Kowalski
Million Dollar Baby
Frankie Dunn
Blood Work
Terry McCaleb
True Crime
Steve Everett
Absolute Power
Luther Whitne
The Bridges Of Madison County
Robert Kincaid
A Perfect World
Red Garnett
In The Line Of Fire
Frank Horrigan
The Rookie
Nick Pulovski
White Hunter, Black Heart
John Wilson
Pink Cadillac
Tommy Nowak
The Dead Pool
Harry Callahan
Heartbreak Ridge
Tom Highway
Pale Rider
Preacher
Sudden Impact
Harry Callahan
Blog Posts That Mention Clint Eastwood
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
The Scene That Clint Eastwood Cut to Make Unforgiven a Classic
Clint Eastwood’s Accidental Heroes
Sun Valley Film Festival Honors Clint Eastwood, “Finders Keepers”
“The end of violence:” The conclusions of Clint Eastwood
Clint Eastwood and the Hereafter
On Clint Eastwood directing “Million Dollar Baby”
On Clint Eastwood in “Million Dollar Baby”
Clint Eastwood pulls no punches
Writing the book on Clint Eastwood
From Clint to Orson: A Conversation with Biographer Patrick McGilligan
My Dinner with Clint
Eastwood, now and Hereafter
“Unforgiven” was Eastwood’s turning-point
The golden age of Eastwood
Fortune Smiles on Eastwood as He Heads into ‘Line of Fire’
‘Unforgiven’ ropes honors for Eastwood
Spike vs. Clint on Iwo Jima
A Road Paved with Bloodshed: High Plains Drifter Turns 50
AFI Fest 2019: Richard Jewell
30 Minutes on: “The Mule”
The Unloved, Part 60: The 15:17 to Paris
“Evil Against Evil”: The Fascinating Incoherence of American Sniper
Interview: Erich Bergen and Michael Lomenda Take “Jersey Boys” From Stage to Screen
recent Two Thumbs Up® reviews
Outguess Ebert on the Oscars
Postcards from Cannes
50 greatest music films ever
NYFF? Fuggedaboutit!
WALL-E scrunches Love Guru inVillage Voice/LA Weekly crix poll
Roger Ebert writes from rehab
Flagging Fathers
Obligatory Oscar analysis!
Losing control, or ceding control, or not…
Tinker Tailor, Moneyball: Between the lines (Part 1)
Gasp! Choke! As film criticism lay dying…
Reviews: Some great lines about movies I haven’t yet seen
The Dirty Harry scene
Here it is: Your first 2008 ten-best list
“There is no god!!!”
Unforgiven: The Discreet Bunch
On actors who are too gay to be in the Musicals
Opening Shots: ‘The Good, the Bad and the Ugly”
The actor as form for the film
Do I feel lucky? Well, do ya, punk?
Johnny Carson: The man behind the curtain
Love and death (not necessarily in that order)
The man with his name
“The Hereafter,” “Casino Jack” and vengeance
Your new age, and mine
What to Watch on Netflix: April 2025
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
I Think Of Them As The Work: Gene Hackman (1930-2025)
A Goodbye to Two Legends: Roberta Flack and Jerry Butler
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
The Tarantino Dozen
The State of the 2024 Oscar Race
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
It’s OK For Movies to Just End
Keith Law Wants You to Watch Better Baseball Movies
The Joy of Watching the Greats Continue to Be Great Well Into Their 80s and 90s
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
In AMC’s Brilliant Monsieur Spade, Even the Detectives Come Hard-Boiled
At The Movies With Matt Zoller Seitz On His Birthday
A TV Icon Leaves the Stage: Suzanne Somers (1946-2023)
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
The Ranown Westerns Join the Criterion Collection
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
Barbara Walters (1929-2022)
Home Entertainment Guide: May 2022
Cannes 2022: Final Cut
He Made Everything Better: Fred Ward (1942-2022)
Cannes Film Festival Preview 2022
Death Game: A Grindhouse Classic Returns to Theaters
Home Entertainment Guide: December 2021, New Releases
Overdue Oscars: 10 Directors Looking for Their First Academy Award
I Believe in Individuals: Barry Gifford and Lili Taylor on Roy’s World: Barry Gifford’s Chicago
The Films That Could Shake Up the Oscar Race
Laughing Until It Hurts: An American Werewolf in London at 40
Fantasia 2021: Bull, Voice of Silence, Baby Money
Jessica Walter: 1941-2021
Short Films in Focus: Yearbook and Hudson Geese
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Thumbnails 7/20/20
Get Lost in Bruce Lee’s Greatest Hits from Criterion
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Home Entertainment Guide: March 20, 2020
The Great Performances of 2019
In Defense of Peggy’s Silence in Martin Scorsese’s The Irishman
AFI Fest 2019: Highlights From Around the World
What to Watch for Indigenous Peoples’ Day
Five Questions from Once Upon a Time … in Hollywood
Roger Ebert’s Celebration of Hispanic FIlmmakers
Son of the father: Peter Fonda, 1940-2019
Someone to Trust, Something to Prove: The Films of Leonardo DiCaprio
Japan Cuts 2019 Preview
Honoring Alain Delon in Cannes Was The Right Thing To Do, Here’s Why
