Night at the Museum: Secret of the Tomb
As talent-packed as any Night At The Museum picture may be, one doesn’t come to a movie of this sort expecting anybody’s best work. Or…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An appreciation of the life and work of the legendary producer Menahem Golan.
"Speed" vs. "True Lies"; 50 Most Underrated Films; What Our Blockbusters Get Wrong About Women; Louis C.K.'s e-mails; 100 Directors' Rules of Filmmaking.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Why isn't "Real Husbands of Hollywood" getting the media attention its ratings merit?
"Dear Mr. Spider;I am profoundly sorry to have taken you from your home in the woods, when I was picking Himalayan Blackberries on Monday afternoon. I didn't see you fall into my bucket and which was entirely my fault; I must have bumped into your web while reaching for a berry. Needless to say, I was surprised upon returning home with my bucket full, to suddenly see you there standing on a blackberry and looking up at me." - Marie
(photo recreation of incident)
"Corman's World: Exploits of a Hollywood Rebel" is available March 27 on online outlets via iTunes, Vudu, CinemaNow and Amazon. Also on DVD and Blu-ray.
For B-movie buffs, exploitation film aficionados, and midnight movie cultists, the grand finale of "Corman's World: Exploits of a Hollywood Rebel," will be every bit as exhilarating as that montage of forbidden kisses at the end of "Cinema Paradiso." Taking its cue from the liberating, rebellious high point of the Roger Corman-produced "Rock and Roll High School," in which P. J. Soles and the Ramones rock the hallways of Vince Lombardi High, it offers up dizzying bursts of quintessential Corman: cheesy monsters, fiery car explosions, Vincent Price, blaxploitation kickass, marauding piranhas and Mary Woronov with a gun.
Alex Stapleton's "Corman's World" celebrates the singular cinematic legacy of the "King of the Bs," who has improbably and regretfully fallen into obscurity. Observes director Penelope Spheeris ("The Boys Next Door," "The Decline of Western Civilization Part II: The Metal Years," "Wayne's World"): "If you ask a 20-25-year-old film buff, they won't know who he is."
This despite a career that spans almost 60 years and more than 400 films that Corman either directed or produced. But while his own name may be unfamiliar, many of the once-fledgling actors and filmmakers whom he nurtured/exploited are not: Martin Scorsese ("Boxcar Bertha"), Ron Howard ("Grand Theft Auto"), Peter Bogdanovich ("Targets"), Jonathan Demme ("Caged Heat"), Joe Dante ("Piranha"), Robert DeNiro ("Bloody Mama"), Pam Grier ("The Big Doll House"), screenwriter John Sayles ("The Lady in Red") -- all these and many more appear in "Corman's World" in new and archival interviews.
This is a free edited sample of the Christmas Newsletter.
For Roger's invitation to the Club, go here.
From the Grand Poobah and Mrs. Poobah:
Seasons Greetings Everyone!
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!
"The Ant Bully" is now available through HBO On Demand and HBO Go until December 18.
A boy, a wizard and a war--that's the basic formula for many children's adventure stories. In "The Ant Bully," as the name suggests, this story takes place in the insect world, but the bully is the boy named Lucas (voiced by Zach Tyler Eisen). This modest morality tale doesn't go for big laughs but does deal with situations that young kids will inevitably face.
Based on John Nickle's 1999 book by the same name, this 2006 feature was the first animated film produced by Legendary Pictures. "The Ant Bully" followed two better known 1998 ant-themed films: DreamWorks' "Antz" and Disney's "A Bug's Life." All three movies have messages, but are aimed at different audiences.
"The Ant Bully," rated PG for mild violence, is definitely targeted at young children--preteen kids who might feel powerless, so far outside of the adult world. In the movie, 10-year-old Lucas has no friends and is the target of the neighborhood bully. He turns his frustrations on the anthill in his front yard, causing the ants to scurry about when he floods the anthill.
Marie writes: the ability to explore an image in 360 degrees is nothing new, but that doesn't make these pictures any less cool. In the first of a series, the Observer's architecture critic Rowan Moore introduces spectacular interactive 360-degree panoramic photographs of Britain's architectural wonders. "You are put in the middle of a space, and using your computer mouse or dragging your iPad screen - you can look in any direction you choose: up, down, sideways, diagonally, in any direction in full 360 degree turn, in three dimensions."
Go here to explore St Paul's Cathedral, London, built 1675-1711.
