Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Rocket Raccoon makes a comeback; Why Some Movies Shouldn't Be Explained; Fear of a Minority Superhero; Christian Indies of 2014; Profane response to net neutrality.
Author Peter Biskind revisits four auteurs from the '70s--Steven Spielberg, Martin Scorsese, Roman Polanski, and Terrence Malick.
Remembering Ruby Dee; "The Fault in Our Stars" succeeds and fails; Amazon vs. Warner Bros.; The case against "Edge of Tomorrow"; Trials of a documentarian.
This is a book excerpt from Make Art Make Money: Lessons from Jim Henson on Fueling Your Creative Career by Elizabeth Hyde Stevens.
Tom Shales writes about his friendship with Roger.
A study on when a joke is too soon; Jim Rebhorn writes his own obituary; Disney makes an acquisition; Sudden death in The Good Wife; An Iranian cinema podcast begins.
Director John Lee Hancock on the challenges of making a film about Walt Disney for Disney.
CalArts, founded by Walt Disney in 1961, remains an incubator for animators, directors, actors and other creative types. That was clear at the 10th annual New Original Works Festival at Disney Hall in downtown Los Angeles.
At Disney's D23 Expo, Jani Monji caught up with upcoming animation projects.
At their big D23 Expo event, Disney unleashed some stars and a lot of tantalizing info about live action films.
Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.
Marie writes: Last week, in response to a club member comment re: whatever happened to Ebert Club merchandize (turned out to be too costly to set up) I had promised to share a free toy instead - an amusement, really, offered to MailChimp clients; the mail service used to send out notices. Allow me to introduce you to their mascot...
From the Sundance Institute:
Los Angeles, CA — Last night, Wednesday, June 5, the third annual ‘Celebrate Sundance Institute’ benefit in Los Angeles honored the life and work of beloved journalist and film critic Roger Ebert with the Vanguard Leadership Award in Memoriam. The event also honored filmmaker Ryan Coogler – whose debut feature film, Fruitvale Station, was selected for Sundance Institute's Screenwriters Lab and went on to win both the Grand Jury Prize and the Audience Award at the 2013 Sundance Film Festival – with the Vanguard Award, Presented by Tiffany & Co.
This year's Outguess Ebert contest seems a little like shooting fish in a barrel. For the first time in many a year, maybe ever, I think I've guessed every one correctly.A few years ago, I came across an article about the newly identified psychological concept of Elevation. Scientists claim it is as real as love or fear. It describes a state in which we feel unreasonable joy; you know, like when you sit quiet and still and tingles run up and down your back, and you think things can never get any better.
I tried applying it to that year's Oscar nominees. Did it work any better than any other approach? You need Elevating nominees. An example of Elevation would be when the bone morphs into a space station in "2001." Did I feel Elevation in making any of my Guesses this year. That doesn't mean it was a bad year at the movies. Harvey Weinstein, accepting his achievement award from the Producers' Guild, said he thought 2012 was the best in 90 years. Maybe he felt Elevation when he gazed upon the Weinstein Company's box office figures.
Marie writes: club member Sandy Kahn has found some more auctions! Go here to download a free PDF copy of the catalog.
Although I generally find it difficult to care about superheroes and the movies that franchise them, I liked Joss Whedon's "Buffy the Vampire Slayer" series -- a lot -- so, if I go to see his Marvel Comics packaging-event "The Avengers," it will be because of him and not so much because of Iron Man, Thor, Captain America or Nick Fury. (I should also say I'm intrigued by the idea of Mark Ruffalo as the Hulk and, like everybody else, I got a kick out of Robert Downey Jr. in "Iron Man," too.)
Yes, I know I wrote a piece on taking superhero movies seriously back in 2008, but neither the movies nor their fans have shown much interest in doing that. Instead, these movies have become mere team sports (like American politics), pep-rally occasions for fans to cheer and sneer, in person or online. (There's another essay to be written on the fratty/bully co-optation of geek culture, perhaps...) So, A.O. Scott gives "The Avengers" a measured review in the New York Times ("Superheroes, Super Battles, Super Egos") and Super Ego Superhero Samuel L. Jackson strikes back with a tweet: "#Avengers fans,NY Times critic AO Scott needs a new job! Let's help him find one! One he can ACTUALLY do!"
Marie writes: I have no words. Beyond the obvious, that is. And while I'm okay looking at photos, the video.... that was another story. I actually found myself turning away at times, the suspense too much to bear - despite knowing in advance that he's alive and well and there was nothing to worry about. The bottom of my stomach still fell out...
(click images to enlarge)
Marie writes: If you're like me, you enjoy the convenience of email while lamenting the lost romance of ink and pen on paper. For while it's possible to attach a drawing, it's not the same thing as receiving hand-drawn artwork in the mail. Especially when it's from Edward Gorey..."Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...", a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969."
Marie writes: remember "The Heretics Gate" by artist Doug Foster? Well he's been at it again, this time as part of an exhibit held by The Lazarides Gallery - which returned to the subterranean depths of The Old Vic Tunnels beneath Waterloo Station in London, to present a spectacular group show called The Minotaur. It ran October 11th - 25th, 2011 and depending upon your choice (price of admission) dining was included from top Michelin-star chefs.Each artist provided their own interpretation of the classical myth of Theseus and the Minotaur and as with The Heretics Gate before it, Cimera, Doug Foster's new and equally as memorizing piece made it possible to project whatever comes to mind onto it, as images of body forms and beast-like faces take shape and rise from the bowels of earth. (click image to enlarge.) Photo by S.Butterfly.
Marie writes: Summer is now officially over. The berries have been picked, the jam has been made, lawn-chairs put away for another year. In return, nature consoles us with the best show on Earth; the changing of the leaves! I found these at one of my favorites sites and where you can see additional ones and more...
Marie writes: Roger recently did an email Q&A with the National Post's Mark Medley, which you can read here: "Roger Ebert's voice has never been louder". And in a nice touch, they didn't use a traditional head-shot photo with the article. Instead they went old school and actually hired an illustrator. Yup. They drew the Grand Poobah instead! And here it is...pretty good, eh?
Illustration By Kagan Mcleod for the National Post(click to enlarge)
This week we'll be treated to a big advertising campaign for "Spy Kids: All the Time in the World in 4D." I have not seen the film, but I have experienced the process.
Yes, the Scratch-n-Sniff card is back, this time advertised as Aromascope. We have come a long way since Odorama and Smell-O-Vision. Well, maybe not that long a way.
Marie writes: Some of you may have noticed that I have a soft spot for surfing videos. It's not the sport itself - though I do admire it - so much as the camerawork it inspires, and because I have a translucency fetish; I take great pleasure in seeing light pass through something else. There's an ethereal and other-worldly quality to it which elevates my soul; sunlight pouring through a humble jar of orange marmalade enough to make me think I'm looking at God; smile.And so needless to say, when Club member Lynn McKenzie submitted a link to Paul McCartney's stunning new music video called "Blue Sway" - I was utterly captivated. (click image to enlarge.)
Marie writes: Why a picture is often worth a thousand words...Production still of Harold Lloyd in "An Eastern Westerner" (1920)