Marie writes: you've all heard of Banksy. But do you know about JR...?(click to enlarge image)
Marie writes: Ever since he was a boy, photographer John Hallmén has been fascinated by insects. And he's become well-known for photographing the creatures he finds in the Nackareservatet nature reserve not far from his home in Stockholm, Sweden. Hallmén uses various methods to capture his subjects and the results are remarkable. Bugs can be creepy, to be sure, but they can also be astonishingly beautiful...
Blue Damsel Fly [click to enlarge photos]
The Grand Poobah writes: "be there or be square...."(click to enlarge)
It's a question to ponder -- especially when they're Andy Warhol movies (whether or not Andy Warhol actually had anything to do with them besides putting his name on them). Consider this story from Reid Rosefelt at My Life as a Blog:
... I was a huge fan of Warhol's films, despite the fact that I had never seen a single one. Most, if not all of the films had been withdrawn from circulation, or very rarely shown, certainly not in Madison. That didn't stop me. I read everything I could about them, and I was totally fascinated.
Spotting Warhol standing at an appetizer table, plastic cup in one hand and plate in the other, during a late-1970s party in New York, RR worked up the nerve to approach the artist. It went something like this:
Johnny Cash had one requirement for the star of "Walk the Line": "Whoever plays me, make sure they don't handle the guitar like it's a baby. Make them hold it like they own it!"
TORONTO -- Reeling after a week of too many films built on too much mindless brutality, I found "Little Voice" and "Mixing Nia" to be soothing reassurances that there were still filmmakers with heart and humor. The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one-upmanship in violence and may have outstripped even the audience appetite for mayhem.
Q. I was watching "Godfather II" the other day and remembered that the scene with Vito sitting on the steps with his family, after he has killed Fannuci, was originally intended to lead into an intermission, which was scrapped somewhere along the way. I'm pretty sure James Cameron never intended on having an intermission for "Titanic," but let's pretend the studio asked you, an up and coming editor, to find a place to insert one. Even though you know it was wrong and that Cameron would surely kill you, where would you have put an intermission? (Frank Mendez, Dallas, TX.)
Q. You mentioned the time-slippage in "Cop Land," where the characters are betting against the five-time champion Bulls even though it was not yet the season after their fifth championship. Are all movies going "back to the future?" In "Conspiracy Theory," at the end we see a death certificate which says "10-2-97." Were the producers planning a release later in the year? (Casey Anderson, Schaumberg)
Q. In the end credits for "Batman & Robin" they listed: "Dr. Fries Hairstylist." Since Arnold's character is bald for 99% of the movie was this an "in-joke" or was it a legitimate credit? (Gary Currie, Montreal)
Q. Any idea why there isn't more media coverage of the tobacco industry's practice of paying to have stars -- particularly those appealing to teen-agers and preteen-agers as "adult role models" -- smoke onscreen? Seems to me this topic has been treated in a "hands off" fashion when it comes to reviews and coverage, as nobody wants to let out the dirty little secret of how all that money is moving around in the movie industry. From what I've heard among friends in the business, however, this is the most effective strategy the tobacco industry has undertaken in decades, and is largely responsible for the recent explosion in teen smoking. Your thoughts? -- Thom Hartmann, Marietta, Ga.
Q. Does it strike you that some movie sound effects are overdone? I've noticed in recent years that when a movie couple gets passionate, their kisses sound like they're sucking a peach. If I kissed my wife that sloppily, she'd wipe off her face and send me to the guest room for the night. And what about movie punches? Movies have been overdoing fight sound effects for years. My most vivid memory of "Rocky III" was of Sylvester Stallone and Mr. T beginning their fight with punches that would kill the average person. Do you feel that sound effects are as cliched as some of the other areas you cover in your Little Glossary? (Steven Bailey, Jacksonville Beach, Fla.)
NEW YORK There was an article not long ago in Variety, the show-biz bible, saying that Sigourney Weaver was third on the list of stars who could "open" a movie, worldwide. That placed her right up there with Arnold Schwarzenegger and the other male action heroes, mostly on the basis of her work in the "Alien" series. But the article didn't make much of it.
Toronto, Canada -- A kid is sitting on his front stoop in the Bronx when two guys get into a fight over a parking space. One pulls out a baseball bat. The other one pulls out a gun and shoots the first guy dead. The kid sits there wide-eyed and sees everything, and the killer notices him, and looks at him, hard, and the kid gets the message: In the neighborhood, nobody is lower than a squealer.